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Director Quotes
Director Quotes
I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
Jason Wu
Fashion
Director
World
Saw
Relevant
Boss
Potential
Points
Also
Annual
Around
Sales
Very
Hugo
Artistic
Different
Which
Might
Create
Billion
Companies
Believable
Million
Designer
I will work with a director who has good material because at the end of the day, that's what counts.
Javier Bardem
Work
Good
Day
Director
End Of The Day
Will
Good Material
Counts
Because
Material
End
Who
Every single director stops at the moment he thinks he has the shot. Sometimes, directors shoot an establishing shot where everything is in the shot. He's going to use this at the beginning and the end.
Javier Camara
Director
Sometimes
Single
Beginning
Every
Everything
Directors
He
End
Shoot
Going
Stops
Establishing
Where
Shot
Use
Moment
Thinks
Long before I ever started acting, believe it or not, I always knew I wanted to be a director.
Jay Baruchel
Director
Long
Before
Believe
Knew
Always
Wanted
Acting
Ever
Started
My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone.
Jay Roach
Director
Together
Will
Style
Sense
Design
Way
Cast
How
Overview
Role
Shoot
Movie
Biggest
Cut
Such A Way
Film
Keeping
Tone
I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character.
Jay Ryan
Beautiful
Character
Director
Hair
Half
Top
New
Like
Looked
Shaved
Off
Very
Role
Shooting
Intense
Famous
Native
Lake
Jane
Shot
Film
Playing
In a career, when you hit 40 and you've done a lot of this and that, you want to try some new things. I feel like that as a director, too, from one film to the other.
Jean-Marc Vallee
You
Director
Try
New Things
Too
Other
Some
Feel
New
Like
Lot
Hit
Done
Want
Film
Things
Career
When you move handheld, and the director of photography has the courage to shoot with no lights, the set becomes a space of creativity and freedom where actors can move wherever they want to move.
Jean-Marc Vallee
Freedom
You
Director
Photography
Courage
Creativity
Space
Lights
Becomes
Shoot
Move
Where
Want
Wherever
Actor
Set
I'm a writer and director, and I like to do that, but for some reason, it's become part of the industry and part of the job to go, 'Alright, let's talk about it!'
Jean-Marc Vallee
Director
Job
Become
Some
About
Writer
Part
Like
Talk
Alright
Industry
Go
Reason
It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears.
Jeanne Tripplehorn
Me
Director
Difficult
Every
Collaborator
Gears
Directed
Ten
Having
New
Days
Real
Shift
Want
Hard
Actor
When you see a bad romantic comedy, you see the script, the director, and the actors trying to create this warmth and this pathos and this feeling that you care about them. That cannot be manufactured - it's either there or it isn't.
Jeff Garlin
You
Director
Comedy
Care
Feeling
Bad
See
About
Trying
Pathos
Romantic
Romantic Comedy
Cannot
Either
Script
Them
Warmth
Create
Actor
The natural gas industry has worked long and hard to smear Josh Fox, the director of 'Gasland,' and has failed.
Jeff Goodell
Director
Natural
Long
Josh
Failed
Smear
Industry
Natural Gas
Worked
Hard
Gas
Fox
I don't have much estimation of my abilities as a director, but I found I loved class and loved process and loved practice. And so I've put together classes of actors - oh my God - since I was 21 years old, I think.
Jeff Perry
God
Class
Director
Together
Old
Practice
Think
Ability
Classes
Put
Since
Years
Oh
Oh My God
Loved
Process
Estimation
Much
Found
Actor
At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.
Jeffrey Bowyer-Chapman
Myself
Me
Director
Old
First
Salt
Situation
Took
Out
Vancouver
Restaurant
Casting
Part
Read
Got
Came
His
Years
Up
Sitting
Where
Grain
Movie
Turned
Asked
Really
Film
Found
The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.
Jeffrey Pierce
Great
Family
Me
You
Director
Together
Photography
Joy
Feeling
Crew
Ensemble
Television
Great Feeling
Guys
Cast
Truck
Involved
Sort
Coming
Camera
Being
Successful
Unit
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
Jeffrey Tambor
Time
Me
Director
First
Met
Every
Kind
Minute
Casting
He
Read
Terrific
First Time
Audition
His
Gracious
Show
Recall
Garry
Larry
If a director can't figure out what they might get from me or whether he or she wants to work with me based on what I've done, then I can't tell them anything more than what they don't know already.
Jeffrey Wright
Work
Me
Director
Out
Tell
More
He
He Or She
Know
She
Than
Get
Done
Anything
Wants
Whether
Them
Might
Then
Figure
Based
I was a frustrated musician, frustrated designer, frustrated art director, frustrated novelist, right. I'd fail at all these different professions.
Jeffrey Zeldman
Art
Director
Musician
Fail
Different
Frustrated
Novelist
Professions
Right
Designer
The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.
Jennifer Beals
Love
You
Director
Somebody
Out
See
Fearful
Costs
Scenes
Could
Takes
Were
Where
Regardless
Story
Worked
Avoided
Actor
Away
Right
Right Away
It became very clear to the director that it would be foolish not to use our friendship. I had tried to talk to him about it because all the relationships in the film are so, not negative, but antagonistic. There's not a lot of love going around.
Jennifer Beals
Love
Friendship
Director
Negative
Relationships
Our
Would
Would-Be
Tried
About
Foolish
Had
Clear
Talk
Him
Became
Because
Around
Antagonistic
Lot
Very
Going
Use
Film
I pick different projects for different reasons. Usually, it's a combination of things. I admire the director, and I am interested in working with the director. Or, it's the cast. I can be moved by the story. The ideal situation is you love the director and you love the cast.
Jennifer Connelly
Love
You
Director
Situation
Projects
Admire
Cast
Pick
Ideal
Combination
Am
Moved
Different
Story
Interested
Working
Different Reasons
Reasons
Things
I walk into a room, and people see me as a director, not a woman.
Jennifer Yuh Nelson
Me
Director
Woman
People
Walk
See
Room
A director will always tell you, when you go in to do a scene, 'You go as big as you want, and I'll tell you when to come down.' And I found that on 'Shameless,' you can't follow that rule because they will never tell you to come down. So, I've had to find my own balance with when it makes sense to get this upset or angry.
Jeremy Allen White
Angry
You
Director
Balance
Will
Big
Own
Sense
Down
Rule
Tell
Find
Follow
My Own
Scene
Shameless
Never
Had
Come
Because
Makes
Always
Go
Get
Upset
Want
Found
Peter Brook's 'Midsummer Night's Dream,' I remember seeing. That was pretty early on. And suddenly, I realized how theatrical Shakespeare is, how alive, how wonderful it is when it's opened up by a great director and a great company.
Jeremy Irons
Great
Director
Wonderful
Remember
Great Director
Alive
Dream
Brook
Seeing
Pretty
Shakespeare
Opened
How
Up
Theatrical
Realized
Company
Peter
Suddenly
Early
Night
It's always nice working with friends. And if you have a director that you've worked with before, you don't have to go through that first learning thing. There's an element of trust there.
Jeremy Irons
You
Director
Learning
Trust
First
Before
Nice
Through
Always
Go
Friends
Worked
Working
Element
Thing
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
Jesse Eisenberg
Good
Character
You
Director
Mind
Job
Made
Important
Reading
Think
Out
Good Movies
Know
Most
Most Important Thing
Well
Important Thing
Role
Trying
Any
The Most Important
Movie
Script
Movies
Figure
Actor
Play
Thing
Last
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