5008 quotes by artists for you to enjoy

I produce a lot of my artwork in Germany. Jeff Koons

Lot Germany Artwork Produce

I think artists are always investigating how to have an economic, political platform. At one time, artists were supported by the Church. Then they were supported also by the state. Jeff Koons

Time Political Church Think State One Time Economic Investigating Supported Also Always How Were Artists Then Platform

Art is about profundity. It's about connecting to everything that it means to be alive, but you have to act. Jeff Koons

Art You Everything Alive About Means Act Connecting Profundity

A lot of my work is about sales. And it was about being independent from the art market. Jeff Koons

Work Art Market Independent About Sales Lot Being

A lot of times, my work is looked at very much on the surface. It's very easy to just want to put something in a box - to say, 'Oh, since this work deals with surface desires at times, this is about consumerism.' And of course, the base of the work is... not about economics at all. Jeff Koons

I like to look at everything and appreciate seeing the different things that have meaning to people. Jeff Koons

People Everything Seeing Like Look Different Meaning Different Things Things Appreciate

The cool thing about 'Sweet Tooth' is that you can bring influences from the underground and alternative people that I read and also bring in some genre influences, too, from movies and comics. And kind of mash it all up. It's a fun project. Jeff Lemire

You People Sweet Too Tooth Project Kind Some About Mash Also Underground Genre Read Alternative Comics Up Influences Movies Sweet Tooth Cool Fun Cool Thing Thing Bring

'Animal Man' and 'Swamp Thing' have so many commonalities in tone and mood. Jeff Lemire

Man Animal Mood Swamp Many Thing Tone

When I first seriously decided to become a cartoonist would have been '99/2000, right before 9/11. I've been writing and illustrating stories in the world post-9/11 since then, watching the world change around me. Jeff Lemire

Me Change Writing World Seriously First Become Before Would Cartoonist Since Around Been Stories Decided Then Illustrating Right Watching

I tend to write my beginnings and endings first - as a cartoonist and storyteller, I couldn't sit down every day if I didn't know where the story was headed. Jeff Lemire

Day Every Day First Sit Down Every Cartoonist Tend Write Headed Know Beginnings Endings Where Story Storyteller

I never - when I go into a project, I don't think too much about if there's a lot of other sci-fi books out there or horror books or whatever. I just tell the stories I want to tell, and I think that is evident on the page. Jeff Lemire

'Hawkeye' is much more intimate than any of the superhero works I've done before. Jeff Lemire

Before Intimate Superhero More Than Any Done Much Works

There's something so arrogant about us creating robots that are more and more human-looking or acting. It's like we're playing God. Let's create something that's a reflection of us, but it's inferior. Jeff Lemire

God Reflection Arrogant About Something More More And More Like Robots Inferior Us Create Creating Acting Playing

I'm not a big fan of introducing a bunch of new mysteries into a story without really knowing where they're going because you just end up struggling at the end to make sense of them and make it all seem like you planned it all along. Jeff Lemire

You Mysteries Big Sense Introducing Seem Struggling New Along Like Knowing Make Because Without Big Fan End Up Bunch Going Just Where Fan Story Them Really Planned

I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc. Jeff Lemire

Character Me Book First Thinking Starts Other Approach Back Project Bit Characters See Emotion Writers Never Look Until Get Any Maybe Just Represents Want Story Etc Convey Themes Really Certain Deeper Start

The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action. Jeff Lemire

'Bloodshot,' for me, was unlike anything I'd ever done before, which was really the draw of it. In addition to trying to reconnect with my earlier work, I also wanted to try to do something that was completely new and different. Jeff Lemire

I've always been attracted to themes of isolation in my work - in my independent work and my DC work. Jeff Lemire

Work Isolation Independent Attracted Always Been Themes

When I was offered 'Hawkeye,' it was very intimidating at first because that book is so loved and so successful, commercially and critically. The worst thing you could do is try to imitate what they did because, in the end, you're just going to get a watered-down version of what they did. Jeff Lemire

You Book Try First Imitate Intimidating Worst Worst Thing Critically Could Because Version End Very Offered Commercially Get Did Going Just Loved In The End Successful Thing

One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were. Jeff Lemire

Big Universe Favorite Characters Favorite Things About Superheroes Reader How Odd Were Up Just Many Growing Growing Up Things

You spend so much time writing a character the way I did with Buddy Baker and then Green Arrow that you start to care about them. And you almost think of them as people, you know? Jeff Lemire

I feel like there are comic book artists who are comic book artists, and then there's comic book artists who are cartoonists. Jeff Lemire

Book Cartoonists Feel Like Comic Comic Book Artists Then Who

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