Theresa Rebeck Quotes

Theresa Rebeck

American Playwright

Born: Feb 19, 1958

Character People Think Time Work You

Related authors: Arthur Miller August Wilson David Henry Hwang George C. Wolfe Howard E. Koch Lorraine Hansberry Lynn Nottage Sam Shepard

I write a lot because, if I don't, I start to panic, and I calm down when I write. Theresa Rebeck

Calm Down Panic Write Because Calm Down Lot Start

The stage gives you more control over your own work; in television, there's a distressing amount of communal writing. Unless it's your show, you have no control over that. You're at the mercy of whoever's running the show. Theresa Rebeck

Nothing sounds as crazy as telling people you're not crazy. Theresa Rebeck

Crazy You People Nothing Telling Sounds

I like to write. Prolific is part of who I am. Theresa Rebeck

Prolific Write Part Like Am Who

It's sort of a mystery where ideas come from. Theresa Rebeck

Mystery Come Ideas Sort Where

Some people think big audiences are crass and that, say, a comedy that appeals to a wide audience is pandering. Other people would argue that you could say that about Moliere. Theresa Rebeck

You People Comedy Some People Big Think Pandering Other Say Would Some About Could Argue Audience Audiences Appeals Wide Think Big

It's not my responsibility to write plays about the way the world should be. Theresa Rebeck

World Responsibility Way About Write Should Plays

One thing I won't do in television is a sitcom. I find that world to be so neurotic and bizarre. Theresa Rebeck

World Television Bizarre One Thing Find Neurotic Sitcom Thing

I think we have a cultural difficulty with looking at our problems. Theresa Rebeck

Problems Looking Think Difficulty Our Cultural

I'm not ashamed of being American; I'm very proud. Theresa Rebeck

Proud Very American Being Ashamed

I had such a good experience doing 'The Understudy' with the Roundabout, and people were really enthusiastic about the work. Theresa Rebeck

Work Good Experience People Enthusiastic About Had Doing Were Really

I sincerely believe that for the New York theatre to remain relevant, all our major producing institutions should be presenting new American plays. Theresa Rebeck

Theatre Believe Our Relevant Remain New Major Sincerely Institutions American York New York Should Producing Presenting Plays

I think new plays are vastly more surprising and challenging and inspiring; I hear from audiences all the time that they are delighted when they see plays about the world we live in now, at this moment. Theresa Rebeck

Time World Live Think See About More Delighted Vastly Inspiring New Audiences Hear Surprising Moment Now Challenging Plays

Rarely do I try to pull a creature out of life and make it a character. Theresa Rebeck

Life Character Try Out Rarely Make Creature Pull

Our distorted media culture sees men as subjects and women as objects; in films, Woody Allen gets older and older and still dates 20-year-old babes; movies about women are called 'chick flicks,' and men make fun of them. Theresa Rebeck

Culture Women Men Older Babes Films Our Distorted About Objects Allen Sees Dates Make Still Subjects Women Are Chick Gets Woody Woody Allen Movies Them Fun Media

Does art have to have high foot traffic to get funded in a recession? A lot of people, I am sure, would say absolutely not. And those postmodern art-loving loners surely would argue that even if one person likes a piece of art, that would make a museum worthwhile. Theresa Rebeck

Art People Recession Say Those High Worthwhile Would Postmodern Absolutely Argue Absolutely Not Foot Piece Likes Make Sure Surely Does Am Traffic Lot Person Get Even Museum

Is the American theatre allowing itself to become irrelevant? The problem isn't that playwrights aren't being paid enough. It's that theatres all over America are looking towards New York to tell them what new plays to do. Theresa Rebeck

I have two sensational kids who I have raised with my husband, hoping and working every day to help them become healthy, happy, and decent human beings. Theresa Rebeck

The myth that theater isn't for everybody is total nonsense. In the 18th and 19th centuries, everybody in America used to go to the theater all the time. The shows they went to see were big, crazy melodramas that had careening storylines and houses burning down and pretty girls in danger and comedy and death and destruction. Theresa Rebeck

Death Time Crazy Destruction Comedy Girl Myth Big Down Everybody Danger See Total Pretty Pretty Girls Had Houses Nonsense Go Were America Burning Theater Centuries Used Shows

Theater is a public space. It is a spectacular space. It is a gathering place. Theresa Rebeck

Space Gathering Place Theater Public Spectacular

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