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Quotes by Photographers
Quotes by Photographers
Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
W. Eugene Smith
Threshold
Every
Distance
Photographic
Horizon
Potential
Never
Reached
Another
Reveals
Always
Am
Limits
Being
Found
The world just does not fit conveniently into the format of a 35mm camera.
W. Eugene Smith
World
Does
Camera
Fit
Just
Conveniently
Format
I was interested in making work that physically changed as it circulated through the art world.
Walead Beshty
Work
Art
World
Changed
Physically
Through
Making
Art World
Interested
There's a generative material relationship between the material and the image that comes up.
Walead Beshty
Relationship
Between
Material
Up
Image
Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.
Walker Evans
Thoughts
Simple
Feelings
Eye
Photographer
Simple Reason
He
Joyous
Artist
Whether
Reason
People are so wonderful that a photographer has only to wait for that breathless moment to capture what he wants on film.
Weegee
People
Wonderful
Wait
Photographer
Only
He
Wants
Breathless
Moment
Capture
Film
Words and pictures can work together to communicate more powerfully than either alone.
William Albert Allard
Work
Alone
Together
Communication
Words
Communicate
More
Pictures
Than
Either
Work Together
In my photography, color and composition are inseparable. I see in color.
William Albert Allard
Photography
Inseparable
See
Composition
Color
All I need is my brains, my eyes and my personality, for better or for worse.
William Albert Allard
Eyes
Personality
Better
Worse
Brains
Need
I work very quickly. I only ever take one picture of one thing. Literally. Never two.
William Eggleston
Work
Picture
One Thing
Only
Take
Never
Very
Quickly
Literally
Ever
Thing
Two
I had this notion of what I called a democratic way of looking around, that nothing was more important or less important.
William Eggleston
Important
Looking
Nothing
Way
More
Had
Democratic
Around
Notion
Less
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
Art
Me
Photography
People
Photographs
Days
Like
Doing
Edward
Very
Essentially
Which
Interest
Landscapes
Early
Early Days
Something new always slowly changes right in front of your eyes - it just happens.
William Eggleston
Eyes
Changes
Slowly
Something
Something New
New
Always
Front
Just
Happens
Your
Right
I don't think much about the digital world... because I am in the analog world!
William Eggleston
World
Digital
Think
Analog
Digital World
About
Because
Am
Much
I think it's obscene. I don't know how you support the monarchy. How can you do that?
William Klein
You
Think
Obscene
Support
Know
How
Monarchy
I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.
William Klein
Made
First
Feeling
Tremendous
Liberated
Kinds
About
Kinship
Had
Countries
Like
Been
Years
Celebrated
Festival
Festivals
Which
Film
Earlier
Memories. That's the thing about photography. I look at the contact sheet, and it brings back everything: whether I was tired, whether I was full of beans.
William Klein
Tired
Memories
Photography
Back
Everything
About
Beans
Contact
Look
Sheet
Whether
Full
Thing
Brings
Fashion had no interest for me. I would take photographs in the studio. I would go back home, and my wife would say, 'What is the fashion like for this season?' And I would say, 'I have no idea.'
William Klein
Fashion
Home
Me
Wife
Back
Say
Would
Photographs
No Idea
No Interest
Take
Had
Studio
Idea
Like
Go
Interest
Season
If I look back, I think most of the things I did - the films, the books, the collaborations with these magazines - were mostly by accident.
William Klein
Accident
Think
Films
Back
Books
Collaborations
Magazines
Look
Most
Mostly
Were
Did
Things
I like the streets. I grew up in the streets.
William Klein
Like
Up
Grew
Streets
Being an expatriate doesn't go down well in America.
William Klein
Down
Well
Go
America
Being
I always dreamt of becoming an artist in Paris. Thanks to the Army, it happened.
William Klein
Army
Thanks
Dreamt
Paris
Always
Becoming
Artist
Happened
I like film. I'm old fashioned.
William Klein
Old
Like
Old-Fashioned
Film
In fashion, you have assistants, flashes; you can make sets. There are people running around doing things for you. But I can take it or leave it.
William Klein
Fashion
You
People
Sets
Running
Take
Make
Around
Leave
Doing
Flashes
Things
Assistants
For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.
William Klein
Book
First
Had
New
Camera
York
New York
Lenses
Two
I thought it would be good not to hide the fact that you're taking a photograph, and have people react and come in close and also make a commentary on what's being photographed: 'This is a photo, this is my point of view.'
William Klein
Good
You
People
Hide
Thought
Photo
Photograph
Photographed
Would
Would-Be
Fact
Point
Point Of View
Taking
Come
React
Also
Make
Commentary
Close
Being
View
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