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Marshall Curry Quotes
Marshall Curry Quotes
Marshall Curry
American
Director
About
Documentaries
Films
People
Think
You
Related authors:
David Lynch
George Lucas
Martin Scorsese
Spike Lee
Steven Spielberg
Tim Burton
Woody Allen
To me, the most interesting films are films that take very strong points of view and bang them up against each other and let sparks happen.
Marshall Curry
Me
Strong
Films
Other
Take
Points
Most
Up
Very
Bang
Happen
Against
Interesting
Them
Sparks
View
Each
If I were writing an article for the newspaper, it would be thesis statement, information, information, supporting arguments. That would be the setup. When I'm making a documentary, the pacing of the film and the way that you sort of switch from character to character - all of those are more about storytelling than straight journalism.
Marshall Curry
Character
You
Writing
Argument
Setup
Statement
Way
Those
Would
Would-Be
About
More
Journalism
Supporting
Documentary
Sort
Making
Were
Article
Than
Information
Pacing
Storytelling
Straight
Newspaper
Thesis
Film
Switch
I think most documentaries are too long.
Marshall Curry
Long
Think
Too
Most
Documentaries
With 'Street Fight,' it took an urban mayoral election and found lots of complexity in there. The same with 'Racing Dreams.' I wanted to show complexity within this world that most documentary people don't know anything about.
Marshall Curry
Dreams
Fight
People
World
Election
Took
Complexity
About
Know
Most
Documentary
Within
Lots
Same
Wanted
Anything
Urban
Racing
Show
Found
Street
When I'm making documentaries, I think a lot about how fiction films play. I want them to have the pacing, the twists and the character development of fiction films.
Marshall Curry
Character
Think
Films
Character Development
About
Development
Documentaries
How
Making
Lot
Want
Fiction
Pacing
Them
Play
Twists
I think I'm drawn to people who dream big, and both films have that. In 'Street Fight, Cory Booker wants to become Mayor of Newark, and in 'Racing Dreams,' three kids want to become NASCAR drivers.
Marshall Curry
Dreams
Fight
People
Three
Big
Become
Think
Films
Kids
Drawn
Dream
Dream Big
Both
Drivers
NASCAR
Mayor
Want
Wants
Newark
Racing
Who
Street
When you work on something in an edit room with just a couple of other people, you never know how it is going to be received.
Marshall Curry
Work
You
People
Other
Something
Never
Know
Couple
Edit
How
Going
Just
Room
Received
The first time you watch a movie that you like, all of the magic works on you. It's an experience of having a world unfold in front of you. But if you watch it again, you start to see where the seams are.
Marshall Curry
Time
You
Experience
World
First
See
Magic
Having
Like
First Time
Front
Where
Unfold
Movie
Again
Works
Start
Watch
I think to many people the term 'activist film' implies a film with a single point of view - something designed to provoke outrage and urge action on a particular issue - sort of the film equivalent of a rally. 'If a Tree Falls' is not that kind of film.
Marshall Curry
People
Single
Action
Think
Rally
Tree
Kind
Something
Point
Outrage
Point Of View
Term
Implies
Particular
Sort
Equivalent
Issue
Falls
Provoke
Urge
View
Many
Activist
Film
Designed
When I was in college, I majored in comparative religion because I really wanted to figure out if there was God and how I should live my life.
Marshall Curry
Life
God
Religion
College
My Life
Live
Out
Because
How
Wanted
Really
Should
Figure
Comparative
Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.
Marshall Curry
You
Decision
Every
Interview
Objective
Point
Point Of View
Documentary
Make
Course
Edit
How
Camera
Where
Hold
View
Who
Film
I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
Marshall Curry
Thought
Gatherings
More
Documentary
Than
Often
Fiction
Fun
Even
Filmmakers
I feel like people with their camera phones and Twitter and Facebook, this kind of question like, 'How can I be present and also document my presence or document what I'm doing?' is something that's always on my mind, even when I'm not working as a filmmaker.
Marshall Curry
Facebook
Phones
People
Mind
Twitter
Twitter And Facebook
Kind
Something
Feel
Like
Also
Document
Always
How
Doing
Camera
Question
Working
Even
Presence
Present
Filmmaker
I find often I'm wandering around the park with my kids, and I notice something, and I think, 'Oh, I could come up with a clever Facebook post about that.' It's like, 'Wait a minute - that's not what I should be thinking. I should be present in the moment with my kids.'
Marshall Curry
Facebook
Post
Wait
Clever
Think
Thinking
Kids
Find
Minute
About
Something
Park
Could
Come
Like
Around
Up
Often
Oh
Wandering
Notice
Should
Moment
Present
I'm looking for a charismatic character - somebody who you just want to look at and listen to and whom the camera likes. I'm also looking for a narrative arc: Something is going to happen, and there will be a question that will make you wonder what happens at the end.
Marshall Curry
Character
You
Will
Somebody
Looking
Charismatic
Arc
Something
Look
Also
Likes
Make
Narrative
Camera
Question
End
Wonder
Going
Listen
Just
Want
Happen
Happens
Who
Whom
To me, the best projects are the ones where you have a pretty good idea of what the spine of it's gonna be, but then all sorts of things happen that you could've never predicted, and those are the magic moments of the films.
Marshall Curry
Best
Good
Me
You
Films
Projects
Those
Spine
Pretty
Magic
Pretty Good
Never
Idea
Sort
Where
Happen
Predicted
Gonna
Then
Moments
Things
Things Happen
Good Idea
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