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Quotes by Artists
Quotes by Artists
Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
Damien Hirst
Best
Me
You
Class
Better
Thought
Ambition
Other
Kid
Drawing
Kind
Some
About
Stuck
Had
Always
Real
Itself
Being
Wanted
Who
Being The Best
Even
I had a passport where I wrote 'artist' under 'occupation' and I remember thinking, 'That's it, it's proved!'
Damien Hirst
Remember
Thinking
Had
Wrote
Occupation
Proved
Passport
Artist
Where
You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
Damien Hirst
You
People
Worth
Walk
Nothing
Say
Out
About
Rembrandt
Never
Soon
Look
Well
How
Material
How Many People
How Much
Stitching
Shop
Just
Wood
Want
Canvas
Much
Paint
Jeans
Many
Works
Pair
I've had laser eye surgery and I don't wear glasses any more, so people just go, 'You're not Damien Hirst.' I don't get recognized on the street.
Damien Hirst
You
People
Glasses
Recognized
Eye
Wear
More
Had
Surgery
Go
Get
Any
Just
Street
Laser
I gave up painting by 16. I secretly thought I would have been Rembrandt by then.
Damien Hirst
Thought
Painting
Gave
Secretly
Would
Rembrandt
Been
Up
Then
There was a point I could have just churned out the spot and spin paintings for ever and laughed all the way to the bank.
Damien Hirst
Way
Laughed
Out
Spin
Point
Could
Spot
Bank
Just
Paintings
Ever
Kids are naturally gifted at art from a very young age. The problem is when they get older and become self-conscious. The process should always be fun, though.
Damien Hirst
Art
Age
Problem
Become
Young
Older
Though
Kids
Gifted
Self-Conscious
Always
Very
Get
Young Age
Process
Should
Naturally
Fun
Art is kind of the lens through which I think about God.
Dan Colen
Art
God
Think
Kind
About
Through
Which
Lens
I think that artworks are like these spiritual objects: I think that they have energies and powers beyond what the eye can see.
Dan Colen
Spiritual
Think
Eye
See
Objects
Like
Beyond
Powers
Energies
For all the drama we all have with our families and all the tension and hostility, I couldn't have done this without my family. Being the people that they are - they're crazy - made it possible for me to be crazy and to live a lifestyle of my own design.
Dan Colen
Family
Me
Crazy
People
Made
Own
Live
Design
Drama
Our
Possible
My Own
Lifestyle
Hostility
Tension
Without
Families
Done
Being
I try very hard to handle things equally: ideas, materials, and images.
Dan Colen
Try
Ideas
Equally
Materials
Very
Handle
Hard
Things
Images
Art class was my thing, but not any other class.
Dan Colen
Art
Class
Other
Any
Thing
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
Dan Colen
Work
Energy
Painting
Way
Dip
About
Abstract
Pictorial
Line
Lot
Walking
Using
Things
Watching
The different bodies of my work end themselves when there's no more discovery to be had.
Dan Colen
Work
More
Had
Discovery
End
Different
Themselves
Bodies
I've always been interested in moments of disbelief... I don't know if they possess any magic, but they do have something.
Dan Colen
Possess
Magic
Something
Know
Disbelief
Always
Been
Any
Interested
Moments
A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
Dan Colen
Work
Soul
Power
Energy
Spirit
Touch
Objects
Through
Instilling
Involves
Lot
Actions
It takes a lot of help - nature, friends, family, craftsmen - for me to make what I make.
Dan Colen
Family
Nature
Me
Takes
Make
Lot
Friends
Craftsmen
Help
As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination.
Dan Colen
Myself
Me
Confidence
Too Much
Imagination
Too
Scene
Brushes
Allow
Putting
Perform
Beyond
Opposed
Oil
Want
Wants
Much
Really
Show
Paint
Things
Image
Set
I started at Pixar the month 'Monsters Inc.' came out.
Dan Scanlon
Monsters
Month
Out
Came
Pixar
Started
I actually worked for a small company in Ohio that sort of farmed out work from Disney and Dreamworks, so I really only ever worked in two studios.
Dan Scanlon
Work
Out
Dreamworks
Only
Small
Studios
Sort
Ohio
Worked
Really
Disney
Company
Ever
Actually
Two
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
Dan Scanlon
People
Will
Type
Make
Making
Up
Noses
Movie
Pixar
Story
Turn
Really
Hard
Sequel
Original
Works
Thing
I worked in the story department for years on 'Cars' and 'Toy Story 3.'
Dan Scanlon
Car
Toy
Years
Department
Story
Worked
I trust every lead in every department. All of the teams are phenomenal artists. All I need to tell them is why to do something, not how to do something.
Dan Scanlon
Trust
Every
Tell
Something
Lead
How
Department
Artists
Them
Teams
Why
Phenomenal
Need
The idea of us telling a story where a character doesn't get everything he wants at the end is one of the relatable things - dealing with failures and missteps in life - and it's something that's so rarely dealt with in movies, especially kids' movies.
Dan Scanlon
Life
Character
Everything
Kids
Telling
Rarely
Something
He
Idea
Failures
Dealing
Dealt
End
Get
Where
Wants
Story
Movies
Us
Things
I'm not really a horror movie fan.
Dan Scanlon
Horror
Horror Movie
Movie
Fan
Really
I don't think at Pixar we'd ever make something that was too scary for general audiences.
Dan Scanlon
Think
Too
Scary
Something
General
Make
Audiences
Pixar
Ever
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