Quotesia
Home
Authors
Popular authors
Samuel Butler
Samuel Johnson
Henry Moore
Bertrand Russell
William Christopher Handy
Bernard Baruch
All authors
Today's birthdays
1929 - Jackie Kennedy
1945 - Jim Davis
1954 - Hugo Chavez
1887 - Marcel Duchamp
1993 - La'Porsha Renae
1986 - Alexandra Chando
Today's birthdays
Popular professions
Actress
Chef
Mathematician
Comedian
Cartoonist
Athlete
All professions
Authors by letter
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
All authors
Topics
Top Quotes
Quotesia
Quote Topics
Reader Quotes
Reader Quotes
I'm a reader for lots of reasons. On the whole, I tend to hang out with readers, and I'm scared they wouldn't want to hang out with me if I stopped.
Nick Hornby
Me
Out
Scared
Tend
Reader
Readers
Lots
Hang
Stopped
Want
Reasons
Whole
It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
Nick Petrie
Heart
Will
Faster
Way
Visceral
Out
Physical
Something
Scene
Adrenaline
Beat
Written
Exciting
Involved
Well
Make
Reader
Effect
Get
Happen
Page
Your
Figure
Fun
Actually
Level
Start
Flow
I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.
Nicole Krauss
You
Long
Live
Think
Both
Long Period
Writer
Over
Period
Reader
Course
Houses
Them
Novels
If the book is a mystery to its author as she's writing, inevitably it's going to be a mystery to the reader as he or she reads it.
Nicole Krauss
Book
Writing
Mystery
He
He Or She
She
Reader
Reads
Inevitably
Author
Going
I'm a voracious reader. What that does is keep your mind fresh and active and hearing different voices and different styles. TV can be derivative, and if you just watch TV, you're not widening the circle.
Nina Tassler
You
Mind
Circle
Active
TV
Voices
Voracious
Reader
Styles
Does
Fresh
Hearing
Just
Different
Your
Derivative
Different Styles
Keep
Watch
Widening
If you write in category, you write knowing there's a framework, there are reader expectations.
Nora Roberts
You
Framework
Write
Category
Knowing
Reader
Expectations
I'm a pretty avid reader, but I missed feminism in college. I did take an intro course where I read Mary Wollstonecraft, but I didn't read a lot of the seminal writers. Then I had two teenage daughters and was reading books on development and different issues.
Norbert Leo Butz
College
Reading
Feminism
Teenage
Books
Pretty
Daughters
Mary
Take
Writers
Had
Development
Missed
Read
Reader
Course
Reading Books
Issues
Lot
Did
Where
Different
Then
Avid
Two
My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
Paolo Bacigalupi
Me
Book
Somebody
Down
Think
Enough
Tell
Someone
Give
Give Me
Arguing
Ideal
Conception
Reader
Ultimately
Lot
Matured
Sitting
Going
Quite
Intention
Quite A Lot
Automatically
Story
Slack
Maybe storytelling belongs in audio - a short story is the length of a commute. That can be a sacred spot where you have the ear of the reader without having to compete with other media like games or TV.
Paolo Bacigalupi
You
Other
TV
Having
Sacred
Like
Reader
Spot
Without
Audio
Maybe
Short
Where
Short Story
Story
Length
Storytelling
Games
Commute
Media
Ear
Compete
Belongs
When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
Patricia Briggs
Reality
Book
Old
Big
Down
Extra
Everything
Easier
Magic
Counter
He
He Or She
Put
Leap
She
Reader
Knows
Makes
Wizard
Go
Werewolf
Lot
Huge
Swallow
Whether
Asking
Helping
A novelist can never be his own reader, except when he is ridding his manuscript of syntax errors, repetitions, or the occasional superfluous paragraph.
Patrick Modiano
Own
Syntax
Paragraph
Superfluous
Except
Never
He
Occasional
Reader
His
Errors
Repetitions
Manuscript
Novelist
Something happens between a novel and its reader which is similar to the process of developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom, became visible bit by bit. As you read your way through a novel, the same chemical process takes place.
Patrick Modiano
You
Age
Digital
Before
Digital Age
Way
Bit
Visible
Photograph
Photographs
Darkroom
Similar
Something
Through
Takes
Developing
Between
Read
Reader
Became
Printed
Chemical
Did
Same
Happens
Process
Place
Which
Your
Novel
A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.
Patrick Ness
Book
People
Will
Job
Think
Reader
Authoritative
Confident
May
Want
Cannot
Apologize
Should
How you leave the reader is so important - not the climax; I call it the 'exit feeling'.
Patrick Ness
You
Feeling
Important
Call
Reader
How
Climax
Leave
Exit
I have a severe Google Reader habit. I think people will use blog forms and Twitter to contrive fiction.
Patrick Nielsen Hayden
People
Will
Google
Think
Twitter
Severe
Habit
Reader
Blog
Contrive
Fiction
Forms
Use
I became a reader - never mind a writer - because of Stephen King.
Paul G. Tremblay
Mind
King
Writer
Never
Stephen King
Reader
Became
Because
I won't call 'Cabin' an anti-home invasion story, because that's not exactly true, but the home-invasion subgenre is one I generally don't gravitate toward as a reader or film viewer.
Paul G. Tremblay
Exactly
Invasion
Cabin
Generally
True
Toward
Call
Reader
Because
Story
Viewer
Film
Gravitate
Write as precisely and as lucidly and as richly as you can about what you find truly mysterious and irreducible about human experience, and not obscurely about what will prove to be received opinion or cliche once the reader figures out your stylistic conceit. There's all the difference in the world between mystery and mystification.
Paul Harding
You
Experience
World
Will
Once
Out
All The Difference
Find
About
Mysterious
Mystery
Write
Between
Conceit
Cliche
Reader
Opinion
Stylistic
Prove
Truly
Precisely
Human
Difference
Human Experience
Your
Figures
Received
Asymmetric balance creates greater reader interest. Pleasure derived from observing asymmetrical arrangements lies partly in overcoming resistances, which, consciously or not, the spectator adjusts in his own mind.
Paul Rand
Balance
Mind
Own
Pleasure
Adjust
Lies
Observing
Overcoming
Partly
Reader
Greater
Arrangements
His
Which
Interest
Creates
Derived
Spectator
The pleasure a reader gets is often equal to the pleasure a writer is given.
Paul Theroux
Pleasure
Given
Writer
Equal
Reader
Gets
Often
I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.
Paul Theroux
You
Travel
People
Sense
Think
Books
Would
Trip
Writer
Take
Never
Never Take
Read
Reader
Because
Doing
Intend
Either
When I write a book, I write a book for myself; the reaction is up to the reader. It's not my business whether people like or dislike it.
Paulo Coelho
Myself
Business
Book
People
Write
Like
Reaction
Reader
Up
Whether
Dislike
I love almost everything about my work except conferences. I am too shy in front of an audience. But I love signings and having eye contact with a reader who already knows my soul.
Paulo Coelho
Work
Love
Soul
Too
Everything
Eye
Eye Contact
About
Having
My Soul
Except
Contact
Almost
Almost Everything
Reader
Knows
Audience
Am
Conferences
Front
Who
Shy
I was still an avid reader of Mills & Boon romances - on publication day, I used to rush out of work to get to the local book store to grab my favourites before they all disappeared.
Penny Jordan
Work
Day
Book
Before
Book Store
Local
Boon
Out
Favourites
Rush
Disappeared
Reader
Still
Grab
Get
Romances
Store
Used
Avid
Publication
Mills
There is always this quarrel about what is preferable: the straight, naturalistic, epic storytelling or the modernistic, disjointed, slightly hermetic one. To me it does not matter, as long as it's good. I like both kinds. Although the common reader seems to prefer the first, which is to be expected, and who would blame her?
Per Petterson
Good
Me
Blame
Matter
Long
First
Slightly
Would
Kinds
About
Seems
Both
Like
Reader
Although
Does
Always
Quarrel
Expected
Common
Which
Disjointed
Storytelling
Prefer
Preferable
Straight
Epic
Naturalistic
Who
Her
If you're a serious publisher, you publish books because they work. In other words, they are written well; the reader identifies with the characters. The context seems to be real whether he's writing about the French Revolution or the failure of Lehman Brothers.
Peter Mayer
Work
Failure
You
Writing
Words
Revolution
Publish
Other
Books
Characters
Be Real
Brothers
About
Seems
He
Written
French
Well
Reader
French Revolution
Because
Context
Real
In Other Words
Whether
Serious
Publisher
Load more quotes
No more reader quotes
Haven't find the right quote? Try another of these similiar topics.
About
Always
Any
Actually