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Character Quotes
I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
Edward Zwick
Character
Political
Think
Other
Resonance
Drama
Those
Kind
High
Find
Tend
Between
Am
Situational
Either
Interested
Social
Stakes
Elevated
Things
I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem to be apart from or oddly vestigial to the actual drama.
Edward Zwick
Character
Relationship
Other
Drama
Ways
Those
Characters
About
Seem
Scenes
Feel
Always
Context
His
Oddly
Either
Which
Apart
Interested
Personally
Theme
Inhabit
Premise
Actual
Creativity has to start somewhere, and we are true believers in the power of bracing, candid feedback, and the iterative process - reworking, reworking, and reworking again until a flawed story finds its through line or a hollow character finds its soul.
Edwin Catmull
Character
Soul
Creativity
Feedback
Somewhere
Power
Finds
Through
True
True Believers
Until
Line
Candid
Process
Story
Again
Flawed
Hollow
Believers
Start
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
Efren Ramirez
Character
You
World
First
Location
Totally
Scary
Something
Main
Main Character
Like
Most
Because
Always
Doing
Repeat
Just
Different
Want
Sequel
Sequels
Film
Actually
When I go home, I got a kid; I don't really spend a lot of time thinking about the character or anything that may or may not happen.
Elden Henson
Time
Home
Character
Thinking
Spend
Kid
About
Got
Go
Go Home
Lot
May
Happen
Anything
Really
It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people.
Eleanor Catton
Character
Change
People
Pretentious
Situation
Action
Think
Assume
Our
Extreme
Seems
Push
Takes
Absurdity
Limits
Often
Us
Creatures
I'm primarily a character actress.
Eleanor Parker
Character
Character Actress
Primarily
Actress
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
Eli Wallach
Today
Character
Experience
Down
Live
Complete
Only
Lights
Hours
Well
Go
Up
Curtain
Theater
Us
Play
Start
Two
War, we are told, shapes character; it resolves the major questions of international politics, consolidates nations, and indeed, constitutes the principal factor in the progress of civilization through its successive stages.
Elie Ducommun
Politics
War
Character
Progress
Indeed
Civilization
Factor
Through
Shapes
Major
Principal
Questions
Nations
Stages
Successive
International
I leave to the militarists the difficult task of trying to explain to us how these wars have served to shape character or to promote the progress of civilization or to achieve the reign of justice on earth. So far, they have not come forward with the explanation.
Elie Ducommun
Character
Justice
Progress
Achieve
Difficult
Earth
Promote
Civilization
Shape
Come
How
Leave
Task
Trying
Explain
Explanation
Far
Us
Forward
Wars
Reign
Served
Difficult Task
Read enough about the dung beetle, and a picture of its character emerges: patient, optimistic, uncomplaining.
Elif Batuman
Character
Picture
Patient
Enough
About
Emerges
Read
Beetle
Optimistic
There are two different ways of writing a novel. The first I call the traditional father way, when the novelist slightly situates himself or herself above the text and knows what each and every character is going to do. It's a bit like engineering. I've never felt close to that tradition. I like the second way, which relies a bit more on intuition.
Elif Safak
Character
Writing
Father
First
Engineering
Every
Herself
Way
Bit
Ways
Slightly
Intuition
Above
More
Never
Like
Call
Himself
Knows
Felt
Tradition
Traditional
Text
Close
Going
Different
Which
Novel
Each
Novelist
Different Ways
Second
Two
Obviously, portraying a mermaid is a very different kind of work, especially when compared to any other character you'd probably get asked to play in a show.
Eline Powell
Work
Character
You
Other
Kind
Mermaid
Obviously
Very
Get
Any
Different
Different Kind
Asked
Show
Compared
Play
Portraying
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
Elisabeth Moss
Life
Character
Women
Experience
Equality
World
Job
Men
Men And Women
My Life
Peggy
More
Scene
Individual
Take
Performance
Between
Obviously
She
Exist
Very
Any
Just
Different
Want
Who
Play
The hard thing about 'The Saint' was that my character was supposed to die, but then they reshot the ending based on tests and she lives. I created the character based on her dying - she would never have been as innocent otherwise. So I didn't have high expectations for that film.
Elisabeth Shue
Character
Ending
Innocent
Otherwise
High
Would
High Expectations
About
Never
Supposed
She
Saint
Been
Tests
Expectations
Die
Dying
Then
Created
Hard
Hard Thing
Film
Based
Lives
Her
Thing
Every film is a crapshoot. It's a mystery when a movie comes together. I've never been able to figure it out. I don't know how I make my choices. The only thing you can do is know there's something about a character that you really want to experience.
Elisabeth Shue
Character
You
Together
Experience
Every
Out
Able
About
Something
Only
Mystery
Never
Know
Make
How
Been
Want
Movie
The Only Thing
Crapshoot
Really
Choices
Figure
Film
Thing
It's hard to be scared if you don't feel for a character, because you don't care if they die or live.
Elisha Cuthbert
Character
You
Care
Live
Scared
Feel
Because
dont Care
Die
Hard
I think the writers of 'Community' have moved on from my character. I'm pretty sure. I would love to go back on. I had a really good time and I really liked that character, but I don't think it's going to happen.
Eliza Coupe
Love
Time
Good
Character
Good Time
Community
Think
Back
Would
Pretty
Writers
Had
Liked
Sure
Go
Going
Moved
Moved On
Happen
Really
A part of the bigger picture is much more interesting to me than just bringing attention or focus on myself or my character.
Eliza Scanlen
Myself
Character
Me
Focus
Picture
More
Part
Attention
Than
Just
Bigger
Bigger Picture
Interesting
Much
Bringing
Ideas come from life: what happens in mine, what I see happening in others', mixed with a great deal of imagination. I might see a person in a grocery store and build a whole character and life out of what's in her basket.
Elizabeth Berg
Life
Great
Character
Great Deal
Build
Imagination
Others
Mine
Out
See
Come
Ideas
Deal
Mixed
Person
Store
Happening
Happens
Might
Grocery
Grocery Store
Whole
Her
Basket
I definitely try my best not to stay in character when I'm not on set, which can be more difficult in some roles than others.
Elizabeth Debicki
Best
Character
Try
Difficult
Others
Definitely
Stay
Some
More
Than
Roles
Which
Set
There comes a point in any project where you have to say - whether you like or understand the character, or the whole play for that matter - 'I believe!'
Elizabeth Marvel
Character
You
Matter
Believe
Project
Say
Point
Like
Understand
Any
Where
Whether
Whole
Play
We have to be able to use our imaginations to make the character's experiences real to us.
Elizabeth Marvel
Character
Our
Able
Make
Real
Experiences
Us
Use
Imaginations
I think so much of writing is an instinct, or a feel for a scene, or a feel for a character. You have to put into words the word 'tone,' which I think is thrown around a lot and can mean a hundred different things, but communicating that to other people is definitely a challenge.
Elizabeth Meriwether
Character
You
People
Writing
Words
Word
Challenge
Think
Other
Hundred
Definitely
Scene
Thrown
Put
Feel
Instinct
Around
Lot
Different
Which
Mean
Communicating
Much
Different Things
Things
Tone
Acting is so exciting to me. It's a thrill; otherwise I wouldn't do it. Not to be hokey, but I think life is definitely worth living, whether you're working or not. For an actor, the character is the thing... it doesn't matter what medium you're in. as long as you have something to do.
Elizabeth Mitchell
Life
Character
Me
You
Worth
Matter
Long
Living
Think
Medium
Otherwise
Definitely
Worth Living
Something
Thrill
Exciting
Whether
Working
Acting
Actor
Thing
I'd never thought much about a series, because I liked the idea of picking a script I liked with a character I thought I could sustain for an hour. In a series, you live with one character day in and day out - and you only hope it will be one that will not drive you crazy.
Elizabeth Montgomery
Hope
Day
Character
Crazy
You
Will
Thought
Drive
Live
Out
About
Only
Could
Never
Picking
Day-Out
Idea
Hour
Liked
Because
Sustain
Script
Much
Series
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