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Margo Jefferson Quotes
Margo Jefferson Quotes
Margo Jefferson
American
Critic
Born:
Oct 17
,
1947
Black
Me
People
Think
White
You
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George Steiner
Henry Louis Gates
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Kimberly Guilfoyle
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bell hooks
I resist lists. It must be all those 'Most Important' and 'Best of the Year' ones I compiled in my years as a beat critic. I often felt guilty about what I left out.
Margo Jefferson
Best
Important
Year
Those
Guilty
Critic
Out
Must
About
Beat
Most
Felt
Years
Left
Often
Lists
Resist
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
Margo Jefferson
Me
Respect
College
Back
Once
Find
Emily
Emily Dickinson
Poetry
Writers
Him
Pass
Am
Still
Revered
Go
Were
Years
Lines
Yeats
Anymore
Central
Again
Certain
Who
Now
At the very least, noir offers an alternate reality - moments of real passion, a bleak code of honor, and a need for freedom amid corruption. At its best, noir offers a map of subversion.
Margo Jefferson
Best
Freedom
Corruption
Reality
Passion
Honor
Bleak
Noir
Alternate
Least
Real
Very
Real Passion
Offers
Subversion
Moments
Map
Code
Need
Noir was a brainchild of the United States. And most of the creators of classic noir - novelists and screenwriters, directors and cameramen - were men. Women were their mysterious, sometimes villainous, always seductive objects of desire.
Margo Jefferson
Women
Sometimes
Men
States
Seductive
Classic
Objects
Directors
Mysterious
Noir
Most
Always
Were
Novelists
Creators
United
United States
Desire
Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
Margo Jefferson
Nature
Cause
Psychic
More
Adult
He
Primal
Clearly
Identity
His
Truly
Michael
Close
Michael Jackson
Than
Child
Trying
Jackson
Suspect
Sustained
Flee
Racial
Who
Damage
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
Margo Jefferson
Work
Needs
Sometimes
Otherwise
Thriller
Feel
Feels
Noir
Attitudes
Looks
Genuine
Does
Material
Real
Off
Artist
Done
Suspense
Just
Literal
Form
Real Work
Dose
Engaging
Film
Play
Film Noir
I'm always aware of various audiences, as a part of my training as a journalist and as part of my training as a citizen of Negroland.
Margo Jefferson
Training
Citizen
Journalist
Various
Part
Always
Audiences
Aware
For me, depression is very much tied to my feeling that so much is being asked of me. I have to 'perform' rather than necessarily be myself. I have to perform a perfect Margo Jefferson, at an impossibly high level.
Margo Jefferson
Depression
Myself
Me
Feeling
High
High Level
Rather
Perfect
Perform
Tied
Very
Than
Being
Asked
Much
Jefferson
Level
Necessarily
I do not regret the years I spent reading the traditional canon of white male writers in school. I do regret reading so little else there: Austen, George Eliot and occasionally Woolf, likewise Wright, Ellison, Hughes and Gwendolyn Brooks.
Margo Jefferson
Regret
School
Reading
White
Else
Spent
Brooks
Wright
Writers
Likewise
Occasionally
Traditional
George
Male
Years
Austen
Hughes
Canon
Woolf
Little
I think all literature should be read as comparative literature. And I think we should write out of what we know, but in the expectation that we can be changed at any moment by something we have yet to discover.
Margo Jefferson
Expectation
Think
Changed
Out
Something
Write
Know
Read
Discover
Any
Literature
Should
Moment
Comparative
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