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David R. Ellis Quotes
David R. Ellis Quotes
David R. Ellis
American
Director
Born:
Sep 8
,
1952
Died:
Jan 7
,
2013
Because
Car
Good
Great
Think
You
Related authors:
David Lynch
George Lucas
Martin Scorsese
Spike Lee
Steven Spielberg
Tim Burton
Woody Allen
Fourth Law of Thermodynamics: If the probability of success is not almost one, then it is damn near zero.
David R. Ellis
Success
Law
Damn
Almost
Probability
Success Is
Then
Thermodynamics
Near
Zero
Fourth
It was great. I mean, it's a blast directing underwater stuff.
David R. Ellis
Great
Directing
Blast
Stuff
Underwater
Mean
I felt that if there wasn't going to be a good opportunity, then I would just go back to second units which I love, keep working with great directors, keep learning and knowing that the opportunity would come when the time was right.
David R. Ellis
Love
Time
Good
Great
Learning
Opportunity
Back
Would
Good Opportunity
Directors
Come
Knowing
Felt
Go
Going
Just
Which
Then
Working
Keep
Right
Units
Second
I like Soderbergh, Spielberg, Lucas. There's a lot of talented guys out there obviously, and if you're a fan of films, you have to look at that stuff and learn from them.
David R. Ellis
You
Films
Out
Spielberg
Guys
Stuff
Talented
Like
Look
Obviously
Learn
Lot
Fan
Them
Lucas
Soderbergh
I mean, you have a general tone of it but it's pretty much you get to come in and you're going to flip this car and it's going to blow up and you're going to come out on fire and you go oh, that's cool, and then you get paid a lot of money.
David R. Ellis
You
Money
Car
Fire
Out
Pretty
General
Come
Go
Lot
Up
Get
Blow
Going
Oh
Mean
Then
Much
Paid
Cool
Flip
Tone
It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.
David R. Ellis
Good
Great
Me
Understanding
Action
Out
About
Determining
Having
Execute
Also
How
Shooting
Getting
Going
Just
Shot
Really
Capture
Helps
No, we always had something to do because I did all the wave runners and jet skis and boats approaching the atolls and stuff like that, so you could do that without showing the actual atoll or the set that you're going towards, but detailing all those guys racing towards it.
David R. Ellis
You
Approaching
Jet
Wave
Those
Runners
Detailing
Something
Guys
Could
Had
Towards
Stuff
Like
Because
Without
Always
Did
Going
Boats
Ski
Racing
Showing
Actual
Set
So then I started doing a lot of episodic TV, just car chases or helicopter chases or whatever.
David R. Ellis
Car
Whatever
TV
Doing
Lot
Just
Then
Helicopter
Episodic
Started
We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
David R. Ellis
Me
Meetings
Projects
Having
New
Couple
Talking
Got
Doing
Line
New Line
Lot
Interested
Available
Well, I think on second units it's all about execution. Because you come in there, you don't have to worry so much about the studio and all the other actors and all that.
David R. Ellis
You
Think
Other
Worry
About
Studio
Come
Execution
Well
Because
Much
Actor
Units
Second
Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies.
David R. Ellis
Important
Release
Out
Would
Promote
Cross
Factor
New
Advertise
Yeah
Line
New Line
Lot
Getting
Different
Movie
Help
Companies
Company
You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.
David R. Ellis
Good
You
Son
Comedy
Husband
Breath
Ease
Kidnapped
Kim
Some
Take
Tension
Around
Up
Get
Being
Movie
Centered
Which
Really
Moments
Jeopardy
Her
Chance
You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.
David R. Ellis
Work
Funny
Alone
Home
Character
You
Action
Stuff
Like
Supposed
Make
Because
Understand
Doing
Movie
Really
Tone
Violent
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