3254 Films Quotes for You to Enjoy

Well, you'll find the most boring part of it is the waiting, at least if it's in films anyway. Television's a lot faster, but the product... I don't think it's as good as a film. Lee Hazlewood

Good You Waiting Think Faster Films Television Find Boring Part Most Well Least Lot Anyway Product Film

When I meet fans who relate to Korean films and dramas even though they don't understand the language or the culture, and when they talk about studying Korean and traveling to Korea because of those films and dramas, I think to myself that this is the true force of the Hallyu wave. Lee Min-ho

Myself Culture Fans Language Think Films Relate Dramas Meet Wave Those Though About True Studying Talk Force Because Understand Korea Korean Who Even Traveling

My great grandfather had been the neighbourhood 'horse whisperer,' so I've probably loved horses since I was an embryo. Whenever I watched cowboy films as a small child, I wasn't watching the hunky cowboys - which I'd probably do now - I was watching the horses. Even now, I love sitting in the field just watching the way they move. Lee Pearson

Love Great Field Films Way Neighbourhood Embryo Small Horse Small Child Horses Had Since Great-Grandfather Been Cowboy Cowboys Child Sitting Move Just Whenever Loved Which Grandfather Even Even Now Now Watched Watching

I looked long and hard at third films in series to see if there were any good ones that I could learn from. And there weren't any that hadn't just gone off the train tracks by their third film. Until, that is, I got to the third 'Lord of the Rings' film. Lee Unkrich

Good Long Gone Films Good Ones Rings See Could Looked Until Learn Tracks Got Lord Lord Of The Rings Were Off Train Any Just Hard Series Film Third

It wasn't the first film to show a kind of alternate vision of suburbia, but it left an indelible impression, I think, on everybody, and all films like that will forever be measured against 'Blue Velvet.' Lee Unkrich

I guess it's the fear of failure and not knowing how the films are going to do that just drives us to work really hard to make them the best they can possibly be. Lee Unkrich

Work Best Failure Fear Not Knowing Films Guess Possibly Drives Knowing Make How Going Just Them Us Really Hard

When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art. Lee Unkrich

Art Me People Remember Think Films Saw About Magical Fact Point Around Were Shining Hand Crafting Behind Just Being Where Story Turning Turning Point Works Film Actual Started

I get startled really easily, so I hate horror films. I have to close my eyes when I think something is going to make me jump, because I just scream. Leigh Lezark

Me Eyes Hate Think Films Easily Something Horror Horror Films Make Because Jump Close Get Going Just Scream Really Startled

Somewhere along the way, the ability to make terrifying big budget films like 'The Exorcist' or 'The Shining' was lost, and I don't know if we'll ever get it back. Leigh Whannell

Somewhere Big Lost Films Back Way Ability Budget Along Like Know Make Terrifying Big Budget Shining Exorcist Get Ever

If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror. Leigh Whannell

Good You Year Few Films Back Everyone Out About Horror Horror Films Come Talking How Where Sudden Vintage

It's always an interesting experience with the 'Saw' films, when a sequel comes out that I didn't have anything to do with, creatively, because here's this idea, this story, and this character that I created for James Wan, but now it doesn't need me anymore. Leigh Whannell

I think I've had a lot of experience with watching other people shepherd my ideas with the 'Saw' films. They made four 'Saw' movies without me. I never really had a protective or fierce policy towards that. I let it go. Leigh Whannell

When you sit down to write a film, you direct it in your head. If you are writing a scene, you are watching the scene. And maybe it's different when you are writing a novel because you are thinking of it in terms of being read. But films are only consumed one way - through the eyes and the ears. Leigh Whannell

You Eyes Writing Sit Down Thinking Films Ears Way One-Way Direct Only Scene Through Write Consumed Head Terms Read Because Maybe Being Different Your Novel Film Watching

In the past, when I shot films about fishermen and hunters, I always had to admire their ability to perceive time in its entirety. The present was always temporary. Lennart Meri

Time Fishermen Past Films Hunters Admire Ability Temporary Perceive About Entirety Had Always In The Past Shot Present

Good filmmakers make bad films; it happens. Lenny Abrahamson

Good Films Bad Make Happens Filmmakers

There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe. Lenny Abrahamson

Great Made Films Back States Independent Independent Films Some Feasible More Although Era Very America Get Golden Hollywood Much Hard Europe United United States Actually Film-Making

I get unhappy doing things that I'm not passionate about. Because I feel like I'm squandering this incredible gift I've been given to finance films. As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know? Leonardo DiCaprio

Work Finance Alone Myself You Cinema Gift Unhappy Important Films Enough Changing Incredible About Something Given Directors Feel Soon Name Like Know Vowed Make Because Doing Passionate Were Been Squandering Get Going Happen Who Things

When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof. Leos Carax

Time Me Man People Money Made Seen First Before Young Films Telling Proof Paris Had Knew Talk Make How Arrived Camera Very Bluff Young Man Suburbs Much Film Ever Served Hardly Shy

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