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Quotes by Artists
Quotes by Artists
I have been writing poetry ever since I was in high school. My poetry mainly concerned the theme of love. And that, of course, is an endless subject.
Robert Indiana
Love
Writing
School
High
High School
Poetry
Mainly
Since
Concerned
Course
Been
Subject
Endless
Theme
Ever
You don't put your head above the parapet and become a personality if you're an illustrator - it's not part of it; it's not possible. You are a servant to the story.
Robert Ingpen
You
Personality
Become
Possible
Above
Part
Put
Head
Story
Your
Servant
Illustrator
If I hold up a red square for 30 seconds and take it away, you will see a perfect green square. It's how the eye works. So if you want to paint a really good red painting, you have to strategically place in some green, so the eye is brought back.
Robert Irwin
Good
You
Will
Painting
Seconds
Back
Eye
See
Some
Brought
Perfect
Take
Red
How
Up
Square
Green
Want
Hold
Place
Really
Paint
Works
Strategically
Away
Whenever you look at light, basically it's just air. It has no tactileness to it. It's totally without density.
Robert Irwin
You
Light
Air
Totally
Look
Without
Density
Just
Whenever
Basically
When you walk into a room, you assess it instantaneously, habitually, before you're even aware of it. I mean, you make sure there's not a hole you're going to fall into, but mostly you're not even aware of what you're thinking.
Robert Irwin
You
Walk
Fall
Before
Thinking
Instantaneously
Make
Mostly
Sure
Going
Hole
Mean
Room
Even
Assess
Aware
Palms are like cockroaches. They were here long before us, and they'll be here long after us. They're the only things standing after a hurricane.
Robert Irwin
Long
Before
Hurricane
Only
Like
Were
After
Us
Standing
Cockroaches
Things
Here
We actually form the world at every instant, although we're not cognitively aware of that but - and there are people would argue with that to some degree.
Robert Irwin
People
World
Degree
Every
Would
Some
Argue
Instant
Although
Form
Aware
Actually
The whole thrust of modern art, as far as I understand it, is expanding the role of the artist as a kind of esthetician, someone who actually spends his time, is trained in a way to deal with qualities.
Robert Irwin
Art
Time
Way
Kind
Someone
Thrust
Qualities
Deal
Understand
His
Expanding
Trained
Role
Modern
Artist
Modern Art
As Far As
Far
Who
Whole
Actually
Every situation has qualities. Essentially, we quantify them and that's the practical side of our lives, so the involvement with perception and in acquiring the perception is our ability to understand qualities. They exist only as long as a human being keeps them in play. They're - Therefore they are akin to energy.
Robert Irwin
Human Being
Long
Perception
Situation
Energy
Every
Side
Our
Our Lives
Ability
Only
Involvement
Qualities
Practical
Quantify
Understand
Exist
Human
Essentially
Being
Them
Acquiring
Therefore
Lives
Play
Keeps
It's my observation that gardeners and gardening for a very long time have had to take a back seat. Architects are very famous; they've got huge projects. What goes on in and around them has been relegated to a very minor role.
Robert Irwin
Time
Gardening
Long
Long Time
Back
Projects
Has-Been
Minor
Architects
Take
Had
Observation
Around
Got
Been
Huge
Very
Very Long Time
Role
Goes
Famous
Them
Gardener
Seat
Every time you do something, make something, it's final in a way, but it's not. It immediately raises a great set of questions. And if you become a question addict, which I am, you immediately have something you need to pursue.
Robert Irwin
Time
Great
You
Become
Every
Every Time
Addict
Final
Way
Immediately
Something
Pursue
Make
Am
Question
Questions
Which
Raises
Need
Set
Cartoonists create so many cartoons on any given topic that we can follow the life cycle of a comic idea and how it evolves over time more quickly than we can with a form like the novel.
Robert Mankoff
Life
Time
Topic
Follow
Cartoonists
Cartoons
Given
More
Idea
Over
Like
Comic
How
Quickly
Than
Any
Form
Create
Cycle
Many
Novel
One of the first comic things you do is imitate.
Robert Mankoff
You
First
Imitate
Comic
Things
Professional humorists and cartoonists have to go through a stage in which they have to kill their own internal editor just so they can get stuff out. So whether they believe it or not, they need me on the other end to do that editing for them.
Robert Mankoff
Me
Editing
Own
Stage
Believe
Other
Humorists
Out
Cartoonists
Through
Stuff
Editor
Go
End
Get
Just
Whether
Which
Them
Internal
Professional
Need
I think funny is just the foundation. I don't really think, to some extent, funny is the absolute most important thing. It should also communicate some idea through the medium of cartooning. Just to be funny is... You know what, the things that you laugh hardest at aren't cartoons.
Robert Mankoff
Funny
You
Communicate
Important
Think
Medium
Laugh
Cartooning
Cartoons
Some
Absolute
Through
Idea
Know
Most
Also
Most Important Thing
Important Thing
Just
Really
Should
Foundation
Hardest
Thing
Things
Extent
There's public humor, and there's private humor, and they're all appropriate in their own way, and you shouldn't - just as you wouldn't have a megaphone and say certain things that you would say around your friends - things that are perfectly all right within your close social group with whom you share a certain context.
Robert Mankoff
You
Humor
Own
Group
Appropriate
Way
Say
Would
Share
Perfectly
Within
Around
Context
Private
Friends
Close
Just
Public
Social
Certain
Social Group
Your
Certain Things
Whom
Right
Things
There are no cartoons about happy marriages.
Robert Mankoff
Happy
Marriages
Cartoons
About
Each cartoon needs the right amount of wrong.
Robert Mankoff
Needs
Cartoon
Wrong
Each
Right
Amount
People often ask me about my upbringing, and if there was anything particular about it that made me become a cartoonist.
Robert Mankoff
Me
People
Made
Become
Cartoonist
About
Particular
Upbringing
Often
Anything
Ask
Humor levels the playing field. I understood that early on - that was something I had.
Robert Mankoff
Humor
Field
Something
Had
Understood
Levels
Early
Playing
Playing Field
The interesting thing about humor is that in humor, you - in logic, something is A or not A. In humor, it's both A and not A.
Robert Mankoff
You
Humor
Logic
About
Something
Both
Interesting
Interesting Thing
Thing
The line between humor and bad taste is your audience, in which some people will find everything offensive, and some people will find nothing offensive, but the truth is that most humor originates in what would be called bad taste.
Robert Mankoff
Truth
Truth Is
People
Humor
Will
Some People
Nothing
Everything
Bad
Would
Would-Be
Find
Some
Bad Taste
Between
Most
Audience
Line
Offensive
Taste
Which
Your
The most offensive thing that ever occurred in 'The New Yorker' would be, like, the mildest thing at a Chris Rock concert.
Robert Mankoff
Would
Would-Be
New
Like
Most
Concert
Rock
Occurred
Offensive
Yorker
New Yorker
Chris
Chris Rock
Ever
Thing
I was the founder of the 'Cartoon Bank' in the '90s. I was interested in finding ways for cartoonists to supplement their incomes.
Robert Mankoff
Ways
Cartoon
Finding
Cartoonists
Supplement
Bank
Interested
Incomes
Founder
One question about a joke is, how well is the strangeness of the situation resolved? At 'The New Yorker', we retain a lot of incongruity, tapping the playful part of the mind - Monty Python-type stuff. We also try to use humor as a vehicle for communicating ideas. Not editorial comment, but observation.
Robert Mankoff
Try
Mind
Humor
Joke
Situation
Resolved
Monty
About
Retain
Observation
Part
Vehicle
Stuff
New
Ideas
Also
Well
How
Editorial
Question
Lot
Tapping
Comment
Yorker
New Yorker
Communicating
Use
Strangeness
Incongruity
Playful
Cartoons are like fruit flies. Biologists use fruit flies because their large chromosomes and short life cycle make them ideal for studying hereditary changes.
Robert Mankoff
Life
Fruit
Changes
Cartoons
Ideal
Studying
Like
Make
Because
Short
Short Life
Them
Cycle
Use
Flies
Large
Biologists
Hereditary
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