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Esa-Pekka Salonen Quotes
Esa-Pekka Salonen Quotes
Esa-Pekka Salonen
Finnish
Musician
Born:
Jun 30
,
1958
Always
Because
Conducting
Music
People
You
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The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster.
Esa-Pekka Salonen
Music
Whatever
Faster
Slower
Tends
Underlying
Always
Surface
Continuous
Southern
Northern
Happening
Process
There is such a suspicion in today's world of people who do more than one thing, who aren't specialized.
Esa-Pekka Salonen
Today
People
World
One Thing
More
Than
Suspicion
Who
Specialized
Thing
I always had, deep down, a slight aversion toward the purely cerebral in music.
Esa-Pekka Salonen
Music
Down
Slight
Purely
Had
Toward
Always
Cerebral
Aversion
Deep
Deep Down
The music I turn out these days is the kind of music I want to hear myself.
Esa-Pekka Salonen
Music
Myself
Out
Kind
Days
Hear
Want
Turn
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very good, and some of course very bad.
Esa-Pekka Salonen
Good
First
Bad
Some
Performance
Perhaps
Course
How
Been
Very
Done
Them
Many
Imagine
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Esa-Pekka Salonen
Active
Pulse
Masters
Beethoven
Means
Stravinsky
Expression
Two
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.
Esa-Pekka Salonen
Harmony
Way
Only
Conceived
His
Precisely
Stravinsky
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
Esa-Pekka Salonen
Music
Experience
Way
Had
Does
Sound
Conducting
Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other.
Esa-Pekka Salonen
Time
Other
Immediately
Must
He
Because
Faking
Same
Suspect
Same Time
Anyone
Who
With American orchestras, in particular, because they play in such huge halls, getting a true pianissimo is very hard.
Esa-Pekka Salonen
True
Particular
Because
Halls
Huge
Very
American
Getting
Orchestra
Hard
Play
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
Esa-Pekka Salonen
You
Yourself
People
Think
Enough
Project
Scary
Scary Thing
Never
Hall
Hear
Very
Quietly
Barely
Play
Seats
Thing
Players
I'm still disturbed if a chord isn't together, but your priorities change as you get older.
Esa-Pekka Salonen
You
Change
Together
Older
Disturbed
Priorities
Still
Get
Your
Chord
After working with Ligeti I began to hear Brahms and Beethoven differently.
Esa-Pekka Salonen
Hear
Beethoven
Began
After
Working
Differently
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. They say, Show us what you can do.
Esa-Pekka Salonen
You
People
Way
Say
Angeles
Give
More
Open
Los
Los Angeles
Just
Place
Us
Show
Forum
Functions
They Say
There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
Esa-Pekka Salonen
People
First
Possibilities
East
Out
East Coast
Find
Spirit
Something
More
Something New
Stems
New
Openness
La
Pioneering
Than
America
Coast
Reason
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Esa-Pekka Salonen
Music
Will
Believe
Annual
Because
Real
Doing
Sake
Artistic
Being
Dose
Reason
Film
Film Music
Program
Music has just as much to do with movement and body as it does soul and intellect.
Esa-Pekka Salonen
Music
Soul
Does
Intellect
Just
Just As Much
Movement
Much
Body
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
Esa-Pekka Salonen
Music
People
Spring
Symphony
Physically
Rite
Feel
End
Want
The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.
Esa-Pekka Salonen
Character
People
Important
Nice
Think
Out
London
Inviting
Hall
Very
Festival
Hang
Nice People
Royal
The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat.
Esa-Pekka Salonen
Every
Difficulties
Relates
Herself
Way
Musician
Concern
Greatest
Sound
Were
Hear
His
Getting
Them
Next
Certain
Used
Each
Seat
Every day we make more progress toward understanding the concert hall.
Esa-Pekka Salonen
Day
Every Day
Progress
Understanding
Every
More
Toward
Make
Concert
Concert Hall
Hall
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