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Quotes by Architects
Quotes by Architects
I design for the use of a building and the place and for the people who use it... the reputation for arrogance comes because when work is offered to me, I look whether I can find a genuine interest in quality.
Peter Zumthor
Work
Me
Quality
People
Arrogance
Building
Reputation
Design
Find
Look
For The People
Because
Genuine
Offered
Whether
Place
Interest
Use
Who
I think space, architectural space, is my thing. It's not about facade, elevation, making image, making money. My passion is creating space.
Peter Zumthor
Money
Passion
Space
Think
Facade
About
Architectural
Making
Making Money
Creating
Elevation
Thing
Image
I'm not mainly interested in what buildings mean as symbols or vehicles for ideas.
Peter Zumthor
Mainly
Vehicles
Ideas
Buildings
Interested
Mean
Symbols
Architecture has its place in the concrete world. This is where it exists. This is where it makes its statement.
Peter Zumthor
Architecture
World
Statement
Makes
Concrete
Exists
Where
Place
I work anywhere between three and 10 years on a project, depending on the size. My lifetime is finite. Therefore, I have to look carefully at how many projects I want to put into my lifetime.
Peter Zumthor
Work
Three
Carefully
Project
Projects
Finite
Lifetime
Put
Between
Look
How
Years
Depending
Size
Want
Anywhere
Many
Therefore
Normally, architects render a service. They implement what other people want. This is not what I do. I like to develop the use of the building together with the client, in a process, so that as we go along we become more intelligent.
Peter Zumthor
Service
Together
People
Building
Become
Other
Architects
More
Develop
Implement
Along
Like
Render
Client
Go
Normally
Intelligent
Want
Process
Use
Architecture is exposed to life. If its body is sensitive enough, it can assume a quality that bears witness to past life.
Peter Zumthor
Life
Quality
Architecture
Witness
Past
Assume
Enough
Bears
Past Life
Sensitive
Body
Exposed
In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.
Peter Zumthor
Architecture
Speak
Language
Own
Society
Counteract
Put
Up
Forms
Meanings
Waste
Resistance
I need a close contact to the client, whoever it is, and a commitment of the client to go out and do a process together. I want to do the best for him. I need his respect and his patience. I want to work with a sophisticated person who's interested in a good building and not in my name.
Peter Zumthor
Work
Best
Good
Patience
Respect
Together
Commitment
Building
Out
Contact
Name
Sophisticated
Him
Client
Go
His
Close
Person
Want
Process
Interested
Whoever
Need
My first buildings, when I was about 30, were rejected for aesthetic reasons.
Peter Zumthor
First
About
Buildings
Aesthetic
Were
Reasons
Rejected
Architecture to me is whole. I cannot say I only care about this 25% and the other 75% I let go... it's just I want to work the way I want to work. In my shop, you can order certain things and other things you cannot. They are not available.
Peter Zumthor
Work
Me
You
Architecture
Care
Other
Way
Say
About
Only
Go
Shop
Just
Order
Want
Cannot
Available
Certain
Certain Things
Whole
Let Go
Things
I grew up in a craftsman's home, where things were done with our own hands. I did cabinetmaking for four years and I hated it.
Peter Zumthor
Home
Own
Our
Hated
Were
Years
Up
Did
Hands
Craftsman
Done
Where
Grew
Things
Four
When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.
Peter Zumthor
History
Try
Building
Design
Concentrate
Qualities
Am
Site
Going
Form
Place
Which
Depths
Specific
I've built two wooden houses near Vals. I built them for my wife. Those were private projects.
Peter Zumthor
Wife
Projects
Those
Houses
Built
Private
Were
Wooden
Them
Near
Two
Architecture is basically the design of interiors, the art of organizing interior space.
Philip Johnson
Art
Architecture
Interior
Space
Design
Interiors
Organizing
Basically
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
Philip Johnson
Thought
Looking
Looking Back
Beauty
Back
Earth
Embellish
Thrill
Shapes
Generations
Like
Look
Cathedral
Greater
Leave
Get
Same
Here
All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.
Philip Johnson
Great
Architecture
Space
Design
Contains
Shelter
Stimulates
Persons
All architects want to live beyond their deaths.
Philip Johnson
Death
Live
Architects
Beyond
Deaths
Want
If architects weren't arrogant, they wouldn't be architects. I don't know a modest good architect.
Philip Johnson
Good
Arrogant
Architect
Architects
Know
Were
Modest
I'm a chameleon, so changeable. I see myself as a gadfly and a questioner.
Philip Johnson
Myself
Changeable
See
Chameleon
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
Philip Johnson
You
Architecture
Walls
Back
Our
Press
Marvelous
Feel
Talking
How
Concrete
Go
Line
Were
Surprised
Lines
Any
After
Room
Straight
Straight Line
Should
Body
Mold
Your
Your Body
Why
The future of architecture is culture.
Philip Johnson
Future
Culture
Architecture
Doing a house is so much harder than doing a skyscraper.
Philip Johnson
House
Doing
Than
Much
Skyscraper
Harder
There's no such thing as old age. I'm no different now than I was 50 years ago. I'm just having more fun.
Philip Johnson
Age
Old
Old Age
Having
More
Years
Years Ago
Than
Just
Different
Fun
Now
Thing
I wouldn't build a building if it wasn't of interest to me as a potential work of art. Why should I?
Philip Johnson
Work
Art
Me
Build
Building
Potential
Interest
Should
Why
To me, the drive for monumentality is as inbred as the desire for food and sex, regardless of how we denigrate it. Monuments differ in different periods. Each age has its own.
Philip Johnson
Food
Me
Age
Sex
Drive
Own
Monuments
Periods
How
Denigrate
Differ
Different
Regardless
Each
Desire
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