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John Knoll Quotes
John Knoll Quotes
John Knoll
American
Artist
Born:
Oct 6
,
1962
Been
Big
First
Job
Work
You
Related authors:
Andy Warhol
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If you were a new guy at ILM, they put you on the night crew - my shift was from 7 P.M. to about 5 A.M. In my free time, I was working on an idea with my older brother, a software engineer getting his doctorate at the University of Michigan. Ultimately, it developed into Photoshop.
John Knoll
Time
You
Engineer
Free
Older
Crew
Software
Photoshop
Brother
About
Guy
Free Time
Developed
Put
Idea
New
Doctorate
Were
Shift
His
Ultimately
Michigan
Getting
Working
Older Brother
Night
University
Visual-effects shots should flow into the rest of the live action, and you shouldn't be able to see a difference.
John Knoll
You
Rest
Action
Live
See
Able
Difference
Shots
Should
Live Action
Flow
There's no reason to think Disney is going to stop wanting to make 'Star Wars' movies if there's quality and there's interest. It has unlimited potential. It has a huge number of characters, worlds... It's a massive playground.
John Knoll
Quality
Think
Worlds
Unlimited
Characters
Potential
No Reason
Massive
Make
Huge
Huge Number
Going
Stop
Wanting
Interest
Movies
Disney
Reason
Wars
Star
Star Wars
Playground
Number
I've gone through a whole series of careers where something started as a hobby of some kind. Almost everything I've been paid to do was something that was largely self-taught.
John Knoll
Gone
Everything
Kind
Some
Something
Through
Almost
Almost Everything
Been
Self-Taught
Hobby
Where
Paid
Whole
Series
Largely
Started
Careers
There are things that I am nostalgic about from the 'good old days.' I loved motion control cameras, actually. I love the way they sound. I used to do a lot of miniature work, and it's still warranted, but it's done less often, largely for budgetary, schedule, and flexibility reasons.
John Knoll
Work
Love
Good
Old
Control
Way
Miniature
Good Old Days
About
Schedule
Days
Budgetary
Sound
Am
Motion
Still
Cameras
Lot
Done
Often
Nostalgic
Loved
Old Days
Flexibility
Used
Less
Reasons
Largely
Actually
Things
You can hardly turn around and not see something that was done in Photoshop.
John Knoll
You
Photoshop
See
Something
Around
Done
Turn
Hardly
If you need to do a movie where you have an army of 10,000 soldiers, that's a very difficult thing to shoot for real. It's very expensive, but as computer graphics techniques make that cheaper, it'll be more possible to make pictures on an epic scale, which we haven't really seen since the '50s and '60s.
John Knoll
You
Army
Seen
Difficult
Soldiers
Scale
Possible
More
Computer
Cheaper
Since
Pictures
Make
Real
Very
Shoot
Expensive
Where
Movie
Which
Epic
Really
Graphics
Thing
Techniques
Difficult Thing
Need
I've always lived by the principle of find what you really enjoy doing and make it your career.
John Knoll
You
Enjoy
Find
Make
Principle
Always
Doing
Really
Your
Lived
Career
It's harder to get your second picture than it is to get your first one.
John Knoll
First
Picture
First One
Than
Get
Your
Harder
Second
You have to do what the story demands, but inside of those constraints, I try to inject as much realistic physics as I'm allowed to.
John Knoll
You
Physics
Try
Realistic
Those
Inside
Constraints
Allowed
Demands
Story
Much
In animation, you can often defer decisions or make changes later.
John Knoll
You
Changes
Defer
Later
Animation
Make
Often
Decisions
As soon as you take your hobby and make it into your profession, it sort of kills it as a hobby.
John Knoll
You
Take
Soon
Make
Sort
Hobby
Your
Profession
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
John Knoll
Work
Best
Myself
School
Goals
College
Big
Innovative
Project
Scale
High
Visual
High School
High School And College
Something
Wins
Supervisor
Lead
Academy
Academy Award
Effects
Bunch
Movie
Wanted
Really
Productions
Wars
Award
Star
Star Wars
Set
'Baby's Day Out' is maybe not a great movie, but... No, I've enjoyed and learned things from every project I've worked on. That was an important step in my career at ILM.
John Knoll
Day
Great
Important
Every
Baby
Project
Out
Great Movie
Step
Day-Out
Learned
Important Step
Maybe
Movie
Worked
Enjoyed
Things
Career
'Phantom Menace' was a huge project. It was the biggest visual effects production ever done at that point, and it was a little scary how big it was and how many unknown technologies had to be developed to do that work.
John Knoll
Work
Big
Unknown
Project
Visual
Menace
Scary
Point
Had
Developed
How
Huge
Effects
Done
Biggest
Little
Production
Many
Ever
Phantom
Technologies
It's part of the culture at ILM and at Lucasfilm that the work is better when you collaborate, you know. There's this culture of open exchange, a wonderful ego-free sharing of ideas and talent.
John Knoll
Work
You
Culture
Wonderful
Better
Collaborate
Exchange
Open
Part
Sharing
Talent
Ideas
Know
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
John Knoll
People
Long
Think
Interviews
Out
Detailed
Magazine
Some
Had
Come
Read
Making
Issue
Very
Bunch
Just
Wars
Whole
Star
Star Wars
I came in during the era of models, motion control, and optical printers. ILM had just started its own computer graphics division, after the Lucasfilm computer division had been sold off and became Pixar.
John Knoll
Own
Control
Sold
Computer
Had
Division
Became
Printers
Motion
Era
Came
Been
Off
Optical
Models
Just
After
Pixar
Graphics
Started
There's things that you just couldn't do with an optical printer. Now, with digital compositing, most of the energy that goes into a shot goes into the aesthetic issues of, 'Is it a good shot or not?'
John Knoll
Good
You
Digital
Energy
Most
Printer
Aesthetic
Issues
Optical
Goes
Just
Shot
Now
Things
I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.
John Knoll
Best
Result
Job
Important
Think
Focused
Embedded
Visual
Would
Physical
About
Rather
Supervisor
Generate
Part
Proprietary
Smartest
Important Part
Effect
Effects
Than
Get
Trying
Movie
Us
Really
Production
Keep
Deeply
Thing
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
John Knoll
Art
Better
Building
Before
Realistic
Every
State
Bit
Evolutionary
Tries
Something
More
Advance
New
Like
Make
Least
Lot
Brand
Brand New
Trying
Done
Just
Little
Little Bit
Them
Film
Techniques
A lot of us got into the industry because of 'Star Wars,' and we all have this love of the original source material.
John Knoll
Love
Industry
Because
Got
Material
Source
Source Material
Lot
Us
Wars
Original
Star
Star Wars
I don't have any particular loyalties to one technique or another. I'm just trying to use the best for the job.
John Knoll
Best
Job
Particular
Another
Trying
Any
Just
Use
Loyalties
Technique
I just have this very simple idea about the rebel spies in the opening crawl of A 'New Hope' who steal the plans for the Death Star.
John Knoll
Death
Hope
Simple
Spies
About
Steal
Simple Idea
Idea
New
Opening
Very
Just
Crawl
Plans
Who
Rebel
Star
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
John Knoll
Hope
Back
Strikes
Kind
Details
Between
Empire
New
Built
Lot
Model
Different
Them
Then
Two
I started off as a model maker, so the first part of my career was a model maker and then a motion control camera operator, so I shot a lot of miniatures.
John Knoll
First
Control
Part
Maker
Operator
Motion
Camera
Lot
Off
Model
Then
Shot
Started
Career
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