709 Directors Quotes for You to Enjoy

I felt that if there wasn't going to be a good opportunity, then I would just go back to second units which I love, keep working with great directors, keep learning and knowing that the opportunity would come when the time was right. David R. Ellis

Love Time Good Great Learning Opportunity Back Would Good Opportunity Directors Come Knowing Felt Go Going Just Which Then Working Keep Right Units Second

That excites me, working with really excellent people, be it wonderful directors or actors or cinematographers and especially writers. My work life is going to a set and having these great experiences and coming home shifted by them. Deborah Kara Unger

I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997. Deborah Mailman

Great Me Director Women Three First Gave Back Aboriginal Directed Directors She Another Perkins Lore Lot Times Role Just Worked Really Who Film Now Her Actually Recently

I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes. Deepika Padukone

Work Love Mistakes Own Believe Satisfied Think Collaborative Easily Critical Would Constant My Own Directors Like Learn Am Very Times Get Worked Keep Actor Why Recent Desire

It always cracks me up when program directors or music directors or companies will say, 'Well, we did research, and we interviewed 25 people in our focus group, and this is what they said.' And I'm like, 'I've talked to 25 people in two hours! I talk to 50, 60, 70 people a night! Five or six days a week!' Delilah

Music Me People Will Focus Research Group Our Say Directors Week Days Like Hours Talk Well Talked Said Always Up Five Did Cracks Six Six Days Companies Night Two Program

I was saying to myself that I would love to try it once, just one time, to know what it's like to make a movie in Hollywood. I was so curious because most of my favorite directors were there. There's a history; there's a way of working. Denis Villeneuve

Love Saying Time Myself History Try Once Way Favorite Would One Time Directors Like Know Most Make Because Were Curious Just Movie Just One Hollywood Working

There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of. Dennis Christopher

Great Playwrights Tremendous Complex Characters Directors Leading Always Proud Yeah Lot Very Done Rewarding Theater Things Plays

All of the directors I work with have their own unique gifts. Dennis Haysbert

Work Own Gifts Directors Unique

To be honest, more than what I prepare, it's the directors who do the bulk of the work, researching, collecting data and all that. I like to see myself as a processor: they feed me with the data, I give the output. Dhanush

Work Myself Me To Be Honest Collecting See Give Data More Directors Output Feed Like Bulk Than Who Researching Prepare Honest

One nice thing about being a woman in Hollywood is that the women tend to be very close-knit. All of us writers and directors know each other and cling to each other for safety and support, and it's really a completely different vibe than the men experience out here, where they're all trying to murder each other. Diablo Cody

Woman Women Experience Safety Men Nice Other Out Out Here About Directors Tend Writers Support Know Cling Very Than Trying Vibe Being Where Different Hollywood Us Really Nice Thing Each Thing Here

I get tetchy with myself when I forget. I also get tetchy when directors ask you for take after take after take after take for no apparent reason. I've heard Maggie Smith gets tetchy for the same reason. Diana Rigg

Myself You Maggie Directors Take Also Smith Heard Forget Get Same Gets After Ask Reason Apparent

If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though. Diane Cilento

A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty. Diane Kruger

Beauty Sexuality Objects Directors Leading Idealize Lot Ladies Them Turn

I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work. Diane Lane

Work Negative Gun Become Sets Everybody Everybody Else Else Exactly Directors Finite Week Know Because Becomes Infinite Quite Vibe After Capacities Film Second Film Sets Drag

There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes. Dick Wolf

Director Woman Women Opportunity Mistakes Independent Independent Film Bad Magazine Angeles About Guys Directors Tend Over Learn Makes Los Los Angeles Article Get Interesting Film Her Career

Systems, coaches, and directors or club presidents do not win games - players do, they are the only people who can make a significant difference once that game starts. Diego Forlan

Game People Win Club Starts Once Presidents Significant Systems Only Directors Make Difference Coaches Games Who Players

I think film is a world of directors. Theater is a world of actors. Diego Luna

World Think Directors Theater Film Actor

Directors should be paid for promising impossible things. Diego Luna

Impossible Promising Directors Should Paid Things

In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut their movies in their head. Don Ameche

Work Learning Listening Old Before Own Other Those Would Seeing Some Guys Directors Could Head Days Schools Learned Camera Cameraman Old Days Movies Cut Such A Thing Film Thing Watching

Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach. Donald Pleasence

Approach Directors Tend Somewhat Continental Opposed American British

I get crushes on directors because they are so brilliant. Dorothy Malone

Brilliant Directors Crushes Because Get

All of my fellow directors, I think, would agree that in whatever medium you are working, the challenges and obstacles push them to be more creative. That's the case with VR. Doug Liman

You Creative Challenges Whatever Think Medium Would Case More Directors Push Obstacles Fellow Them Working Agree

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