Character Quotes

When I get the possibility of using a character like Bruce Wayne or Dick Grayson, I try and think about what's most exciting or interesting about them as a person, so I try and think what they are at their core, or what piece of their psychology do I gravitate toward that I respect, and I'm excited by it when I read books about them. Scott Snyder
Character Respect Try Think Books Wayne Possibility About Bruce Excited Exciting Toward Like Most Piece Read Person Get Psychology Interesting Them Using Gravitate Core
There's nothing worse - I don't like listening to actors talk about the process, especially when - I mean, for me I've played a lot of guys, dudes, boys in a sense and this was a challenge for me just to play that official character. Scott Speedman
Character Me Listening Challenge Sense Nothing Worse About Guys Like Talk Boy Dudes Lot Official Just Process Mean Actor Play Played
I tend to start with a kernel, a vague concept, and just begin to write things down - notes about a character, lines of dialogue, descriptive passages about a place. One idea fires another. I do that for about a year. By then there's a story, and I'll go on to a complete first draft that sews many of those ragtag pieces together. Scott Turow
Character Together First Year Down Complete Those About About A Year Tend Write Fires Idea Concept Pieces Another Passages Dialogue Go Lines Begin Just Story Place Notes Then Many Descriptive Things Start Draft Kernel Vague
I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else. Sean Bean
Work Time Day Character Me Thoughts End Of The Day Perspective Think Too Else Unnecessary Carry Something Something Else Excess Put Baggage Sort Around Exhausting Leave End Anything Leisure Leisure Time Your Things
Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease. Sean Bean
Good Character Confidence Fight Will Soldier Bit Ease Complex Complex Character Battlefield Favorite Good Soldier He Aristocratic Unsure Knows Because Always His Off Very Upbringing Role Officers Prejudice Full Working-Class Ill Rough Played Shy
In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily. Sean Bean
Character You Together Theatre Relax Gathering Once Bit Easily Adjust Tend Through Feel Like Got Line Get Snowball Getting Quite Stop Stopping Different Whereas Bigger Momentum Film Things Start
I wouldn't say I'm a Method actor, but I do try to focus very deeply on what character I'm playing, and everything else goes out the window. I forget about everything. I try to get everything else out of my head. Sean Bean
Character Try Focus Else Everything Everything Else Say Out Window About Head Method Method Actor Very Forget Get Goes Actor Deeply Playing
I care about Bond and what happens to him. You cannot be connected with a character for this long and not have an interest. All the Bond films had their good points. Sean Connery
Good Character You Care Long Films About Points Had Him Cannot Happens Interest Connected Bond
I think you need people of principle, of character, that are leaders, that take stands on important tough issues that will affect the future of this country. Sean Hannity
Future Character You People Will Tough Country Important Think Take Leaders Principle Issues Affect Stands Need
When you see me play Jack, I want you to believe that that's a gay character. Sean Hayes
Character Me Gay You Believe See Jack Want Play
From what I've understood, it's an entirely different world, and it's a tough world to get your foot in the door, but I've always wanted to be a voice of a Disney character. Sean Maher
Character World Tough Entirely Voice Foot Always Understood Get Different Door Wanted Disney Your Different World
I live in the energy and rhythm of the character. To some degree, that's true of every actor I've worked with. Sean Penn
Character Degree Energy Live Every Some True Rhythm Worked Actor
There is a strength of character in the people who have, by and large, never experienced comfort. Sean Penn
Strength Character People Never Comfort Experienced Who Large
The character of Jim 'The Anvil' Neidhart added so much. He was solid in the ring too, really good. His role in the Hart Foundation - he was great. He was a really good, solid power guy that could move in there, too. Sean Waltman
Good Great Character Power Too Added Jim Solid Hart Ring Guy Could He His Role Anvil Move Much Really Foundation
Maybe I'll just become a cartoon character because there's nothing left for me to do in an R-rated comedy. Seann William Scott
Character Me Comedy Become Nothing Cartoon Cartoon Character Because Left Maybe Just
To me, there was something moving about the idea of telling the story of a lady who is, in a way, a forgotten character - someone who would normally be a secondary role in a movie. Sebastian Lelio
Character Me Secondary Way Telling Would About Someone Something Idea Normally Role Forgotten Lady Movie Story Moving Who
The idea behind 'Gloria' was to take a secondary character - the aunt, the mother - and stay with her as she becomes our protagonist. Sebastian Lelio
Character Mother Secondary Our Stay Take Idea Protagonist She Becomes Aunt Behind Her
I'm interested in the intersection of character and actor. Sebastian Lelio
Character Interested Actor Intersection
In the case of 'Fantastic Woman,' I wanted to make it a more complex animal than just a 'cause' film. Even though I was sympathizing with the character's struggle, I didn't want to be trapped at that level - it's important, but it can be quite basic. Sebastian Lelio
Character Struggle Woman Animal Cause Important Trapped Complex Though Case More Make Than Quite Just Want Wanted Fantastic Even Film Basic Level
You can't judge a character, and you're never going to always play characters that are morally sound or know right from wrong. Sebastian Stan
Character You Judge Characters Morally Never Wrong Know Always Sound Going Play Right
Once you've established where you are, you go to the character and elaborate on expressions and action. Sergio Aragones
Character You Action Once Go Established Where Elaborate Expressions
Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design. Sergio Aragones
Character You Sometimes Design Drawing Solution Composition Equilibrium Middle Gag Which Placing Then Working Start
Do you know how hard it is to play a character where you're always in heels? Oh, my goodness! Serinda Swan
Character You Goodness Do You Know Know Always How Oh Where Heels Hard Play
'Fringe' was the first time I realized that I could ever man up in a character and make this transition from being a boy or a young man into actually being a man. Seth Gabel
Time Character Man First Young Could Make First Time Boy Up Fringe Being Being A Man Young Man Transition Realized Ever Actually
A favorite film of mine is 'Office Space' and I love 'The Hangover.' That is a really good comedy from character in that film, and that is true of 'Office Space' too. Seth Gordon
Love Good Character Comedy Space Too Mine Favorite True Office Hangover Really Film
I like to approach comedy from character, to have the stakes for the individuals in the story be very high. Seth Gordon
Character Comedy Approach High Individuals Like Very Story Stakes
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