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Lenny Abrahamson Quotes
Lenny Abrahamson Quotes
Lenny Abrahamson
Irish
Director
Born:
Nov 30
,
1966
Good
Me
People
Think
Work
You
Related authors:
Alfred Hitchcock
David Lynch
George Lucas
Martin Scorsese
Steven Spielberg
Tim Burton
Woody Allen
There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work.
Lenny Abrahamson
Work
Fashion
Me
You
People
Long
Style
Macho
Take
Disappear
Feel
Longest
Involves
Massive
Make
Sort
How
Shooting
Shot
Your
Amount
Things
Filmmaking
A big part of filmmaking is gathering a group of people you can work with.
Lenny Abrahamson
Work
You
People
Big
Group
Gathering
Part
Big Part
Filmmaking
It's something I've noticed with my two children - children frequently know and don't know at the same time. They are aware of aspects of the world that are a little bit shadowy, and they choose not to engage with them.
Lenny Abrahamson
Time
World
Bit
Shadowy
Something
Know
Frequently
Same
Same Time
Children
Little
Little Bit
Them
Engage
Noticed
Aspects
Choose
Aware
Two
Generally speaking, the misfit's story is easier to tell.
Lenny Abrahamson
Easier
Tell
Generally
Story
Speaking
Frank's really different from everything I've done. Maybe the one thing that's the same, and the thing that I tend to do, is that I think I can create an intimacy with the characters, like a sense of presence with the people in the film, and that's what I tried to do in 'Room' as well.
Lenny Abrahamson
People
Sense
Think
Everything
Intimacy
Frank
Characters
One Thing
Tried
Tend
Like
Well
Same
Done
Maybe
Different
The One Thing
Room
Create
Really
Film
Thing
Presence
There are more ways to make 'Room' badly than well.
Lenny Abrahamson
Ways
More
Badly
Well
Make
Than
Room
I don't think of myself as doing good works. It's not, 'Oh, I must give these poor people a voice.'
Lenny Abrahamson
Myself
Good
People
Think
Must
Give
Voice
Good Works
Doing
Doing Good
Oh
Poor
Poor People
Works
I remember as a kid being asked if I was Jewish or Irish. I said, like the glib little 15-year-old I was, 'You can be both.' Feeling very pleased with myself. Before they smacked me.
Lenny Abrahamson
Myself
Me
You
Remember
Feeling
Before
Pleased
Kid
Both
Like
Said
Very
Irish
Being
Little
Asked
Jewish
The most conventional romantic trope of all is that you put lovers under extreme pressure, where they have to make decisions that illuminate aspects of that bond.
Lenny Abrahamson
You
Pressure
Extreme
Put
Most
Make
Where
Romantic
Conventional
Lovers
Decisions
Aspects
Illuminate
Bond
As soon as you make some films that people like, you'll be sent material, and that can come from anywhere.
Lenny Abrahamson
You
People
Films
Some
Soon
Come
Like
Make
Material
Anywhere
Sent
When I read 'Room,' I absolutely loved it, and I thought I knew how to make it.
Lenny Abrahamson
Thought
Absolutely
Knew
Make
Read
How
Loved
Room
I'm a bit of a late developer, generally. But the good thing about being a filmmaker is you still count as young all the way through your 40s.
Lenny Abrahamson
Good
You
Young
Late
Way
Bit
About
Through
Good Thing
Count
Generally
Developer
Still
Being
Your
Thing
Filmmaker
I've never worked in the U.K. television industry, but my guess it that it's a tough world for directors.
Lenny Abrahamson
World
Tough
Guess
Television
Directors
Never
Industry
Worked
Cinema at its best can express something of the pure irreducible fact of things.
Lenny Abrahamson
Best
Cinema
Pure
Something
Fact
Express
Things
Shooting 'Adam & Paul' was very tough. There was barely enough time, and the budget was tiny. On top of that, we shot in dangerous locations where we had little or no control or security.
Lenny Abrahamson
Time
Dangerous
Tough
Control
Enough
Enough Time
Top
Locations
Security
No Control
Had
Budget
Very
Shooting
Tiny
Where
Little
Paul
Shot
Barely
Adam
Good filmmakers make bad films; it happens.
Lenny Abrahamson
Good
Films
Bad
Make
Happens
Filmmakers
The style of direction in 'Room,' maybe a little bit like 'Spotlight,' tries to be hidden.
Lenny Abrahamson
Style
Bit
Hidden
Tries
Direction
Like
Spotlight
Maybe
Little
Little Bit
Room
I think, as directors, they may recognize, more than the rest of the body of filmmakers, exactly what you do as a director, because I think sometimes the conception is if the camera isn't swinging around, and it's not pyrotechnic or worthily melodramatic, then the direction is uninvolved.
Lenny Abrahamson
You
Director
Sometimes
Rest
Think
Recognize
Worthily
Exactly
Exactly What
Direction
More
Directors
Conception
Because
Around
Camera
Than
May
Then
Body
Swinging
Filmmakers
Most of my work has been independent movies outside the mainstream system.
Lenny Abrahamson
Work
System
Independent
Has-Been
Independent Movies
Outside
Mainstream
Most
Been
Movies
I am an unusual Irishman. I'm probably Ireland's third most famous Jewish son.
Lenny Abrahamson
Son
Most
Unusual
Am
Ireland
Irishman
Famous
Third
Jewish
For me, I always think of the image of sweeping out my footprints as I walk through a scene.
Lenny Abrahamson
Me
Walk
Think
Out
Scene
Through
Footprints
Always
Sweeping
Image
I love the cinema, but I'm not a fascist about it. I've had some of my best experiences watching things on TV. But if I were Stalin, I would force everyone to be in the theater.
Lenny Abrahamson
Love
Best
Cinema
Everyone
TV
Would
Some
About
Had
Force
Were
Experiences
Theater
Stalin
Fascist
Things
Watching
I think digital is getting so much better. It's harder and harder to make the argument now for film. All things being equal, though, I still prefer to capture on film.
Lenny Abrahamson
Better
Digital
Argument
Think
Though
All Things
Equal
Make
Still
Getting
Being
Prefer
Much
Capture
Film
Now
Harder
Things
It drove me as a kid. I couldn't bear the idea that I wasn't the smartest. Then I got put in a B stream for four years at my school. And that was the making of me in a weird way.
Lenny Abrahamson
Me
Stream
School
Way
Kid
Bear
Put
Idea
Weird
Weird Way
Drove
Smartest
Got
Making
Years
Then
Four
When we say 'cinematic', we tend to think John Ford and vistas and wide-open spaces. Or we think of kinetic camera movement or of a certain number of cinematic styles, like film noir.
Lenny Abrahamson
Think
Cinematic
Say
John
Kinetic
John Ford
Tend
Noir
Like
Ford
Styles
Camera
Movement
Spaces
Certain
Film
Film Noir
Number
I always felt there was a kind of humanistic impulse in my thinking about film as well as a real interest in its formal and aesthetic properties - just this idea that it can bring you into a very intimate encounter with people.
Lenny Abrahamson
You
People
Thinking
Intimate
Kind
About
Properties
Idea
Well
Felt
Always
Real
Aesthetic
Encounter
Very
Impulse
Just
Formal
Interest
Film
Humanistic
Bring
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