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August Wilson Quotes
August Wilson Quotes
August Wilson
American
Playwright
Born:
Apr 27
,
1945
Died:
Oct 2
,
2005
Black
Life
People
Think
Time
You
Related authors:
Arthur Miller
David Henry Hwang
George C. Wolfe
Howard E. Koch
Katori Hall
Lorraine Hansberry
Lynn Nottage
Sam Shepard
Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing.
August Wilson
Work
Forgiveness
Yourself
Dark
Cause
Will
Willingness
Angels
Wrestle
Sing
Parts
Demons
Banish
Confront
Them
Your
Illumination
I dropped out of school, but I didn't drop out of life. I would leave the house each morning and go to the main branch of the Carnegie Library in Oakland where they had all the books in the world... I felt suddenly liberated from the constraints of a pre-arranged curriculum that labored through one book in eight months.
August Wilson
Life
Morning
Library
Book
World
School
Drop
Books
Carnegie
Liberated
Months
One Book
Oakland
Out
Would
Constraints
Through
Main
Had
Drop-Out
Dropped
House
Felt
Leave
Go
Branch
Curriculum
Eight
Where
Each
Suddenly
Each Morning
All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
August Wilson
Love
Needs
You
World
Laughter
Other
Hand
Anybody
Need
Blacks in America want to forget about slavery - the stigma, the shame. If you can't be who you are, who can you be? How can you know what to do? We have our history. We have our book, and that is the blues.
August Wilson
History
You
Book
Our
About
Blacks
Shame
Know
How
Stigma
America
Forget
Blues
Want
Who
Slavery
If you want to participate in life, you have to deny your identity.
August Wilson
Life
You
Participate
Identity
Deny
Want
Your
Blacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience.
August Wilson
Experience
Black
Situation
Blacks
Had
Operate
Up
Where
Custodian
Themselves
Whites
Set
Part of what our problem as blacks in America is that we don't claim that. Partly, you see, because of the linguistic environment in which we live.
August Wilson
You
Problem
Live
Our
Claim
See
Blacks
Part
Environment
Partly
Because
Linguistic
America
Which
I think of dying every day... At a certain age, you should be prepared to go at any time.
August Wilson
Time
Day
You
Age
Every Day
Every
Think
Be Prepared
Go
Any
Dying
Certain
Should
Certain Age
Prepared
Like most people, I have this sort of love-hate relationship with Pittsburgh. This is my home, and at times I miss it and find it tremendously exciting, and other times I want to catch the first thing out that has wheels.
August Wilson
Home
Relationship
People
First
Other
Tremendously
Out
Find
Catch
Exciting
Miss
Like
Most
Sort
First Thing
Times
The First Thing
Wheels
Want
Love-Hate
Pittsburgh
Love-Hate Relationship
Thing
My first wife is a good woman, I still can't say nothing bad about her other than the fact that we had a difference on religion. She wanted someone who was a Muslim who shared those values. And I was like a heathen. I had to stay home on Sundays and watch the football game.
August Wilson
Good
Home
Religion
Game
Woman
Wife
Values
First
Nothing
Other
Say
Those
Muslim
Sundays
Bad
Stay
About
Someone
Fact
Had
Football
Shared
Football Game
Like
She
Still
Than
Heathen
Difference
Wanted
Who
Her
Watch
Once I started to value and respect my characters, I could really hear them. I just let them start talking.
August Wilson
Respect
Value
Once
Characters
Could
Talking
Hear
Just
Them
Really
Start
Started
I don't write particularly to effect social change. I believe writing can do that, but that's not why I write.
August Wilson
Change
Writing
Believe
Write
Particularly
Effect
Social
Social Change
Why
From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don't write political plays.
August Wilson
Work
Love
Art
Time
You
Culture
Wonderful
Political
Resonate
Honor
Duty
Those
Betrayal
Write
Learned
Although
Still
Stories
Place
Which
Etc
Themes
Specific
Universal
Plays
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
August Wilson
Best
Book
Field
Think
Our
Mine
Those
Characters
Blacks
Give
Sacred
Attempted
Since
Attitudes
Ideas
Call
Been
Cultural
Blues
Literature
Them
Created
Here
My plays are ultimately about love, honor, duty, betrayal.
August Wilson
Love
Honor
Duty
About
Betrayal
Ultimately
Plays
How do we transform loss? ... Time's healing balm is essentially a hoax.
August Wilson
Time
Healing
How
Loss
Balm
Hoax
Essentially
Transform
Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone.
August Wilson
You
Focus
Gone
Every
Other
Once
Month
One Thing
Find
Something
Week
Write
Put
Between
Calendar
Gets
Your
Hard
Awards
Thing
Speeches
I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.
August Wilson
Future
Saying
Words
Black
Past
Think
Other
Relation
Our
Kind
Black Americans
One Thing
Seem
Determine
Simply
Know
Make
Lot
Historical
America
American
Going
Order
In Other Words
Who
Connection
Thing
Presence
Need
Plays
I've seen some terrible plays, but I generally enjoy myself. One play I walked out of, I have a tremendous respect for the author. That was Robert Wilson, something called 'Network,' which consisted of Wilson sitting on a bunk, the dialogue of the movie 'Network' looped in while a chair on a rope went up and down.
August Wilson
Myself
Respect
Seen
Down
Enjoy
Tremendous
Tremendous Respect
Out
Wilson
Some
Something
Network
Generally
Robert
Terrible
Dialogue
Up
Up And Down
Walked
Bunk
Author
Sitting
Movie
Which
While
Rope
Chair
Play
Plays
Anything you want to know, you ask the characters.
August Wilson
You
Characters
Know
Want
Anything
Ask
As soon as white folks say a play's good, the theater is jammed with blacks and whites.
August Wilson
Good
White
Say
Folks
Blacks
Soon
Theater
Whites
Play
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
August Wilson
Say
Characters
Some
Slowly
Some Things
About
Piano
Along
Know
Go
Discover
Going
Who
Play
Things
Start
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
August Wilson
Work
Myself
People
Think
Say
Write
Self
Picasso
He
Himself
Audience
Always
Same
Artist
Which
Painted
Satisfy
I don't write for a particular audience.
August Wilson
Write
Particular
Audience
In 1977, I wrote a series of poems about a character, Black Bart, a former cattle rustler-turned-alchemist. A good friend, Claude Purdy, who is a stage director, suggested I turn the poems into a play.
August Wilson
Good
Character
Director
Black
Stage
About
Poems
Wrote
Cattle
Friend
Former
Turn
Who
Bart
Series
Play
Good Friend
Suggested
In 1980 I sent a play, 'Jitney,' to the Playwrights' Center in Minneapolis, won a Jerome Fellowship, and found myself sitting in a room with sixteen playwrights. I remember looking around and thinking that since I was sitting there, I must be a playwright, too.
August Wilson
Myself
Remember
Looking
Thinking
Playwright
Playwrights
Too
Must
Minneapolis
Since
Fellowship
Around
Won
Sitting
Sixteen
Center
Room
Sent
Found
Play
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