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I don't know anyone who's suffered lung cancer.
Iain Glen
Cancer
Know
Anyone
Suffered
Lung
But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still.
Ian Hamilton Finlay
Me
Pleased
Given
Only
Poetry
Write
Feel
Am
Concrete
Still
Close
Cannot
Choose
Muse
I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.
Ian Hamilton Finlay
Time
Natural
Revolution
Own
Think
Other
Our
Our Time
Through
Instance
French
French Revolution
Understand
Said
Understood
Itself
Times
Antiquity
Quite
Often
Just
Process
Natural Process
Use
Your
However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.
Ian Hamilton Finlay
Work
World
Pure
Looking
Think
About
Never
Feel
Over
Make
Accessible
Am
However
Trying
Quite
Straight
Then
Really
Working
Shoulder
Forward
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.
Ian Hamilton Finlay
Me
Beginning
Settings
Suited
Poetry
Never
Clear
Idea
Course
Got
Concrete
Public
Much
Really
Using
Chance
No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.
Ian Hamilton Finlay
Work
Natural
People
Challenge
Confuse
Other
Find
Only
Make
Expectations
Order
I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.
Ian Hamilton Finlay
Garden
People
Made
Own
Mediums
Collaboration
Having
Through
Never
Course
Always
Came
Worked
Who
Gardens
Designed
The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
Ian Hamilton Finlay
You
Trust
Book
Architecture
National
Guide
Pleasure
Mad
Laughing
Follies
Architect
Folly
Only
Implied
Calling
Sort
Get
Same
Happened
Which
Dispute
Thing
Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it.
Ian Hamilton Finlay
Garden
Sense
Think
Difficulty
Other
Would
Had
Like
Perhaps
Traditional
Traditional Sense
Times
Modern
Little
Gardens
I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, et cetera.
Ian Hamilton Finlay
Life
Try
Only
Parts
Always
Am
Tragic
Beginner
Different
Different Parts
Include
If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.
Ian Hamilton Finlay
Work
Me
You
People
Pure
Think
Pleased
Worry
Would
Would-Be
Could
Liked
Course
Accessible
Understood
Mean
Then
Your
But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.
Ian Hamilton Finlay
Myself
Me
You
Poet
Whatever
Consider
Everything
Embarrassing
About
Only
Wee
Outside
Importance
Opinion
Understand
Am
Very
Scottish
Artist
Quite
Modest
Asked
Really
Things
There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.
Ian McDiarmid
Great
Me
People
Brilliant
Master
Byrne
Mention
Stunt
Always
Were
Michael
Get
Double
Who
Helped
Number
I'm the blackest villain of all time.
Ian McDiarmid
Time
All-Time
Blackest
Villain
I suppose it's easy to play a hypocritical politician with a smiling face; it's also quite gratifying to play.
Ian McDiarmid
Face
Politician
Easy
Hypocritical
Suppose
Also
Smiling
Quite
Gratifying
Play
I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story.
Ian Rankin
Great
You
Technology
Opportunity
Social Media
Great Deal
Think
Out
Writers
New
Deal
Got
Traditional
Yes
Get
New Technology
Proactive
Story
Social
Noticed
Use
Hard
Media
Publishers
Right
Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
Ian Rankin
Beginning
Write
Knew
Very
Scottish
Fiction
Wanted
Right
I still think most writers are just kids who refuse to grow up. We're still playing imaginary games, with our imaginary friends.
Ian Rankin
Think
Our
Kids
Writers
Most
Still
Up
Friends
Just
Refuse
Games
Who
Grow
Grow Up
Imaginary
Playing
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about that by thinking about something from the past. How has society changed, how has policing changed, have we changed philosophically, psychologically, culturally, spiritually?
Ian Rankin
Past
Think
Society
Thinking
Changed
Philosophically
About
Something
Spiritually
Policing
Reader
How
Scotland
Get
Want
Psychologically
Interested
Then
Now
Now And Then
I wrote my first short story for a competition and won second prize. Another competition came up and I won first prize. The first story was published in a newspaper. The second went out on radio.
Ian Rankin
Competition
First
Out
Wrote
Another
Came
Up
Won
Prize
Short
Short Story
Story
Newspaper
Radio
Published
Second
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
Ian Rankin
Home
Me
Crime
Will
Thought
First
Reading
Took
John
He
Part
Written
Idea
Like
Attracted
Read
Audience
Said
Conductor
Getting
James
James Bond
Bus
Novel
Dad
Wide
Bond
The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
Ian Rankin
You
Try
Crime
Control
Difficult
Enough
Characters
Plotting
Weave
Unruly
Part
Simply
Red
Soon
Most
Dealing
Linked
Begins
Any
Pattern
Them
Themes
Novel
Elements
Multitude
Need
I don't think I have one particular favourite writer. I have many whose works I will always buy or reread - Muriel Spark, Anthony Powell, Robert Louis Stevenson, Ruth Rendell, James Ellroy, William McIlvanney, Kate Atkinson, John Burnside, Louise Welsh, Iain Banks.
Ian Rankin
Buy
Will
Think
William
Favourite
John
Ruth
Writer
Particular
Robert
Stevenson
Always
Welsh
Louis
Louise
James
Banks
Spark
Kate
Many
Works
Whose
I don't have many friends. It's not because I'm a misanthrope. It's because I'm reserved. I'm self-contained. I get all my adventures in my head when I'm writing my books.
Ian Rankin
Writing
Books
Head
Self-Contained
Adventures
Because
Friends
Get
Many
Reserved
I dunno whether it was to do with my parents - we were working-class - but it was important to me to be self-sufficient.
Ian Rankin
Me
Parents
Important
Were
Self-Sufficient
Whether
Working-Class
I don't hang out with cops.
Ian Rankin
Out
Hang
Cops
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