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Quotes by Cartoonists
Quotes by Cartoonists
I'm an unabashed fan of 'The New Yorker.' I do feel proud when I see my artwork in there.
Adrian Tomine
See
Feel
New
Proud
Yorker
Artwork
Fan
New Yorker
When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
Adrian Tomine
Internet
Publish
Address
Email
Stuck
Never
Along
Box
Came
Just
Readers often bring a different set of criteria to the work based on the format.
Adrian Tomine
Work
Criteria
Readers
Often
Different
Format
Based
Bring
Set
There's never been a moment where I sat down at my drawing board and thought, 'I'm a pro!'
Adrian Tomine
Thought
Down
Drawing
Never
Been
Pro
Where
Board
Moment
Sat
I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, and there's an audience for that.
Adrian Tomine
Sometimes
Cartoonist
Audience
Illustrator
Most of my work - including everything from my own comics to the covers I've drawn for 'The New Yorker' - is the result of taking some personal experience or observation and then fictionalizing it to a degree.
Adrian Tomine
Work
Experience
Result
Degree
Own
Everything
Drawn
Some
My Own
Observation
Taking
New
Most
Comics
Covers
Personal
Yorker
Personal Experience
New Yorker
Then
Including
I'm not the kind of person who would throw himself into some exciting or dangerous situation just to get material. So I tend to go about my normal, boring life and just try to look at things a little more closely.
Adrian Tomine
Life
Dangerous
Try
Situation
Kind
Would
Boring
Some
About
More
Tend
Throw
Exciting
Look
Himself
Material
Go
Normal
Person
Get
Closely
Just
Little
Who
Things
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
Adrian Tomine
Myself
Glasses
Thought
Cartoonist
Wears
More
Never
Than
Any
Asian-American
Really
Who
I hated 'Dilbert.'
Adrian Tomine
Hated
I wanted to be as invisible as possible as an artist. I wanted to differentiate between myself and who I'm writing about.
Adrian Tomine
Myself
Writing
Possible
About
Invisible
Between
Artist
Wanted
Who
Differentiate
I love the idea of trying to do the work of old-fashioned novelists of plotting and of really making you curious about what's going to happen next and all that, but also trying to load it up with your weird thoughts and opinions.
Adrian Tomine
Work
Love
Thoughts
You
Plotting
About
Idea
Weird
Also
Opinions
Making
Up
Curious
Trying
Going
Happen
Really
Next
Your
Old-Fashioned
Novelists
Load
'Drawn & Quarterly' has always given me complete editorial control over my books and comics, so any decision about what to include or exclude from the book was my own.
Adrian Tomine
Me
Book
Decision
Own
Control
Complete
Books
Drawn
About
My Own
Given
Exclude
Over
Always
Editorial
Comics
Any
Include
To me, one of the big fears of doing a big huge graphic novel is locking yourself into one style and getting halfway through it and going, 'Oh I made the wrong choice,' which is a recurring nightmare I have.
Adrian Tomine
Me
Yourself
Made
Fears
Big
Style
Locking
Through
Recurring
Wrong
Halfway
Doing
Huge
Getting
Going
Oh
Which
Choice
Graphic
Novel
Nightmare
On a very basic, concrete level, there have been times when my work, regardless of the content, has harmed relationships because I made that work such a primary priority in my life.
Adrian Tomine
Life
Work
Made
My Life
Relationships
Primary
Content
Because
Priority
Concrete
Been
Very
Times
Regardless
Basic
Level
Harmed
I do think that many Americans have a limited view of what constitutes Japanese cartooning based on what gets translated, so it's great to see an increase in diversity.
Adrian Tomine
Great
Diversity
Think
Increase
Cartooning
See
Limited
American
Gets
Japanese
Translated
View
Many
Based
To be perfectly honest, if it was up to me, I would be invisible as an artist.
Adrian Tomine
Me
Would
Would-Be
Perfectly
Invisible
Up
Artist
Honest
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
Adrian Tomine
Me
Book
World
Made
Everything
Pretty
Part
Feels
Like
Real
Accurate
Gets
Where
The Real World
Real World
Frustrating
Shortcomings
Manner
Really
Working
Keep
'Shortcomings' was me figuring out who I am.
Adrian Tomine
Me
Out
Am
Shortcomings
Who
Figuring
A lot of my fears come out in my work rather than life.
Adrian Tomine
Life
Work
Fears
Out
Rather
Come
Lot
Than
I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.
Adrian Tomine
Good
Great
Focus
Think
Films
Project
Possible
Comic
Making
Comics
Should
Film
Basis
The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
Adrian Tomine
Made
Reading
Think
Type
Distinction
Cartooning
Entire
More
Generally
Terms
Underground
Alternative
How
Comics
Line
Were
Referred
Hand
Up
Person
Done
Grew
Process
Whether
Which
Production
Thing
I started publishing my comic while I was still living with my parents.
Adrian Tomine
Parents
Living
Comic
Still
While
Publishing
Started
The secret of how to live without resentment or embarrassment in a world in which I was different from everyone else. was to be indifferent to that difference.
Al Capp
World
Live
Else
Secret
Everyone
Everyone Else
Embarrassment
Indifferent
Without
How
Difference
Different
The Secret Of
Which
Resentment
Like all New York hotel lady cashiers she had red hair and had been disappointed in her first husband.
Al Capp
Husband
Hair
First
Red Hair
Had
Disappointed
Red
Hotel
New
Like
She
Been
York
New York
Lady
Her
The public is like a piano. You just have to know what keys to poke.
Al Capp
You
Keys
Piano
Poke
Like
Know
Just
Public
My work is being destroyed almost as soon as it is printed. One day it is being read; the next day someone's wrapping fish in it.
Al Capp
Work
Day
One Day
Destroyed
Wrapping
Someone
Almost
Soon
Read
Printed
Fish
Being
Next
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