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Quotes by Composers
Quotes by Composers
My whole thing is not just to play music for people, but to make them part of the evening.
Marvin Hamlisch
Music
People
Part
Make
Just
Them
Whole
Evening
Play
Thing
Play Music
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
Marvin Hamlisch
Music
You
Few
Enough
Otherwise
Back
Out
Classical
Someone
Could
Head
Talked
Audience
Hear
Years
Years Ago
Lot
Conductors
Get
Just
Anymore
Figured
Who
Many
Now
Playing
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
Maurice Jarre
Life
Time
Best
Theatre
My Life
National
Difficult
Prestigious
Best Time
Exciting
Soon
Most
Years
Theater
Interesting
Worked
Works
Twelve
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird.
Maurice Jarre
Daughter
Harp
Total
Something
Weird
Least
Eight
Used
I began to write a kind of waltz and in a little more than an hour I had the theme written.
Maurice Jarre
Kind
More
Write
Had
Written
Hour
Began
Than
Waltz
Little
Theme
But, yes, now I wouldn't do some of those soundtracks the way I did them.
Maurice Jarre
Way
Those
Some
Soundtracks
Yes
Did
Them
Now
Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema.
Maurice Jarre
Work
Me
Cinema
Young
Bach
Months
Has-Been
Some
Had
He
Knew
Longer
New
Executive
Soundtrack
Been
Hit
Intention
Place
Which
While
Themes
Then
Asked
Including
Preparing
Last
Two
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
Maurice Ravel
You
Lose
Second-Rate
Composing
Rate
Ravel
Instead
Spontaneity
First-Rate
End
Up
Gershwin
Might
Your
Second
My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation.
Maurice Ravel
Single
Intuition
Composition
Raven
Clear
Perfection
Towards
Make
Equation
Inevitability
Mathematical
Cell
Precision
Intention
Moved
Regard
Found
Here
Chance
Remember that I wrote a pavane for a dead princess, and not a dead pavane for a princess!
Maurice Ravel
Remember
Princess
Dead
Wrote
I am not one of the great composers. All the great have produced enormously. There is everything in their work - the best and the worst, but there is always quantity. But I have written relatively little.
Maurice Ravel
Work
Best
Great
Relatively
Everything
Worst
Composers
Written
Quantity
Always
Am
Little
Produced
I think, as human beings, we all have a fundamental mode, a basic way of relating to the rest of reality, and for me, it's always instinctively been about sound making and trying to extract information, grammar, meaning from sound making. That's been my way of navigating reality that's very personal; a painter might say they make marks or look.
Max Richter
Me
Reality
Rest
Think
Extract
Relating
Way
Say
Marks
About
Instinctively
Look
Make
Always
Making
Sound
Been
Very
Mode
Trying
Personal
Human
Human Beings
Grammar
Information
Might
Meaning
Painter
Beings
Fundamental
Basic
If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.
Max Richter
Music
Saying
You
Somebody
Bach
Says
Favorite
Composer
Composers
Involved
Obviously
Well
Because
Apart
Really
Your
I lived in Scotland a long time, and I became aware of Mogwai really from the beginning. They seemed to be fusing hard music structure and sort of raw sonics. They're just very creative thinkers, musical thinkers.
Max Richter
Music
Time
Creative
Long
Long Time
Beginning
Musical
Seemed
Structure
Raw
Sort
Became
Very
Scotland
Just
Really
Hard
Lived
Aware
Thinkers
'Black Mirror' obviously has its own universe, with a very strong fingerprint and strong themes, and I was intrigued on reading. It's such a powerful piece of storytelling.
Max Richter
Strong
Black
Mirror
Reading
Own
Universe
Intrigued
Powerful
Piece
Obviously
Very
Storytelling
Themes
When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
Max Richter
Music
Sentiment
Think
Respond
Focused
Characters
About
Strongly
Emotional
Pictures
Most
Trajectory
Where
Storytelling
Really
Working
Lives
Images
When I was a kid, there were really only two possible futures in the foreground, which were Orwell's '1984' and Huxley's 'Brave New World'.
Max Richter
World
Kid
Possible
Futures
Huxley
Only
New
Foreground
Were
Brave
Brave New World
New World
Which
Really
Orwell
Two
There's different ways to approach music for sleeping. Things like white noise are functional, like a lullaby. This is more like an inquiry, a question about how music and sleep fit together.
Max Richter
Music
Together
Noise
White
Sleeping
Approach
Ways
Inquiry
About
More
Like
How
Question
Fit
Different
Functional
Different Ways
Lullaby
Things
Sleep
We're chronically sleep-deprived as a culture. We're constantly on.
Max Richter
Culture
Chronically
Constantly
I don't have synesthesia, but I think when music is really intense, it's almost like it's more than just hearing. If you're at a gig, and there's just something amazing going on, it's not really just hearing: it's more of a total body sense, isn't it? You get transported, and all your senses kind of join up.
Max Richter
Music
You
Amazing
Sense
Think
Gig
Kind
Total
Something
More
Join
Almost
Like
Hearing
Up
Than
Get
Intense
Going
Just
Senses
Just Something
Really
Body
Your
We tend to think that when we're awake, we're on, and when we're sleeping our mind is off, but actually, we're not off. There's a lot going on!
Max Richter
Mind
Think
Sleeping
Our
Tend
Lot
Off
Going
Awake
Actually
We're living in our neoliberal, sort of late-stage capitalist culture where human beings are really like objects of production and consumption. We're on our screens all the time; we're kind of being sold at all the time.
Max Richter
Time
Culture
Living
Our
Sold
Kind
Objects
Consumption
Like
Sort
Human
Being
Where
Human Beings
Screens
Really
Capitalist
Production
Beings
When you're working in cinema, you often have a very, very compressed schedule - very few weeks to just kind of go through that whole process of reflection and refining - and it has to be done.
Max Richter
You
Cinema
Reflection
Few
Kind
Schedule
Through
Weeks
Go
Refining
Very
Done
Often
Just
Just Kind
Process
Working
Whole
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me is an enthusiasm for the material. I sort of follow the notes to where they want to go.
Max Richter
Music
Me
Enthusiasm
Somebody
Unnatural
Would
Follow
Seems
Write
Driven
Idea
Categories
Sort
Boxes
Always
Material
Go
Suspicious
Being
Where
Want
Notes
Thing
Things
Biography
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
Max Richter
Attitude
Listening
Single
Year
Out
Indie
About
About A Year
Deleted
Recorded
Nobody
Well
Doing
Came
Review
Sales
Label
Blue
After
Little
Notebooks
Might
Keep
Zero
I assumed no one would ever listen to my music, and for quite a lot of years, I was right.
Max Richter
Music
Assumed
Would
No-One
Years
Lot
Listen
Quite
Quite A Lot
Ever
Right
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