Quotesia
Home
Authors
Popular authors
Confucius
Stephen Jay Gould
Oswald Chambers
Calvin Coolidge
Dale Carnegie
Margaret Atwood
All authors
Today's birthdays
1948 - Terry Pratchett
1995 - Melanie Martinez
1827 - William Hall
1878 - Lionel Barrymore
1976 - Michael Carbonaro
1958 - Hal Sutton
Today's birthdays
Popular professions
Philosopher
Clergyman
Activist
Mathematician
Saint
Architect
All professions
Authors by letter
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
All authors
Topics
Top Quotes
Quotesia
Quotes by professions
Quotes by Artists
Quotes by Artists
'Phantom Menace' was a huge project. It was the biggest visual effects production ever done at that point, and it was a little scary how big it was and how many unknown technologies had to be developed to do that work.
John Knoll
Work
Big
Unknown
Project
Visual
Menace
Scary
Point
Had
Developed
How
Huge
Effects
Done
Biggest
Little
Production
Many
Ever
Phantom
Technologies
It's part of the culture at ILM and at Lucasfilm that the work is better when you collaborate, you know. There's this culture of open exchange, a wonderful ego-free sharing of ideas and talent.
John Knoll
Work
You
Culture
Wonderful
Better
Collaborate
Exchange
Open
Part
Sharing
Talent
Ideas
Know
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
John Knoll
People
Long
Think
Interviews
Out
Detailed
Magazine
Some
Had
Come
Read
Making
Issue
Very
Bunch
Just
Wars
Whole
Star
Star Wars
I came in during the era of models, motion control, and optical printers. ILM had just started its own computer graphics division, after the Lucasfilm computer division had been sold off and became Pixar.
John Knoll
Own
Control
Sold
Computer
Had
Division
Became
Printers
Motion
Era
Came
Been
Off
Optical
Models
Just
After
Pixar
Graphics
Started
There's things that you just couldn't do with an optical printer. Now, with digital compositing, most of the energy that goes into a shot goes into the aesthetic issues of, 'Is it a good shot or not?'
John Knoll
Good
You
Digital
Energy
Most
Printer
Aesthetic
Issues
Optical
Goes
Just
Shot
Now
Things
I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.
John Knoll
Best
Result
Job
Important
Think
Focused
Embedded
Visual
Would
Physical
About
Rather
Supervisor
Generate
Part
Proprietary
Smartest
Important Part
Effect
Effects
Than
Get
Trying
Movie
Us
Really
Production
Keep
Deeply
Thing
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
John Knoll
Art
Better
Building
Before
Realistic
Every
State
Bit
Evolutionary
Tries
Something
More
Advance
New
Like
Make
Least
Lot
Brand
Brand New
Trying
Done
Just
Little
Little Bit
Them
Film
Techniques
A lot of us got into the industry because of 'Star Wars,' and we all have this love of the original source material.
John Knoll
Love
Industry
Because
Got
Material
Source
Source Material
Lot
Us
Wars
Original
Star
Star Wars
I don't have any particular loyalties to one technique or another. I'm just trying to use the best for the job.
John Knoll
Best
Job
Particular
Another
Trying
Any
Just
Use
Loyalties
Technique
I just have this very simple idea about the rebel spies in the opening crawl of A 'New Hope' who steal the plans for the Death Star.
John Knoll
Death
Hope
Simple
Spies
About
Steal
Simple Idea
Idea
New
Opening
Very
Just
Crawl
Plans
Who
Rebel
Star
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
John Knoll
Hope
Back
Strikes
Kind
Details
Between
Empire
New
Built
Lot
Model
Different
Them
Then
Two
I started off as a model maker, so the first part of my career was a model maker and then a motion control camera operator, so I shot a lot of miniatures.
John Knoll
First
Control
Part
Maker
Operator
Motion
Camera
Lot
Off
Model
Then
Shot
Started
Career
On every show, there's some amount of work that is brought to some state of completion - or even finished - and then cut out of the movie.
John Knoll
Work
Finished
Every
State
Completion
Out
Some
Brought
Movie
Cut
Then
Show
Even
Amount
If you were a new guy at ILM, they put you on the night crew - my shift was from 7 P.M. to about 5 A.M. In my free time, I was working on an idea with my older brother, a software engineer getting his doctorate at the University of Michigan. Ultimately, it developed into Photoshop.
John Knoll
Time
You
Engineer
Free
Older
Crew
Software
Photoshop
Brother
About
Guy
Free Time
Developed
Put
Idea
New
Doctorate
Were
Shift
His
Ultimately
Michigan
Getting
Working
Older Brother
Night
University
Visual-effects shots should flow into the rest of the live action, and you shouldn't be able to see a difference.
John Knoll
You
Rest
Action
Live
See
Able
Difference
Shots
Should
Live Action
Flow
There's no reason to think Disney is going to stop wanting to make 'Star Wars' movies if there's quality and there's interest. It has unlimited potential. It has a huge number of characters, worlds... It's a massive playground.
John Knoll
Quality
Think
Worlds
Unlimited
Characters
Potential
No Reason
Massive
Make
Huge
Huge Number
Going
Stop
Wanting
Interest
Movies
Disney
Reason
Wars
Star
Star Wars
Playground
Number
I've gone through a whole series of careers where something started as a hobby of some kind. Almost everything I've been paid to do was something that was largely self-taught.
John Knoll
Gone
Everything
Kind
Some
Something
Through
Almost
Almost Everything
Been
Self-Taught
Hobby
Where
Paid
Whole
Series
Largely
Started
Careers
The generic Canadian style of illustration is different from the generic American style.
John Kricfalusi
Style
Illustration
Generic
Canadian
American
Different
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.
John Kricfalusi
Character
Accident
Sit
Down
Out
Characters
Evolve
Find
Some
Idea
New
Context
Command
Very
Story
Create
Hard
George Liquor is really the richest character I have. I'm amazed there aren't 365 episodes about him on TV already.
John Kricfalusi
Character
TV
About
Him
Amazed
George
Liquor
Really
Episodes
Richest
One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
John Kricfalusi
Director
Jobs
Guy
Records
Voices
Another
Sheets
Editor
Covered
Times
Story
Storyboard
Should
All artists get better with age. The more you draw, the better you're going to get.
John Kricfalusi
You
Age
Better
Draw
More
Get
Going
Artists
As soon as I found out how compartmentalized the industry was, I realized, Well, no wonder the cartoons are so bad.
John Kricfalusi
Out
Bad
Cartoons
No Wonder
Soon
Well
Industry
How
Wonder
Realized
Found
Cartoonists are untrained artists, while illustrators are more trained.
John Kricfalusi
Cartoonists
More
Untrained
Trained
Artists
While
I'll let you in on a secret: I can't stand Jay Ward. I hate being compared to Rocky and Bullwinkle. It's just a different style of humor.
John Kricfalusi
You
Hate
Humor
Style
Secret
Rocky
Just
Being
Different
Ward
Jay
Stand
Compared
If you're a kid wanting to be a cartoonist today, and you're looking at Family Guy, you don't have to aim very high.
John Kricfalusi
Today
Family
You
Looking
Aim
Kid
High
Cartoonist
Guy
Very
Family Guy
Wanting
Load more quotes