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Quotes by Artists
Quotes by Artists
A love of nature is a consolation against failure.
Berthe Morisot
Love
Nature
Failure
Consolation
Against
My reputation was built on hostility. I had no friends and some very virulent enemies in the old-guard art scene when I began. They threw their heavy artillery against me. They were convinced I was perverting the public taste.
Betty Parsons
Art
Me
Enemies
No Friends
Reputation
Some
Threw
Scene
Had
Hostility
Built
Were
Began
Friends
Very
Taste
Artillery
Heavy
Against
Public
Convinced
Every time I learn a new thing to do on my computer, I have to write it down so that I can remember it.
Betty Parsons
Time
Remember
Down
Every
Every Time
Computer
Write
New
Learn
New Thing
Thing
I've been working in sculpture and painting since 1920.
Betty Parsons
Painting
Since
Been
Working
Sculpture
I've been using a computer for quite some time, and I don't understand everything.
Betty Parsons
Time
Everything
Some
Computer
Understand
Been
Quite
Quite Some Time
Using
America is behind Europe and Japan in terms of accepting adult ideas in animation.
Bill Plympton
Adult
Animation
Ideas
Terms
Accepting
America
Behind
Japan
Europe
I don't see why it's such a stretch for distributors, buyers, and studios to put cartoon characters into adult situations on film.
Bill Plympton
Characters
Cartoon
Cartoon Characters
Distributors
See
Adult
Put
Studios
Situations
Film
Why
Buyers
Stretch
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
Bill Plympton
Good
Great
Important
Nice
Think
Great Artist
Having
More
Idea
Talented
Most
Most Important Thing
Important Thing
Than
Artist
Being
The Most Important
Gag
Storyteller
Thing
Good Idea
I look at some of my early stuff - back when I was 12 or 13 years old - and I was already doing cross-hatching back then. I don't know where I picked that up. I think I was in a hurry, and I wanted to shade something really fast, and I tried cross-hatching a shadow.
Bill Plympton
Old
Think
Back
Tried
Hurry
Some
Shade
Shadow
Something
Picked
Stuff
Know
Look
Doing
Years
Up
Where
Wanted
Then
Really
Fast
Early
I'm not as successful as Pixar or Dreamworks, and that is disappointing to me, because I think my films are as valid as a Pixar film. I think there's an audience for my films. I know there's a market for someone like Quentin Tarantino, who basically does adult cartoons in live action.
Bill Plympton
Me
Action
Live
Think
Films
Valid
Market
Dreamworks
Cartoons
Someone
Adult
Disappointing
Like
Know
Because
Audience
Does
Quentin Tarantino
Tarantino
Pixar
Successful
Who
Live Action
Film
Basically
If I'm really feeling good and not having a lot of interruptions, I can do a minute of animation a day, so theoretically, I could do a film in three months without any interruptions.
Bill Plympton
Good
Day
Three
Feeling
Months
Minute
Having
Could
Animation
Feeling Good
Without
Lot
Any
Really
Theoretically
Film
Interruptions
I like to get up at six in the morning, and I draw until sometimes ten at night.
Bill Plympton
Morning
Sometimes
Draw
Ten
Like
Until
Up
Get
Six
Night
To me, the technique was almost irrelevant; it was what was coming across.
Bill Sienkiewicz
Me
Almost
Coming
Irrelevant
Across
Technique
To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
Bill Sienkiewicz
Work
Love
Day
Me
Else
Approach
One Day
One Of The Things
About
Something
Something Else
Computer
Stuff
Piece
Doing
Different
Different Approach
Then
Things
Watercolor
There is a whole generation of people who are going to see movies or watch TV who don't want to work.
Bill Sienkiewicz
Work
Generation
People
TV
See
Going
Want
Movies
Who
Whole
Watch
That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.
Bill Sienkiewicz
Me
You
Learning
Yourself
People
Will
Lose
More
True
Because
Real
Realized
Element
So, when the special effects are at the service of the story and draw you into it, that is really the magic.
Bill Sienkiewicz
Service
You
Draw
Magic
Effects
Story
Really
Special
Special Effects
So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration.
Bill Sienkiewicz
Truth
Me
Exaggeration
Honorable
Cartooning
Something
Through
Envelope
Pushing
Thing
Nothing is really media driven or committee driven, so you can actually just produce something.
Bill Sienkiewicz
You
Nothing
Something
Driven
Committee
Just
Produce
Really
Media
Actually
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
Bill Sienkiewicz
You
Everything
Evident
Minimal
Something
Directed
Lighting
Like
Look
Opposed
Pin
Godfather
Being
Lit
Where
James
Movie
Flat
Bright
Film
Gray
If you're going to establish a certain level of unreality than you have to deal with it.
Bill Sienkiewicz
You
Unreality
Deal
Than
Going
Establish
Certain
Certain Level
Level
If somebody can inspire me, it feels really special.
Bill Sienkiewicz
Me
Inspire
Somebody
Feels
Really
Special
I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.
Bill Sienkiewicz
Enough
Books
Top
Kind
Given
Were
Sellers
Radar
Lucky
I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
Bill Sienkiewicz
Made
Say
Out
Point
Main
Stuff
Got
Just
Want
Crap
Produced
I didn't want to feel constrained, so I took on the Mutants.
Bill Sienkiewicz
Took
Constrained
Feel
Want
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
Bill Sienkiewicz
New
Because
Doing
Covers
Lot
Version
Elektra
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