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Paintings Quotes
'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.
Jerry Saltz
Soul
Heart
Cafe
Vision
Thought
Radical
Down
Distortion
Van
Van Gogh
Spine
Structure
Color
New
Make
Him
Felt
Still
His
Intellect
Density
Itself
Send
Gogh
Intensity
Pathos
Dynamic
Whether
Bridge
Paintings
Starry
Night
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
Jerry Saltz
Work
Art
Great
Become
Past
Enormous
Immaculate
Dated
New
Box
Sprawling
Aesthetic
Were
Years
Oppressive
York
New York
Spaces
Place
Fifteen
Large
Many
Paintings
Even
Designed
I like something about George W. Bush. A lot. After spending more than a decade having almost physiological-chemical reactions anytime I saw him, getting the heebie-jeebies whenever he spoke - after being sure from the start that he was a Gremlin on the wing of America - I really like the paintings of George W. Bush.
Jerry Saltz
Spending
Saw
About
Something
Wing
Having
More
He
Almost
Spoke
Like
Reactions
Him
Sure
George
George W
Lot
George W. Bush
Than
Decade
America
Getting
Gremlin
Whenever
Being
After
Anytime
Bush
Really
Paintings
Start
Mark Grotjahn's large new paintings abound with torrents of ropy impasto, laid down in thickets, cascading waves, and bundles that swell, braid around, or overlap one another.
Jerry Saltz
Down
Mark
Waves
Abound
New
Another
Around
Overlap
Laid
Swell
Large
Paintings
Chris Ofili's suave, stippled, visually tricked-out paintings of the nineties, with their allover fields of shimmering dots and clumps of dung, are like cave paintings of modern life. They crackle with optical cockiness, love, and massive amounts of painterly mojo.
Jerry Saltz
Life
Love
Nineties
Like
Massive
Suave
Cave
Optical
Modern
Modern Life
Fields
Dots
Mojo
Painterly
Paintings
Chris
Amount
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
Art
Me
World
Every
Hung
Unanimously
Him
His
Art World
America
Estimated
Ignores
Paintings
Included
Twenty
Homes
Delphine Lucielle's paintings are profound, unique, and moving. It is rare to find contemporary art that combines both beauty, innovation, and creates a new style of painting by fusing technology and nature. Delphine Lucielle is pushing the boundaries of what art is capable of.
Jerry Yang
Art
Nature
Technology
Innovation
Rare
Beauty
Style
Painting
Find
Both
Pushing
Boundaries
New
Contemporary
Contemporary Art
Moving
Capable
Creates
Unique
Paintings
Profound
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Joan Didion
You
Writing
Matter
Finished
Research
Down
Every
Stroke
Strokes
More
Shaping
Put
Like
Course
Nonfiction
Still
Go
Texture
Rewrite
Sculpture
Original
Paintings
Novels
Specifically
Thing
Watercolors
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
John Berger
Art
Me
People
Important
Few
Enormous
Seven
Hundred
Hundred Years
Those
Alive
One Or Two
About
Somehow
Adolescence
Absolutely
Became
Felt
Still
Passionate
Were
Years
Years Ago
Encouraged
Refuge
Whether
Companions
Painters
Paintings
Lived
Two
Two People
It may be a cliche, but cliche or not, I fear the day when the only marsh harriers or peregrines I can look at are in paintings by Joseph Wolf or Bruno Liljefors - and no matter how beautiful those works may be, life is the great thing: life, life, life.
John Burnside
Life
Beautiful
Day
Great
Fear
Matter
Wolf
Those
Marsh
Only
Joseph
Look
Great Thing
Cliche
How
May
Works
Paintings
Thing
I decided to become a painter when my first four paintings where all published and attracted a great deal of interest. I exhibited one of them and it was sold.
John Dyer
Great
Great Deal
First
Become
Sold
Attracted
Deal
Where
Decided
Interest
Them
Painter
Paintings
Published
Four
The paintings by Van Gough and Chagall had a big influence on me.
John Dyer
Me
Big
Van
Had
Big Influence
Influence
Paintings
I began observing, making paintings of my surroundings, taking a vow of silence, listening, composing music, writing, and making time for formal education. Then I started telling stories.
John Francis
Education
Music
Time
Silence
Writing
Listening
Telling
Composing
Taking
Observing
Vow
Making
Began
Surroundings
Formal
Stories
Formal Education
Then
Paintings
Started
People go to see beautiful paintings to see how much they cost. Wow. The practical value is that it shows you what the human spirit can do.
John Guare
Beautiful
You
People
Value
Wow
See
Spirit
Cost
Beautiful Paintings
Practical
How
How Much
Go
Human
Much
Paintings
Shows
Human Spirit
I want my paintings to look like they were found in a garage. If they get a scratch or a hole in them, it just becomes part of the painting.
John Mellencamp
Painting
Part
Like
Look
Becomes
Were
Get
Scratch
Just
Want
Hole
Them
Paintings
Garage
Found
I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.
John le Carre
Language
Fly
Master
Pupils
Must
Be Prepared
Diverse
Principally
How
Private
German
Salvador
Salvador Dali
Manage
Any
Taught
Anything
Literature
Ask
Teach
Paintings
Prepared
Dali
Early
I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff.
Jonathan Demme
Quality
Francis
Say
Out
Characters
Bacon
Exactly
Some
Disturbing
Almost
Stuff
His
Frightening
Get
Behind
Really
Paintings
Why
I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.
Jools Holland
Music
Time
You
Architecture
Listening
Looking
Live
Think
Films
Easy
Exciting
How
Realised
Paintings
Traveller
Present
Necessarily
Playing
If I hung one of my paintings next to someone else's, I knew mine would kind of pop off the wall.
Julian Schnabel
Else
Mine
Hung
Kind
Would
Someone
Knew
Off
Wall
Next
Pop
Paintings
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
Kara Walker
Black
Big
White
Painting
Side
Our
Relieved
Kinds
Students
Mythological
Like
She
Deal
Making
Issues
Were
Male
Artist
Just
Themes
Figures
Paintings
Professors
Started
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
Kara Walker
Me
Rebellion
Made
Society
Guess
Slight
Bit
Some
Adolescence
Point
Pictures
Liked
Contemporary
Contemporary Society
Genre
Renegade
Sort
Historical
Get
Maybe
Stories
Little
Little Bit
Realize
Really
Derivatives
Paintings
Things
Desire
Always keep absorbing art and looking at paintings and reading books and watching movies in other languages, just getting to know the world at hand and the world of the past. It's important to keep absorbing the world and keep engaging with it, and often that means not thinking about movies and thinking about other things.
Karyn Kusama
Art
World
Important
Looking
Reading
Past
Thinking
Other
Books
About
Absorb
Know
Reading Books
Always
Hand
Getting
Often
Just
Movies
Means
Engaging
Languages
Paintings
Keep
Things
Watching
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
Kehinde Wiley
Art
History
Conversation
Culture
Looking
Enjoy
Broader
About
Fondness
Having
Beyond
Making
Go
Sake
Art History
Just
Really
Popular
Popular Culture
Paintings
Actually
I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings; but once I came to know that, reconsidering the question of what art is returned as a critical issue.
Kerry James Marshall
Art
Time
Long
Long Time
Gave
Once
Critical
Long Time Ago
Idea
Know
Make
Returned
Because
How
Making
Came
Issue
Question
Up
Wanted
Paintings
Making the leap from Monsanto's business practices - whatever you may think of them - to the 'dangers' of GM foods is a mistake in logical reasoning. It is akin to saying landscape paintings are potentially evil because the painter was a serial killer.
Kyle Hill
Saying
You
Business
Mistake
Logical
Evil
Whatever
Think
Monsanto
Dangers
Killer
Potentially
Foods
Leap
Because
Practices
Making
May
Them
Landscape
Reasoning
Painter
Paintings
Serial
In every respect, fantasy is like doing abstract paintings.
Lance Henriksen
Respect
Every
Abstract
Like
Doing
Fantasy
Paintings
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