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Quotes by Artists
There are some images that I will only use once, and not use again because they don't seem to really hit the nail right on the head, but there are some which are so strong they have to be reduced; sometimes just reusing them makes them stronger.
Keith Haring
Strong
Sometimes
Will
Stronger
Once
Some
Seem
Only
Head
Nail
Because
Makes
Reduced
Hit
Just
Which
Again
Them
Really
Use
Right
Images
I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
Keith Haring
Good
School
College
State
High
Pennsylvania
High School
About
Only
Small
Good Thing
Small Town
Town
Like
Well
Real
Up
Movie
Grew
Theater
Movie Theater
Thing
Because of this the representation I'm interested in is of those things only the eye can touch.
Kenneth Noland
Those
Eye
Touch
Only
Because
Representation
Interested
Things
Context begins with other artists - seniors and mentors.
Kenneth Noland
Seniors
Other
Mentors
Context
Begins
Artists
Clem had made it known that Pollock was a great painter.
Kenneth Noland
Great
Made
Had
Known
Painter
I've also been willing to share any help that I could give to any other artist.
Kenneth Noland
Other
Willing
Give
Could
Share
Also
Been
Any
Artist
Help
The scene then as now was centered in New York. For the most part, I've kept a bit apart from that attractive and seductive city. I've done it by living in the country within commuting distance.
Kenneth Noland
Country
Living
Distance
Bit
City
Seductive
Scene
Part
New
Most
Attractive
Within
York
Done
New York
Centered
Apart
Then
Commuting
Now
Kept
With artists of my own generation there was at first no group identity - and never a clique.
Kenneth Noland
Generation
First
Own
Group
My Own
Never
Identity
Clique
Artists
I'm constantly doing new stuff. I'm always excited. I'm a one-man tornado.
Kenny Scharf
Tornado
Constantly
One-Man
Excited
Stuff
New
Always
Doing
New Stuff
Part of what I do and what I want to do is I want to bring art into the everyday life. If you can take ordinary just walking in the street and you're confronted by something, that might change your day - it might inspire you.
Kenny Scharf
Life
Art
Day
You
Change
Inspire
Everyday Life
Everyday
Something
Take
Part
Walking
Just
Want
Ordinary
Just Walking
Confronted
Might
Your
Street
Bring
I always thought it would be a great thing to do an art carwash. So you can actually go and get your car washed, but while you're sitting around waiting you can walk in that hallway where you look at the cars going through the window, and that could be changing exhibitions.
Kenny Scharf
Art
Great
You
Waiting
Walk
Car
Thought
Changing
Would
Would-Be
Window
Could
Through
Look
Great Thing
Around
Always
Hallway
Go
Exhibitions
Get
Sitting
Going
Where
While
Your
Washed
Actually
Thing
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
Kerry James Marshall
Art
You
Black
Picture
Beauty
About
Absent
Ideas
Likely
Least
Go
Encounter
Person
Figure
Thing
Museum
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
Kerry James Marshall
Music
Me
History
Culture
People
Black
First
Ourselves
Black History
Black Music
About
Blackness
Device
Talk
Occupy
Lot
Rhetorical
Ask
Figures
Reasons
Why
Position
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.
Kerry James Marshall
You
Beauty
Become
Skin
Kind
Darker
Blackness
More
Lighter
Acceptable
Context
Demonstrate
Done
Want
Produce
Figure
Marginalised
The revision of any kind of established model is always a political act.
Kerry James Marshall
Political
Kind
Always
Political Act
Revision
Model
Any
Established
Act
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people.
Kerry James Marshall
Time
You
Eyes
People
Dark
Black
Some People
Unless
One Time
See
Some
Could
Sharp
Smiling
Comic
Got
Were
Lot
Them
Really
Averse
Skinned
Whites
Who
Believed
Night
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
Kerry James Marshall
Art
Myself
Great
History
You
Book
Reflection
Looking
Everybody
Else
Introduction
See
Rembrandt
Like
Art History
Yes
History Book
Michelangelo
Any
Leonardo
Leonardo Da Vinci
Works
Things
One of the reasons I paint black people is because I am a black person.
Kerry James Marshall
People
Black
Because
Am
Person
Paint
Reasons
I try to make work about things that matter.
Kerry James Marshall
Work
Matter
Try
About
Make
Things
There's this idea that many of the attitudes and personality developments in black folks in the diaspora are a consequence of this unresolved trauma. There have been attempts by black artists to try and figure out how to represent that in some kind of way.
Kerry James Marshall
Personality
Try
Black
Way
Out
Kind
Folks
Some
Unresolved
Attempts
Idea
Developments
Attitudes
How
Been
Represent
Artists
Figure
Many
Trauma
Consequence
The National Gallery is the place that means to represent everything that's good and important in art and show what it believes everyone who is a citizen should recognize and engage.
Kerry James Marshall
Art
Good
Citizen
Important
National
Everyone
Everything
Recognize
Represent
Place
Gallery
Should
Engage
Means
Show
Who
Believes
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
Kerry James Marshall
You
Somebody
Kind
Indispensable
Generous
Likes
Knows
Narrative
Contingent
Friend
Trying
Being
Where
Whether
Create
Certain
Your
Presence
Position
I see myself as having fulfilled a lot of my ambition. All the things I dreamed of achieving, I've achieved for the most part.
Kerry James Marshall
Myself
Ambition
Dreamed
See
Having
Part
Most
Lot
Achieved
Achieving
Fulfilled
Things
My ambition was never to make a lot of money. It wasn't to travel around the world. I was really just struggling to make the best pictures I could make.
Kerry James Marshall
Best
Travel
World
Money
Ambition
Struggling
Could
Never
Pictures
Make
Around
Lot
Just
Really
I think the only value of being in school is that everything you do should be a problem that needs to be solved. Everything should be a challenge.
Kerry James Marshall
Needs
You
Problem
School
Challenge
Value
Think
Everything
Solved
Only
Being
Should
If people keep telling you you can't do a thing, then you need to find a really good reason to continue. If someone tells you you can't do something, how will you know? If someone tells you something is impossible, how will you know?
Kerry James Marshall
Good
You
People
Impossible
Will
Telling
Tells
Find
Good Reason
Someone
Something
Know
How
Continue
Then
Really
Reason
Keep
Thing
Need
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