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Characters Quotes
I'm drawn to provocative characters that find themselves in extreme situations. And I think I'm drawn to that consistently.
Kathryn Bigelow
Think
Extreme
Consistently
Drawn
Characters
Find
Provocative
Situations
Themselves
I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me.
Kathryn Harrison
Love
Me
Book
People
Sorry
Before
Characters
Evolve
Finish
Struggled
Understand
Always
Go
Years
Who
Let Go
I treat all my characters as if they were real, and I am scrupulous about the details of their lives.
Kathryn Lasky
Treat
Characters
Details
About
Am
Real
Were
Lives
I love thinking of movie stars who could play the characters in the books I write.
Kathryn Lasky
Love
Stars
Thinking
Books
Characters
Could
Write
Movie
Movie Stars
Who
Play
I love thinking of movie stars who could play the characters in the books I write. I think Charlize Theron would make a lovely Marie Antoinette.
Kathryn Lasky
Love
Stars
Think
Thinking
Books
Characters
Would
Charlize Theron
Could
Write
Make
Movie
Lovely
Movie Stars
Who
Play
Marie
Marie Antoinette
For me, the acting part - and I have to say it makes me a little worried about my own psychological make-up - is that I just love to hide in other characters. I don't like to get up in front of people and talk as Kathy Baker. But as soon as you say 'action,' I'm lost in that character.
Kathy Baker
Love
Character
Me
You
People
Hide
Lost
Own
Action
Other
Worried
Say
Characters
About
My Own
Part
Soon
Like
Baker
Talk
Makes
Up
Get
Front
Just
Psychological
Little
Acting
I try to give all my characters a sense of humor, so I guess I feel like I have done comedy, but maybe I'm better known for drama.
Kathy Baker
Sense Of Humor
Better
Comedy
Try
Humor
Sense
Drama
Guess
Characters
Give
Feel
Like
Known
Done
Maybe
I try to always stretch myself to fit the characters that have been presented.
Kathy Bates
Myself
Try
Characters
Always
Been
Fit
Presented
Stretch
The thing that cracks me up is how these reality characters start out thrilled and excited just to be on television, and how they move to thinking they are as big as the Friends.
Kathy Griffin
Me
Reality
Big
Thinking
Television
Out
Characters
Thrilled
Excited
How
Up
Friends
Cracks
Move
Just
Thing
Start
I'm not writing great literature. I'm writing commercial fiction for people to enjoy the stories and to like the characters.
Kathy Reichs
Great
People
Writing
Enjoy
Characters
Great Literature
Like
Commercial
Fiction
Stories
Literature
There should be characters and situations that we cannot identify with, that retain either too much horror or too much wonder to allow for simple identification. That feels to me like an accurate depiction of what it is like to be in the world, rather than a neutered register of continual empathy.
Katie Kitamura
Me
World
Simple
Too Much
Too
We Cannot
Characters
Horror
Rather
Retain
Allow
Empathy
Feels
Like
Identification
Identify
Wonder
Than
Accurate
Situations
Depiction
Cannot
Either
Register
Much
Should
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
Katy Mixon
You
First
Blessed
Setting
Everything
Background
Characters
Evolve
Given
Coming
Up
Get
Whenever
Where
Want
Then
Really
Season
Second
In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
Kaui Hart Hemmings
Work
Focus
Long
Live
Think
Setting
Else
Characters
About
Long Shot
Putting
Town
Like
Overall
Tight
Island
Makes
Narrow
Close-Up
Different
Place
Which
Anywhere
Anywhere Else
Then
Shot
Shots
Sweep
View
Wide
Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.
Keira Knightley
Great
People
Speak
Characters
Constantly
About
Well
Makes
Human
Fictional
Literature
Movies
Turned
Reason
Thing
It's important that I work with people where they know why they're hiring me and that they're looking to create art without fear. Anyone who uses those excuses to not cast people or to create extremely stereotypical characters, they're creating out of fear, and to me that's really boring.
Keiynan Lonsdale
Work
Art
Me
People
Fear
Important
Looking
Extremely
Those
Out
Characters
Boring
Cast
Stereotypical
Excuses
Know
Without
Hiring
Where
Anyone
Create
Really
Creating
Who
Uses
Why
I'm an actor. I have to play weird characters, quirky characters, strange characters, sometimes characters I don't understand.
Keke Palmer
Strange
Sometimes
Characters
Weird
Understand
Quirky
Actor
Play
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
Kelley Armstrong
You
Care
Characters
Horror
Crucial
Know
Most
Make
Reader
End
Going
Where
Happens
Them
Fully
Even
Novels
My favorite films left the camera rest, and the actors and characters have a stage to act. Move the camera when it's motivating.
Kelly Asbury
Rest
Stage
Films
Favorite
Favorite Films
Characters
Motivating
Camera
Left
Move
Act
Actor
I wanted to create a world that presented the Smurfs with obstacles and challenges and really put them in a fish-out-of-water situation but also make them very active in getting out of their situation. Make them really the central characters.
Kelly Asbury
Challenges
World
Situation
Active
Out
Characters
Put
Obstacles
Also
Make
Very
Getting
Wanted
Central
Them
Create
Really
Presented
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
Kelly Marie Tran
Love
Character
You
Change
Speak
Fall
Young
Type
Everywhere
Kid
Characters
Seeing
Something
Tend
Like
Look
Did
Same
Wanting
Young Kid
Realize
Really
Who
Start
I had written for the theater and didn't know that I knew how to write for film. Ultimately, I think it's just trusting your voice, trusting your characters, and then telling them in a different medium.
Kelly Masterson
Think
Medium
Characters
Telling
Voice
Write
Had
Written
Knew
Know
How
Ultimately
Trusting
Just
Different
Theater
Them
Then
Your
Film
With Marvel, I obviously don't own the characters, so there are levels of approval to go through. But I'm very seldom told no, and never without reason. Maybe I've just been lucky; I don't know, but I don't think it's as frustrating as people generally imagine. I act as though I own it all while I'm writing, I think. I hope, anyway.
Kelly Sue DeConnick
Hope
People
Writing
Own
Think
Approval
Though
Characters
Marvel
Seldom
Through
Generally
Never
Know
Obviously
Without
Go
Been
Very
Maybe
Just
Anyway
While
Frustrating
Act
Reason
Lucky
Levels
Imagine
I've noticed a lot of people are very bold and blustery on Twitter because it's easy to do that with the poison keyboard and a hundred and forty characters.
Kellyanne Conway
People
Poison
Twitter
Keyboard
Hundred
Characters
Easy
Because
Lot
Very
Noticed
Forty
Bold
My books often involve characters who began in some form of mental isolation, with a feeling of having died to the world. Then they become involved in some kind of action where by necessity they're forced to reengage, to get back into the game of life, as it were. You could say that about 'Chance.'
Kem Nunn
Life
You
Game
World
Feeling
Become
Isolation
Action
Back
Books
Say
Characters
Kind
Some
About
Mental
Having
Could
Involve
Involved
Forced
Were
Began
Get
Died
Often
Where
Form
Then
Who
Necessity
Chance
People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed.
Ken Follett
Life
You
People
Complicated
Black
Black And White
Real Life
White
Too
Say
Characters
More
Point
Failed
Missed
Make
Real
Subtle
Them
Then
Much
Meant
Meant To Be
Popular
Villain
Novels
Villains
I don't think there's any great mystery to writing female characters, so long as you talk to them. If you lived in a monastery and never met any women, maybe it would be difficult.
Ken Follett
Great
You
Women
Writing
Long
Met
Difficult
Think
Characters
Would
Would-Be
Mystery
Never
Talk
Female
Female Characters
Any
Maybe
Them
Lived
Monastery
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