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Henry Moore Quotes
Henry Moore Quotes
Henry Moore
English
Sculptor
Born:
Jul 30
,
1898
Died:
Aug 31
,
1986
Art
Become
Carving
Fundamental
Work
You
Related authors:
Alberto Giacometti
Alexander Calder
Auguste Rodin
Camille Claudel
Constantin Brancusi
Dan Flavin
Ruth Asawa
The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass.
Henry Moore
Other
Side
Immediately
Solid
Three-Dimensional
More
Mass
Making
Itself
Hole
Much
Connects
To know one thing, you must know the opposite.
Henry Moore
You
Must
One Thing
Know
Opposite
Thing
Since the Gothic, European sculpture has become overgrown with moss, weeds - all sorts of surface excrescences which completely concealed shape. It has been Brancusi's special mission to get rid of this overgrowth and to make us once more shape-conscious.
Henry Moore
Become
Once
Once More
Has-Been
More
Weeds
Shape
Concealed
Since
Mission
Moss
Make
Sort
Surface
Gothic
Been
Get
Which
Us
Sculpture
Rid
Special
European
Cezanne had an enormous influence on everyone in that period; there was a change in attitudes to art. People found him disturbing because they didn't like their existing ideas being challenged and overturned. Cezanne was probably the key figure in my lifetime.
Henry Moore
Art
Change
People
Key
Enormous
Everyone
Disturbing
Lifetime
Had
Attitudes
Like
Ideas
Period
Him
Because
Existing
Being
Influence
Figure
Found
Challenged
Sculpture is an art of the open air. Daylight, sunlight, is necessary to it, and for me, its best setting and complement is nature.
Henry Moore
Art
Best
Nature
Me
Setting
Complement
Air
Sunlight
Open
Daylight
Sculpture
Necessary
Discipline in art is a fundamental struggle to understand oneself, as much as to understand what one is drawing.
Henry Moore
Art
Struggle
Discipline
Drawing
Oneself
Understand
Much
Fundamental
The violent quarrel between the abstractionists and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious.
Henry Moore
Art
Good
Me
Imagination
Unnecessary
Classical
Seems
Both
Unconscious
Abstract
Contained
Between
Quarrel
Surprise
Intellect
Surrealist
Quite
Just
Order
Romantic
Good Art
Elements
Conscious
Violent
It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.
Henry Moore
Work
Art
Mistake
Speak
Job
Release
About
Write
Tension
His
Very
Often
Sculptor
Painter
Needed
So with the young African artists. What they have to learn from tribal art is not how to copy the traditional forms, but the confidence that comes from knowing that somewhere inside them there should be the vitality which enabled their fathers to produce these extraordinary and exciting forms.
Henry Moore
Art
Confidence
Tribal
Somewhere
Young
Extraordinary
Fathers
Inside
Vitality
Exciting
Knowing
Learn
How
Traditional
Artists
African
Which
Forms
Them
Produce
Should
Copy
Comparing Oceanic art generally with Negro art, it has a livelier, thin flicker, but much of it is more two-dimensional and concerned with pattern making. Yet the carvings of New Ireland have, besides their vicious kind of vitality, a unique spatial sense, a bird-in-a-cage form.
Henry Moore
Art
Sense
Kind
Besides
Vitality
Carving
More
Generally
New
Concerned
Making
Ireland
Form
Vicious
Pattern
Much
Spatial
Flicker
Unique
Comparing
Thin
Two-Dimensional
There are universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not shut them off.
Henry Moore
Control
Everybody
Respond
Shapes
Does
Subconsciously
Conditioned
Off
Which
Them
Conscious
Shut
Universal
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
Henry Moore
Work
Pure
Nervous
Become
Lose
Side
Back
Once
Sight
Carving
Brought
He
Also
Altogether
Which
Again
Sensitivity
Sculpture
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Alberto Giacometti
Alexander Calder
Auguste Rodin
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