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Quotes by Critics
I don't wake up in the morning and think about Franz Kline.
Hans-Ulrich Obrist
Morning
Wake Up
Think
About
Wake
Up
There is nothing deeper than to work for a year with the same artist.
Hans-Ulrich Obrist
Work
Year
Nothing
Than
Same
Artist
Deeper
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti.
Hans-Ulrich Obrist
Long
Every
Would
See
Schoolboy
Go
Exhibitions
Going
Afternoon
Figures
Switzerland
Thin
Started
Everything I do is somehow connected to velocity.
Hans-Ulrich Obrist
Everything
Somehow
Velocity
Connected
I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
Hans-Ulrich Obrist
Life
Work
Thought
My Life
Magical
Studio
Attracted
Artists
Want
Them
Useful
I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature.
Hans-Ulrich Obrist
Art
Science
Architecture
Breakfast
Club
Meets
Brutally
Salon
Where
Literature
Which
Century
Founded
Early
Basically
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
Hans-Ulrich Obrist
More
Kitchen
Most
Than
Any
Famous
Gallery
Show
Museum
For me, it's always been very essential to work on projects that one can work on almost for their entire life.
Hans-Ulrich Obrist
Life
Work
Me
Projects
Entire
Entire Life
Almost
Always
Been
Very
Essential
Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape.
Hans-Ulrich Obrist
Country
National
Situation
One Country
Paris
Directors
Open
Boundaries
Opened
Since
Beyond
Another
Been
La
Up
Very
Goes
Move
Which
Landscape
Based
Internationally
Programme
Museum
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
Hans-Ulrich Obrist
Everything
Only
New
Lot
Festival
York
Manchester
New York
Where
Produced
Fully
During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums.
Hans-Ulrich Obrist
Art
Time
School
Looking
Visiting
High
High School
My Time
Studios
Around
Artists
Galleries
Europe
Traveled
University
Museums
Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity.
Hans-Ulrich Obrist
Quality
Year
Our
Immaterial
Once
Directed
More
More And More
Through
Rituals
Towards
Economy
Sort
Quantity
Enable
Glut
Passing
Cultural
Again
Forms
Turn
Produce
Us
Require
Each
Functions
Growth
To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists.
Hans-Ulrich Obrist
Day
Every Day
Few
Every
Interviews
Kid
Record
Since
Hours
Talked
Because
Always
Doing
Been
Forgetting
Artists
Process
Against
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
Hans-Ulrich Obrist
Art
World
Extremely
Kid
Ways
Both
Obsessed
Very
Art World
Different
Notion
Different Ways
Started
At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock.
Hans-Ulrich Obrist
History
Book
Own
Kind
Would
Would-Be
My Own
Know
Felt
Doing
Shock
The History Of
Which
Interesting
Realized
Really
Certain
Moment
Profession
Shows
Started
It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this.
Hans-Ulrich Obrist
Kid
Would
Obscure
Knew
Curator
Quite
Want
Then
Notion
Even
I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful.
Hans-Ulrich Obrist
Me
Happy
People
Important
Think
Most
Important People
Makes
Artists
The Most Important
Want
Them
Then
Planet
Really
Helpful
Helps
Utility
To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.
Hans-Ulrich Obrist
Art
Me
World
Power
To Be Honest
Think
Clearly
Without
Always
Art World
Happen
Honest
The world does not get to be a better or a worse place; it just gets more senescent.
Harold Bloom
World
Better
Worse
More
Does
Get
Gets
Just
Place
In the finest critics one hears the full cry of the human. They tell one why it matters to read.
Harold Bloom
Matters
Tell
Critics
Finest
Cry
Read
Hears
Human
Full
Why
I take it that a successful therapy is an oxymoron.
Harold Bloom
Take
Oxymoron
Successful
Therapy
Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.
Harold Bloom
Stage
Everyone
Everywhere
Shakespeare
He
Put
True
Feels
Him
Exists
Author
Languages
Multicultural
What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
Harold Bloom
Me
School
Negative
Sense
Awareness
Think
Thinking
Philosophical
Through
Mode
Common
Which
Deconstruction
Theology
Technical
Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems.
Harold Bloom
Love
You
Passion
Criticism
Reading
Fall
Starts
Must
Adolescence
Poems
Come
Real
Real Passion
Your
Twenties
Even
Start
I think Freud is about contamination, but I think that is something he learned from Shakespeare, because Shakespeare is about nothing but contamination, you might say.
Harold Bloom
You
Nothing
Think
Say
About
Something
Shakespeare
He
Contamination
Learned
Because
Freud
Might
Shakespeare is universal.
Harold Bloom
Shakespeare
Universal
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