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Savion Glover Quotes
Savion Glover Quotes
Savion Glover
American
Dancer
Born:
Nov 19
,
1973
Art
Dance
Me
Music
People
Think
Related authors:
Alvin Ailey
JoJo Siwa
Katherine Dunham
Martha Graham
Merce Cunningham
Mikhail Baryshnikov
Misty Copeland
Twyla Tharp
The Nicholas Brothers were the best tap-dancers. I'm not talking about their flash-dancing, I'm talking about tap-dancing. They were really saying something with their feet.
Savion Glover
Saying
Best
Not Talking
Brothers
About
Something
Feet
Talking
Were
Really
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
Savion Glover
Me
Learning
Dance
Way
About
Oneself
Voice
Step
Importance
Using
Express
Tap is still the central driving force of my life. I think and talk in dance.
Savion Glover
Life
Dance
My Life
Think
Driving
Driving Force
Talk
Force
Still
Tap
Central
There are people who take tap class, do a tap dance. And then there are people who know the dance, who know why they take tap classes. Who know why they do 20 shuffles, or 50 shuffles, before they go on.
Savion Glover
Class
People
Dance
Before
Classes
Take
Know
Go
Tap
Then
Who
Why
My style is raw; my style is '95. My style is what I live. My style is my story.
Savion Glover
Style
Live
Raw
Story
My personal style at this point in my life is more audio; it's more driven on less visual and more musicality. But because of my upbringing, my fabulous mentors and teachers that I've had throughout my dance journey or career, I also possess a style that is of the past. It was just a matter of me reaching back.
Savion Glover
Life
Journey
Me
Matter
Dance
My Life
Style
Past
Back
Possess
Musicality
Visual
Fabulous
More
Point
Mentors
Throughout
Driven
Had
Reaching
Also
Because
Audio
Upbringing
Personal
Just
Personal Style
Teachers
Less
Career
I'm always inspired by music, things of that nature. Just life in general. I'm happy to be waking up and having another chance at it.
Savion Glover
Life
Music
Nature
Happy
General
Having
Inspired
Another
Always
Up
Waking
Waking Up
Just
Things
Chance
I love riding my ATV 450.
Savion Glover
Love
Riding
I'm more a percussion instrument than a dancer.
Savion Glover
Dancer
More
Percussion
Instrument
Than
I try to convey the musical notes through dance, take on the music.
Savion Glover
Music
Try
Dance
Musical
Through
Take
Convey
Notes
The connection of what I do to flamenco lies in the whole lament, whole cry, whole pouring back into the earth and giving energy back to the earth. It's a cry and a celebration. That's what music, sound, vibration should do. It should spark energy in someone.
Savion Glover
Music
Giving
Energy
Back
Earth
Lies
Someone
Pouring
Cry
Sound
Celebration
Vibration
Lament
Spark
Should
Connection
Whole
I'm thankful I am able to continue to share the joy and the inspiration tap brings.
Savion Glover
Thankful
Joy
Able
Inspiration
Share
Am
Continue
Tap
Brings
It wasn't until I did a musical revue in Paris in the 1980s called 'Black and Blue,' and met the great men and women responsible for the progress of tap dance, that my relationship with the dance really began.
Savion Glover
Great
Relationship
Women
Progress
Dance
Black
Men
Men And Women
Met
Musical
Responsible
Great Men
Paris
Until
Tap
Began
Did
Blue
Really
I like to express myself inside of the work that is given, and I let the dancers do the same.
Savion Glover
Work
Myself
Dancers
Inside
Given
Like
Same
Express
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
Savion Glover
You
Bass
Melodies
Highs
Sound
Hear
Tap
Different
Want
Depth
Lows
Thing
I don't deal in terminology, I deal with expressions: colors, shapes, tones, characteristics.
Savion Glover
Characteristics
Colors
Shapes
Terminology
Deal
Expressions
Tones
Jimmy Slyde was more a musician than a dancer; Greg Hines was more musician than dancer.
Savion Glover
Dancer
Jimmy
Musician
More
Than
Whether it is Jimmy Slyde or Lon Chaney or Gregory Hines, their dance shows what they experienced, what they had to go through.
Savion Glover
Dance
Jimmy
Through
Had
Go
Experienced
Whether
Shows
I come from a long line of people who express themselves through the dance. I come from a long line of people who create music through their feet.
Savion Glover
Music
People
Dance
Long
Long Line
Through
Feet
Come
Line
Themselves
Create
Who
Express
Authenticity is the most important thing. You have to know where it all comes from, study who pioneered it.
Savion Glover
You
Important
Study
Know
Most
Most Important Thing
Important Thing
Authenticity
The Most Important
Where
Who
Thing
I search for different tonalities in my taps. But my greatest pleasure is hearing a note I haven't heard before, hearing a chord that sparks something new.
Savion Glover
Before
Pleasure
Something
Something New
New
Greatest
Heard
Hearing
Greatest Pleasure
Different
Note
Sparks
Chord
Search
When I wake up in the morning, I just go.
Savion Glover
Morning
Wake Up
Go
Wake
Up
Just
I never really stop and think about should I put my hat on this way or that, not thinking that little JoJo down the street would be copying that. I'm more conscious about it now and tell the kids that it's not about the shoes or what kind of shoes... it's all about the dance.
Savion Glover
Dance
Shoes
Down
Think
Thinking
Way
Kids
Tell
Kind
Would
Hat
Would-Be
About
More
Never
Put
Stop
Little
Really
Should
Now
Street
Conscious
Copying
I was a drummer in a group called Three Plus. We were performing at a club in New York, and my mother signed me up for tap classes. I fell in love from the door... so you can blame it on my mother.
Savion Glover
Love
Me
You
Blame
Mother
Three
Club
Group
Signed
Classes
Plus
New
Performing
Drummer
Fell
Were
Tap
Up
York
New York
Door
I've changed my whole angle for dance. I'm moving towards moving back rather than hanging out with my peers. I'm reaching back to older dudes for a second.
Savion Glover
Dance
Older
Changed
Back
Peers
Out
Angle
Rather
Towards
Reaching
Dudes
Than
Hanging
Moving
Whole
Second
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