Quotesia
Home
Authors
Popular authors
Xenophon
Pope Paul VI
Pauline Phillips
Leo Rosten
Hannah Arendt
Salvador Dali
All authors
Today's birthdays
1908 - Bette Davis
1937 - Colin Powell
1856 - Booker T. Washington
1956 - Reid Ribble
1968 - Stewart Lee
1967 - Denise Juneau
Today's birthdays
Popular professions
Businesswoman
Author
Cartoonist
Designer
President
Artist
All professions
Authors by letter
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
All authors
Topics
Top Quotes
Quotesia
Quote Topics
Sculpture Quotes
Sculpture Quotes
I'm quite sure that all true professional artists, of every description, in all walks of life, whether their craft is painting, music, sculpture, medicine or anything, have one primary concern - mankind.
Chico Hamilton
Life
Music
Walks
Painting
Every
Medicine
True
Primary
Concern
Sure
Craft
Quite
Artists
Anything
Whether
Mankind
Sculpture
Professional
Description
Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
Chuck Close
You
Walk
Space
Relate
Object
Almost
Like
Another
Around
Occupies
Real
Person
Sculpture
Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
Damien Hirst
You
Logical
Painting
Worry
About
More
Poetic
Makes
Scientific
While
Sculpture
Gravity
I gravitate toward contemporary art. I love great paintings, sculpture, photography, some video art.
David Furnish
Love
Art
Great
Photography
Some
Toward
Contemporary
Contemporary Art
Video
Sculpture
Paintings
Gravitate
If I wanted to have total control and be a dictator, I would do ice sculpture in my basement. If I want to make a movie, I'm going to work with 500 people, and I will have to work with their strength and their weakness.
Denis Villeneuve
Work
Strength
People
Will
Control
Weakness
Would
Total
Make
Dictator
Going
Want
Movie
Wanted
Ice
Sculpture
Basement
I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
Derek Cianfrance
Time
You
Editing
Job
Face
Add
Enough
Enough Time
Side
Tell
Taking
Feel
Over
Like
Cheek
Reveals
Off
Just
Nose
Movie
Again
Cut
Really
Means
Sculpture
Away
Start
Here
Sometimes people damage paintings or sculpture because they love it. They throw their arms around a statue in a fit of hysterical passion and it falls over.
Elizabeth Kostova
Love
People
Sometimes
Passion
Statue
Throw
Hysterical
Over
Arms
Because
Around
Falls
Fit
Sculpture
Paintings
Damage
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space.
Ellsworth Kelly
Space
Edge
Style
Differences
Similar
Color
Point
Colors
Had
Between
Doing
Were
Want
Literal
Wanted
Decided
Then
Certain
Sculpture
Certain Point
Painted
Paintings
Started
Two
Mushy novels, pretty pictures, pretty sculpture, decorations on the wall, nice parallel lines - make me sick.
Eva Hesse
Me
Nice
Sick
Parallel
Pretty
Pictures
Make
Lines
Wall
Sculpture
Novels
Colloquial poetry is to the real art as the barber's wax dummy is to sculpture.
Ezra Pound
Art
Wax
Poetry
Real
Dummy
Barber
Sculpture
I have seen Colonial churches since I was very small, Colonial painting and polychrome sculpture. And that was all I saw. There was not a single modern painting in any museum, not a Picasso, not a Braque, not a Chagall. The museums had Colombian painters from the eighteenth century and, of course, I saw Pre-Columbian art. That was my exposure.
Fernando Botero
Art
Seen
Single
Painting
Saw
Churches
Small
Colonial
Picasso
Had
Since
Course
Very
Modern
Any
Eighteenth
Eighteenth Century
Century
Sculpture
Painters
Exposure
Museum
Museums
Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting, you can just pick up a piece of chalk, a stick, or whatever. In sculpture, you can get a rock. Writing, you just need a pencil and paper. Film has been a very elitist medium. It costs so much money.
Forest Whitaker
Art
You
Writing
Money
Whatever
Painting
Medium
Paper
Pen
Pencil
Easily
Has-Been
Costs
Pick
Piece
Until
Stick
Rock
Accessible
Been
Art Form
Up
Very
Get
Just
So Much Money
Form
Then
Much
Sculpture
Chalk
Film
Elitist
Need
The question I ask myself when adapting a book is how do I be true to the spirit and soul of the character? How would I describe this character in my medium? If you asked one person to do a painting of something and another to create a sculpture of it, you'll never ask, 'Why doesn't the painting look like the sculpture?'
Gavin Hood
Myself
Character
You
Soul
Book
Be True
Painting
Adapting
Medium
Would
Spirit
Something
Never
True
Like
Look
Another
How
Question
Person
Ask
Asked
Create
Sculpture
Describe
Why
The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples.
George Edward Woodberry
Art
Age
School
Will
Fall
Painting
Drama
Distinctive
Restricted
Seems
Examples
Poetry
Lifetime
Schools
Likewise
Periods
Within
Limit
Greek
Often
Spanish
Victorian
Century
Sculpture
Cycles
Pope
English
Vigorous
Serve
Growth
Two
Since the Gothic, European sculpture has become overgrown with moss, weeds - all sorts of surface excrescences which completely concealed shape. It has been Brancusi's special mission to get rid of this overgrowth and to make us once more shape-conscious.
Henry Moore
Become
Once
Once More
Has-Been
More
Weeds
Shape
Concealed
Since
Mission
Moss
Make
Sort
Surface
Gothic
Been
Get
Which
Us
Sculpture
Rid
Special
European
Sculpture is an art of the open air. Daylight, sunlight, is necessary to it, and for me, its best setting and complement is nature.
Henry Moore
Art
Best
Nature
Me
Setting
Complement
Air
Sunlight
Open
Daylight
Sculpture
Necessary
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
Henry Moore
Work
Pure
Nervous
Become
Lose
Side
Back
Once
Sight
Carving
Brought
He
Also
Altogether
Which
Again
Sensitivity
Sculpture
Well, what I'm doing is really clothing. I'm not doing sculpture.
Issey Miyake
Well
Doing
Clothing
Really
Sculpture
In Portugal, my sculpture 'She Changes' refers to the town's fishing history, to the era of seafaring trade and discovery. The contemporary site is industrial, surrounded by red and white striped smokestacks, which is mirrored in the pattern of the sculpture.
Janet Echelman
History
White
Changes
Striped
Red
Town
Contemporary
Industrial
She
Trade
Era
Fishing
Discovery
Surrounded
Site
Which
Pattern
Sculpture
Portugal
I believe people can have a profound experience by being surrounded by something beautiful - that's what I aim for. My sculpture is about the way you feel when you're standing under it and inside it. It's experiential art.
Janet Echelman
Beautiful
Art
You
Experience
People
Believe
Aim
Way
Inside
About
Something
Feel
Surrounded
Being
Sculpture
Standing
Profound
I'm sick of the foodies who need every morsel that goes into their mouth to be a Picasso painting, a Giacometti sculpture, a Proust novel, evoking the world with each crumb.
Jessi Klein
World
Mouth
Painting
Every
Sick
Evoking
Picasso
Crumb
Proust
Goes
Sculpture
Who
Novel
Each
Need
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
Jimmy Carl Black
Me
Creative
Think
Final
Guides
True
Rock
Artists
Theme
Really
Sculpture
Many
Start
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Joan Didion
You
Writing
Matter
Finished
Research
Down
Every
Stroke
Strokes
More
Shaping
Put
Like
Course
Nonfiction
Still
Go
Texture
Rewrite
Sculpture
Original
Paintings
Novels
Specifically
Thing
Watercolors
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
John Lurie
Time
Somewhere
Takes
Piece
Pass
How
Oppressive
Up
Just
Public
Room
Much
Sculpture
Thing
Inconvenient
In my extensive experience, I can honestly say that Sculpture Hospitality's inventory solutions are world class and, by far, the most comprehensive in the industry.
Jon Taffer
Class
Experience
World
World-Class
Honestly
Say
Solutions
Comprehensive
Inventory
Hospitality
Most
Industry
Far
Sculpture
Extensive
Novel writing, like so many things in life, is an iterative process. You come at it again and again, working at it like you would a piece of pottery or a stone sculpture, chipping away the parts that don't make sense, smoothing over the rough edges.
Kameron Hurley
Life
You
Writing
Sense
Would
Pottery
Over
Come
Like
Piece
Make
Edges
Parts
Stone
Process
Again
Chipping
Working
Sculpture
Many
Novel
Rough
Away
Things
Load more quotes
No more sculpture quotes
Haven't find the right quote? Try another of these similiar topics.
About
Fair
Come
Around