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Quotes by Playwrights
Quotes by Playwrights
I don't believe in updating. If a play works, it draws something from being true to its time.
Frank D. Gilroy
Time
Believe
Draws
Something
True
Updating
Being
Works
Play
You're looking at a guy who has no reason to complain about anything.
Frank D. Gilroy
You
Looking
Complain
About
Guy
No Reason
Anything
Reason
Who
Virtue looks good but it only suits imposing figures.
Frank Wedekind
Good
Suits
Virtue
Only
Looks
Imposing
Figures
The best part of one's life is the working part, the creative part. Believe me, I love to succeed... However, the real spiritual and emotional excitement is in the doing.
Garson Kanin
Life
Love
Best
Spiritual
Me
Creative
Believe
Best Part
Emotional
Part
Excitement
Real
Doing
However
Succeed
Working
A good jolly is worth what you pay for it.
George Ade
Good
You
Worth
Pay
Jolly
Only the more rugged mortals should attempt to keep up with current literature.
George Ade
Rugged
More
Only
Attempt
Mortals
Up
Current
Literature
Should
Keep
A man never feels more important than when he receives a telegram containing more than ten words.
George Ade
Man
Words
Important
Telegram
Ten
More
Never
He
Containing
Feels
Than
Receives
In the city a funeral is just an interruption of traffic; in the country it is a form of popular entertainment.
George Ade
Entertainment
Country
City
Traffic
Just
Form
Popular
Funeral
Interruption
For parlor use, the vague generality is a life saver.
George Ade
Life
Saver
Generality
Parlor
Use
Vague
After being Turned Down by numerous Publishers, he had decided to write for Posterity.
George Ade
Down
Numerous
Posterity
Write
Had
He
Being
After
Decided
Turned
Publishers
Do unto yourself as your neighbors do unto themselves and look pleasant.
George Ade
Yourself
Pleasant
Neighbors
Look
Unto
Themselves
Your
Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form.
George C. Wolfe
Best
You
Writing
Mind
Sense
Else
Musicals
Rigid
Possibly
Tried
Archetypes
Something
Something Else
Could
Push
Sophisticated
Most
Ultimately
Very
Times
Get
Different
Form
Against
Informed
Them
Much
Really
Different Times
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
George C. Wolfe
You
Looking
Energy
Everybody
Everything
Way
Correctly
One Of The Things
Rigorous
Solution
Steadfast
Someone
Cast
Come
Also
Learned
Very
Room
Then
Created
Working
Show
Right
Things
Necessarily
Early
I personally am a very big fan of 'Romeo + Juliet.' It had a visceral power to it that I thought was just exhilarating. It was a very arresting and very disturbing and deeply compelling version of the play.
George C. Wolfe
Thought
Power
Big
Visceral
Disturbing
Had
Am
Arresting
Exhilarating
Big Fan
Juliet
Version
Very
Just
Fan
Romeo
Personally
Play
Deeply
Compelling
Anytime you create art, you create a mess. I mean, 'Hamlet' is a mess!
George C. Wolfe
Art
You
Mess
Hamlet
Anytime
Mean
Create
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beautiful.
George C. Wolfe
Beautiful
Art
More
Attracted
Shelf
Am
Than
I love Kabuki, Noh theater and bunraku.
George C. Wolfe
Love
Theater
In Los Angeles, wealth and poverty are separated by the freeways. In New York, they're next to each other.
George C. Wolfe
Wealth
Poverty
Other
Angeles
New
Los
Los Angeles
York
New York
Next
Separated
Each
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
George C. Wolfe
Me
First
White
Think
Astounding
Broadway
Direct
Horrifying
Color
Major
First-Person
Am
Person
Play
The Public Theater requires one to be very public, and writing requires one to be very private.
George C. Wolfe
Writing
Private
Very
Theater
Public
Requires
To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things.
George C. Wolfe
You
Yourself
World
Worth
Sense
Too
Those
About
Both
Foolish
Had
New
Come
Wonder
York
New York
Want
Things
Certain events make people come out of their little boxes and become part of the whole.
George C. Wolfe
People
Events
Become
Out
Part
Come
Make
Boxes
Little
Certain
Whole
I like to knock down walls and allow others to enter.
George C. Wolfe
Walls
Down
Others
Enter
Allow
Knock
Like
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
George C. Wolfe
You
Writing
Free
Everybody
Guise
Charge
Directing
Like
Materials
Really
Acting
Theory
Actor
Serving
When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater.
George C. Wolfe
Love
Myself
Willed
Town
Joyful
Most
Childlike
Theater
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
George C. Wolfe
Vision
Everybody
Commercial
Artist
Often
Expense
Theater
Agenda
Appeal
Unique
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