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Hirokazu Kore-eda Quotes
Hirokazu Kore-eda Quotes
Hirokazu Kore-eda
Japanese
Director
Born:
Jun 6
,
1962
Children
Father
Films
Japanese
People
Time
Related authors:
Alfred Hitchcock
David Lynch
George Lucas
Martin Scorsese
Steven Spielberg
Tim Burton
Woody Allen
I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking.
Hirokazu Kore-eda
Time
People
Sometimes
Circle
Thinking
Films
Way
Remind
Nobody
Perhaps
How
Passes
Line
Been
Time Passes
Comment
Comments
Goes
Maybe
Different
Japan
Straight
Them
Straight Line
Different Way
Round
Right
Flow
Yes, a family is interesting. You can get a lot of drama in the conflicts there. It's like the sea. It seems calm, but inside there is conflict.
Hirokazu Kore-eda
Family
You
Conflict
Calm
Drama
Inside
Seems
Like
Lot
Yes
Get
Conflicts
Interesting
Sea
My mother was really against it when I said I wanted to make films. She said that I should be a civil servant because that was safe, and it had security. But my mother was always very proud of my movies and would give videocassettes of them to all the neighbours.
Hirokazu Kore-eda
Mother
Films
Neighbours
Security
Would
Civil
Civil Servant
Give
Had
Safe
She
Make
Because
Said
Always
Proud
Very
Wanted
Against
Movies
Them
Really
Should
Servant
'Like Father, Like Son' gave me the opportunity to show when it is not good with a father.
Hirokazu Kore-eda
Good
Me
Son
Opportunity
Father
Gave
Like
Show
As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them.
Hirokazu Kore-eda
Family
Parents
Own
Live
About
More
More And More
Rely
Consult
How
Gets
Children
Japanese
Them
Grandparents
Help
Nuclear
Raise
When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions.
Hirokazu Kore-eda
Important
Facial
Observe
Most
Documentaries
Most Important Thing
Learned
Making
Important Thing
Gestures
Listen
The Most Important
Expressions
Thing
There's a difference between people being free and the atmosphere of 'freedom.'
Hirokazu Kore-eda
Freedom
People
Free
Atmosphere
Between
Difference
Being
My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia.
Hirokazu Kore-eda
Life
War
Time
Struggle
Money
Father
Lost
Jobs
Security
Had
He
Make
Because
Real
Odd
Odd Jobs
His
Camp
Lot
Did
After
Sent
Siberia
The children in 'Nobody Knows' had a resonance with me. The children are projections of myself.
Hirokazu Kore-eda
Myself
Me
Resonance
Had
Nobody
Knows
Children
When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving.
Hirokazu Kore-eda
Work
Own
Vocabulary
Dialogue
Imposing
Text
Child
Child Actors
Just
Personalities
Them
Then
Choose
Chose
Actor
Receiving
Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia.
Hirokazu Kore-eda
Art
Wonderful
Films
Distribution
Taiwanese
Most
Iranian
Lot
Asia
Tokyo
Europe
International
It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values.
Hirokazu Kore-eda
People
Values
Films
State
Righteous
Criticise
Make
Accept
Subsidies
Want
Japanese
Japanese People
European
Receive
If my films did better at the box office in Japan, it would be easier to get them made.
Hirokazu Kore-eda
Better
Made
Films
Easier
Would
Would-Be
Box
Box Office
Office
Get
Did
Japan
Them
The vividness of children is easier to see when they're completely left to their own devices.
Hirokazu Kore-eda
Own
Easier
See
Devices
Left
Children
I'm so entranced by what unfolds in front of the camera. It seems wonderfully out of my control.
Hirokazu Kore-eda
Control
Out
Seems
Entranced
Camera
Wonderfully
Front
Unfolds
I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature.
Hirokazu Kore-eda
Nature
Human Nature
Believe
Complex
Able
Terms
Any
Essence
Human
Capture
My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films.
Hirokazu Kore-eda
Work
Mother
Busy
Films
District
She
Go
Bank
After
Used
Tokyo
Watch
When I have been told that my films remind people of Ozu, I have never been too convinced.
Hirokazu Kore-eda
People
Films
Too
Never
Remind
Been
Convinced
I am very happy that Japanese film can cross borders.
Hirokazu Kore-eda
Happy
Borders
Cross
Am
Very
Japanese
Film
The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food.
Hirokazu Kore-eda
Food
Religion
You
Spirituality
Shoes
Say
Kind
Table
Eat
Like
Am
Thanking
Cap
Japanese
Specific
Apple
Receiving
My grandfather had Alzheimer's. He would eat everything and anything that was around; then he wouldn't remember that he ate it and would demand to be fed again.
Hirokazu Kore-eda
Remember
Everything
Ate
Would
Eat
Fed
Had
He
Demand
Around
Alzheimer
Anything
Again
Grandfather
Then
Japanese feel an intimacy with the dead, at least for people up to my generation.
Hirokazu Kore-eda
Generation
People
Intimacy
My Generation
Feel
Dead
Least
Up
Japanese
When I was a child, I loved making stories, so I thought maybe I would be a novelist.
Hirokazu Kore-eda
Thought
Would
Would-Be
Making
Child
Maybe
Stories
Loved
Novelist
I think a lot of Japanese morals are built around what the dead would think of us.
Hirokazu Kore-eda
Think
Would
Morals
Dead
Around
Built
Lot
Japanese
Us
Maybe family is an eternal subject for me.
Hirokazu Kore-eda
Family
Me
Subject
Maybe
Eternal
We learn many things from children, always.
Hirokazu Kore-eda
Learn
Always
Children
Many
Things
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