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I want a space for people to feel safe and be creative. Actors want it, too. They want to feel like they're listened to, and they're safe to experiment.
Jennifer Yuh Nelson
Creative
People
Space
Experiment
Too
Feel
Like
Safe
Listened
Want
Actor
When people feel safe, they can come up with ideas.
Jennifer Yuh Nelson
People
Feel
Come
Ideas
Safe
Up
I always want to do a big finale.
Jennifer Yuh Nelson
Big
Finale
Always
Want
Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.
Jennifer Yuh Nelson
Love
Great
You
Impossible
Face
Every
Everything
Possible
Bad
Great Idea
Results
Through
Part
Idea
Come
Practicality
Go
Up
Goes
Oh
Middle
Where
Movie
Then
Choice
Start
When you make a movie, it's just so personal and then you put it out in front of people and it becomes something else.
Jennifer Yuh Nelson
You
People
Else
Out
Something
Something Else
Put
Make
Becomes
Personal
Front
Just
Movie
Then
Talking to actors is the same as talking to any other artists; it's getting into the moment for them, and making sure they can lose themselves in the performance!
Jennifer Yuh Nelson
Lose
Other
Performance
Talking
Sure
Making
Same
Any
Getting
Artists
Them
Themselves
Moment
Actor
Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do.
Jennifer Yuh Nelson
Learning
Down
Draw
Kid
Would
About
Head
Stuff
Budget
Know
Talk
Obviously
Make
Always
How
Cameras
Up
Effects
Sisters
Afford
Get
Stories
Anything
Frustrations
Special
Special Effects
Growing
Growing Up
Film
Actually
There aren't a lot of female story artists, and it's baffling to me. There are a lot of kids in school that are female and I wonder, 'Where did they all go?' People have brought it up, asking me, 'What did you do?' I don't really know. I puttered along, did my thing and gender has really never been an issue.
Jennifer Yuh Nelson
Me
You
People
School
Gender
Kids
Brought
Never
Baffling
Along
Know
Female
Issue
Go
Been
Lot
Up
Wonder
Did
Artists
Where
Story
Asking
Really
Thing
It's really helpful to have somebody to bounce off of and that will say, 'Yeah, that's a horrible idea. You shouldn't do it.'
Jennifer Yuh Nelson
You
Will
Somebody
Say
Horrible
Bounce
Idea
Yeah
Off
Really
Helpful
It's important to listen to the actor who is there on the stage and living it.
Jennifer Yuh Nelson
Important
Stage
Living
Listen
Who
Actor
When we were first creating the look of 'Kung Fu Panda,' we wanted to pay tribute to the beautiful tradition and culture of China.
Jennifer Yuh Nelson
Beautiful
Culture
First
Pay
Tribute
Look
Tradition
Were
Kung
Kung Fu
Wanted
China
Creating
Pay Tribute
Qing Cheng Mountain was a direct influence on the mysterious final shot of 'Kung Fu Panda 2.'
Jennifer Yuh Nelson
Final
Direct
Mysterious
Kung
Kung Fu
Mountain
Influence
Shot
I think in the experience of growing up and realizing who you are, what your place in the world is can be quite scary.
Jennifer Yuh Nelson
You
Experience
World
Think
Scary
Up
Quite
Place
Realizing
Your
Who
Growing
Growing Up
I've been watching things like 'Master of the Flying Guillotine' since I was 5.
Jennifer Yuh Nelson
Master
Flying
Since
Like
Been
Things
Watching
I walk into a room, and people see me as a director, not a woman.
Jennifer Yuh Nelson
Me
Director
Woman
People
Walk
See
Room
I couldn't imagine screaming 'Action!' on an outdoor set over a wind machine or whatever.
Jennifer Yuh Nelson
Wind
Whatever
Action
Machine
Outdoor
Over
Screaming
Imagine
Set
I started writing stories at a young age, but not once did it occur to me that I could grow up to be a writer. Who could I look to? My favorite authors were Ann M. Martin and E.L. Konigsburg and Judy Blume, Beverly Cleary and Lois Lowry and Norma Klein. They were all white women, and they seemed so stately to me, so elegant. A whole world away.
Jenny Han
Me
Age
Women
Writing
World
Young
White
Once
Stately
Favorite
Martin
Seemed
Could
Writer
Klein
Beverly
Look
Occur
Judy
Were
Up
Did
Authors
Young Age
Stories
White Women
Who
Whole
Elegant
Grow
Grow Up
Away
Started
Every choice leads you somewhere, but it might not be where you truly want to be if the decision is based on someone else. It could lead to regrets and what-ifs, but that doesn't mean you wouldn't still have valuable experiences.
Jenny Han
You
Decision
Valuable
Somewhere
Every
Else
Someone
Could
Lead
Leads
Still
Truly
Where
Want
Experiences
Mean
Might
Regrets
Choice
Based
Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.
Jenny Han
Love
Eyes
Book
Longing
Before
Only
Emotion
Write
Like
Also
Boy
Were
Just
Loved
Full
Used
Jean
Letters
Teenage years are all about crushes: crushes so deep you wanted to inhabit the other person, be inside their skin, see the world through their eyes.
Jenny Han
You
Eyes
World
Skin
Other
Teenage
Teenage Years
Inside
See
About
Through
Crushes
Years
Person
Wanted
Inhabit
Deep
When I finished 'P.S. I Still Love You,' I truly was done with the series. I kept saying the books were two halves of a heart. But I suppose time and space had made me nostalgic, because my mind kept drifting back to Lara Jean and Peter, wondering what they were up to.
Jenny Han
Love
Saying
Time
Me
You
Heart
Space
Mind
Made
Finished
Back
Books
Drifting
Had
Suppose
Because
Halves
Still
Time And Space
Were
Truly
Up
Wondering
Done
Love You
Nostalgic
Jean
Peter
Series
Kept
Two
I learn so much on Twitter all the time, and it would be a shame not to share that with my readers.
Jenny Han
Time
Twitter
Would
Would-Be
Shame
Share
Learn
Readers
Much
A tweet in an article can feel more permanent and louder than a tweet on Twitter.
Jenny Han
Twitter
More
Feel
Permanent
Louder
Article
Than
Tweet
I think that if a writer doesn't use her voice, be it in her writing or online or in real life, then what is the point of having one?
Jenny Han
Life
Writing
Real Life
Think
Online
Having
Voice
Point
Writer
Real
Then
Use
Her
It's not hard to get into a teen's head, because it's all emotions. Their feelings are amplified; you have no luxury of hindsight. If you haven't had your heart broken before, you don't know that you'll be able to get back up again.
Jenny Han
Broken
You
Heart
Emotions
Luxury
Feelings
Before
Teen
Back
Back Up
Able
Had
Head
Know
Because
Hindsight
Heart Broken
Up
Get
Again
Your
Hard
Amplified
There's some of me in all my characters.
Jenny Han
Me
Characters
Some
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