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Quotes by Critics
I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Jerry Saltz
Restaurants
Eat
Deli
Never
Mainly
Know
How
Subsist
Dishwasher
Much
Really
Use
Cooked
Even
Prepared
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
Jerry Saltz
Life
Art
Walls
Three
Secret
Spent
Kind
Photographed
Collectors
One-Woman
Objects
Pictures
House
She
Documenting
Houses
Auction
Off
Decades
Storage
Galleries
Theory
Unit
Homes
Museum
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
Jerry Saltz
Art
Giant
He
Openings
Robert
Aesthetic
American
Artists
Created
Many
If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.
Jerry Saltz
Art
Old
Year
Gone
Every
Other
Back
Sold
Months
Would
Would-Be
Only
Could
Main
Observe
New
Period
Devoted
Fallow
Revisiting
Which
Galleries
Rooms
Persuade
Works
Shows
Two
A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.
Jerry Saltz
Art
World
Past
Everything
Has-Been
About
New
Been
Years
Art World
York
New York
Being
Center
Canon
Centers
Which
Many
Chris Ofili's suave, stippled, visually tricked-out paintings of the nineties, with their allover fields of shimmering dots and clumps of dung, are like cave paintings of modern life. They crackle with optical cockiness, love, and massive amounts of painterly mojo.
Jerry Saltz
Life
Love
Nineties
Like
Massive
Suave
Cave
Optical
Modern
Modern Life
Fields
Dots
Mojo
Painterly
Paintings
Chris
Amount
You can't prove Rembrandt is better than Norman Rockwell - although if you actually do prefer Rockwell, I'd say you were shunning complexity, were secretly conservative, and hadn't really looked at either painter's work. Taste is a blood sport.
Jerry Saltz
Work
You
Conservative
Better
Say
Secretly
Complexity
Rembrandt
Looked
Sport
Although
Prove
Were
Blood
Norman
Norman Rockwell
Than
Taste
Either
Prefer
Really
Painter
Actually
A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.
Jerry Saltz
Sad
Life
Art
Group
Painting
Lately
Has-Been
Collection
Pretty
Fact
Sad Fact
Contemporary
Been
Modern
Modern Art
Bar
Low
Shows
Set
Museum
The alchemy of good curating amounts to this: Sometimes, placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact, transform both, and create a third thing.
Jerry Saltz
Work
Art
Good
Sometimes
Three
Plus
Both
Equal
Another
Makes
Arranged
Leave
Intact
Transform
Placing
Create
Each
Near
Thing
Amount
Alchemy
Two
Third
Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.
Jerry Saltz
Work
Culture
People
Better
Opportunities
More
More People
Almost
Because
Exhibit
Providing
Irrelevant
Artists
Many
The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.
Jerry Saltz
Incredibly
Find
Scene
New
Contradictions
York
New York
Being
Conflicts
Gallery
Hard
Deep
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
Art
Me
World
Every
Hung
Unanimously
Him
His
Art World
America
Estimated
Ignores
Paintings
Included
Twenty
Homes
Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
Jerry Saltz
Work
Art
Game
People
Will
Pay
Run
Exactly
Only
Know
Bidding
Houses
Auction
How
How Many People
Person
Wants
Them
Gallery
Who
Many
Works
Rigged
Need
Only an artist as preternaturally acute and copacetic, as oddly visionary and just odd as Richard Artschwager, would be able to lay out the whole course of human evolution and have it make some kind of sense while also seeming like a dazzling insight.
Jerry Saltz
Sense
Visionary
Evolution
Out
Kind
Would
Would-Be
Able
Insight
Some
Seeming
Only
Lay
Like
Dazzling
Also
Make
Course
Odd
Oddly
Artist
Human
Just
While
Human Evolution
Richard
Whole
Acute
Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
Jerry Saltz
Art
Good
Changed
Everything
Relativity
Everywhere
Abstraction
Idea
Version
Quickly
Einstein
Theory
The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than I've ever seen them before.
Jerry Saltz
Work
Art
Better
Seen
Before
Constantly
Seeing
More
Over
Go
Metropolitan
Than
Them
Centuries
Ever
Things
Presenting
Museum
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
Jerry Saltz
Culture
Water
Space
Problems
Ocean
Our
Indefinitely
East
Bronx
Visual
Would
Would-Be
Cross
Only
Throws
River
Over
New
Loop
Rent
Queens
Huge
Going
New Yorkers
Us
Many
Started
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
Jerry Saltz
Art
Great
Change
Culture
Great Things
Will
First
Own
Too
Waters
Our
Everything
Once
Finally
Visual
Would
Cross
More
New
Fair
Town
Annoying
Least
Importantly
Go
Huge
May
New Yorkers
Happening
Again
Show
Things
Two
Imagine
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
Jerry Saltz
Learning
Other
Temporary
About
Long-Term
Knowing
Making
Shelter
Getting
Artistic
Artists
Storm
Creating
Working
Connections
Among living artists, George Condo may be the most embraced by the powers that be.
Jerry Saltz
Living
Embraced
Most
Powers
George
Condo
May
Artists
Among
Think of an abstract painting as very, very low relief - a thing, not a picture.
Jerry Saltz
Picture
Painting
Think
Relief
Abstract
Very
Low
Thing
The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.
Jerry Saltz
Art
World
No-One
He
He Or She
She
Force
Art World
Want
Anyone
Should
Here
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
Jerry Saltz
Strategy
Visit
Out
Visits
About
New
Alternative
Go
Lot
York
Closest
List
Closest Thing
Artists
New York
Spaces
Places
Plan
Galleries
Forth
Regularly
Many
Thing
Museums
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
Jerry Saltz
Our
Clarity
Unavoidable
Horizontal
Architectural
New
Stumbling
Blocks
Vertical
York
New York
Being
Means
Certainly
Museums
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more high-minded than gallerists.
Jerry Saltz
Art
Business
World
Ethics
Important
Other
Purer
More
Institution
Academics
Course
Art World
Than
Any
Necessarily
Museums
I say this to everybody: 'Watters World' makes you laugh, and then 'Watters World' makes you cry, because it is shocking, and even I myself am still shocked at some of the answers when I go out.
Jesse Watters
Myself
You
World
Everybody
Say
Laugh
Out
Some
Cry
Because
Makes
Am
Answers
Still
Go
Shocked
Shocking
Then
Even
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