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Kelela Quotes
Kelela Quotes
Kelela
American
Musician
Born:
Jun 6
,
1983
Black
Like
Me
Music
People
You
Related authors:
Bob Dylan
Dolly Parton
Frank Sinatra
Juice Wrld
Kanye West
Lil Peep
Nipsey Hussle
YoungBoy Never Broke Again
Even on my most angry song, I'm also still saying, 'Thank you for helping me to learn.' I've always wanted to give voice to that complexity in our experience.
Kelela
Saying
Angry
Me
You
Experience
Song
Thank You
Our
Complexity
Give
Voice
Most
Also
Learn
Always
Still
Thank
Wanted
Helping
Even
A lot of white men in the music industry are promoting and participating in black culture in a way that is pretty careless. They want the currency of blackness, but they don't want the brunt that comes along with that.
Kelela
Music
Culture
Black
Men
White
Careless
Music Industry
Way
Promoting
Pretty
Blackness
Brunt
Participating
Along
Industry
Lot
Currency
Want
I think I'm taking risks and putting myself out there.
Kelela
Myself
Risks
Taking Risks
Think
Out
Taking
Putting
I've talked about that with friends, about what genre makes sense to choose for each record and the strategy around that... Sometimes it's more about the moment of time, and other times it's more about the sound of the song. Sometimes it's about what's going on in larger life, in politics.
Kelela
Life
Politics
Time
Song
Sometimes
Sense
Strategy
Other
Record
About
More
Genre
Talked
Around
Makes
Sound
Friends
Times
Going
Choose
Moment
Each
Larger
We are - as artists, we are racialized through genre and called black - without being called black - through genre.
Kelela
Black
Through
Genre
Without
Artists
Being
I guess the bottom line is I don't make music that is consumed en masse.
Kelela
Music
Guess
Consumed
Bottom
Bottom Line
Masse
Make
Line
The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released.
Kelela
Me
People
Accident
White
Assumption
Released
Out
Raw
Simply
Contain
Feel
Talent
Come
Like
Been
Refine
Hit
Just
Where
Place
Far
Then
Thing
Things
Bring
My first reaction to being pigeonholed or pushed into certain confines is to be like, 'No, I'm the opposite,' you know? Like, don't put me in a stereotypical black-girl category, because I'm not like that; I'm doing this thing over here.
Kelela
Me
You
First
Pushed
Put
Over
Stereotypical
Like
Category
Know
Reaction
Pigeonholed
Because
Doing
Opposite
Being
Confines
Certain
Thing
Here
A lot of people of color in the music industry are still more interested in embracing things that are considered white canon, and looking radical. Like when people point to punk in the indie world: If you point to the history of punk as what you see as your legacy, that's more prized and praised.
Kelela
Music
History
You
People
World
Punk
Looking
White
Radical
Music Industry
Considered
Embracing
See
Indie
More
Color
Point
Like
Industry
Praised
Still
Lot
Legacy
Prized
The History Of
Canon
Interested
Your
Things
I'm finding out what part of punk culture or white indie culture I actually still want to hold onto - What are the values? What are the contributions that I actually like? - and it not coming from a place of desperation or wanting to be embraced or wanting approval, essentially.
Kelela
Culture
Desperation
Punk
Values
White
Approval
Out
Finding
Embraced
Indie
Onto
Part
Like
Still
Coming
Contributions
Essentially
Want
Wanting
Hold
Place
Actually
The act of me just being robust in the world is so radical - it's so radical for a black woman to think she's going to be a star, because it takes so much to get there. It's still a battle every day, but I feel happy because I feel like I cracked the code and figured out how to work through it. Now I want to give the map to other women.
Kelela
Work
Day
Me
Woman
Happy
Women
Every Day
Battle
World
Black
Radical
Every
Think
Other
Out
Give
Through
Takes
Feel
Like
She
Because
Robust
How
Still
Cracked
Get
Going
Just
Being
Want
Much
Act
Figured
Map
Star
Code
Now
'Take Me Apart' doesn't feel cohesive in a singular way but in a varied way. You can fixate on individual songs, and there are references from all over the place: Anita Baker to Bjork. I wanted to show all the facets of myself.
Kelela
Myself
Me
You
Way
Facets
Varied
Individual
Take
Songs
Feel
Over
Baker
Singular
References
Wanted
Place
Apart
Show
Cohesive
I know deep down I'm a star.
Kelela
Down
Know
Deep
Deep Down
Star
I have something stupid, like, 12 credits, to graduate.
Kelela
Stupid
Something
Like
Graduate
Credits
Often, I write to feel better and to heal - to cope with things that I'm dealing with. I'm either writing to get out of a feeling or to get into the feeling, to feel it more. Usually it's the perfect remedy, but if it isn't, I focus on other parts of what I'm making that don't involve writing. If neither are working, I simply forfeit the day.
Kelela
Day
Writing
Better
Focus
Feeling
Other
Out
Neither
More
Perfect
Write
Remedy
Simply
Feel
Involve
Heal
Parts
Dealing
Making
Forfeit
Get
Often
Either
Working
Cope
Things
When it comes to melodies, production, and sound in pop music, people try to be formulaic and solely concerned with what's resonant in a way that is so cheap and ugly. It actually just devolves culture, ultimately.
Kelela
Music
Culture
People
Ugly
Try
Resonant
Way
Solely
Melodies
Cheap
Concerned
Sound
Ultimately
Just
Pop
Pop Music
Production
Actually
Before I collaborate, it's important that I have a conversation about what I care about before we make anything, so that it's very clear.
Kelela
Conversation
Care
Important
Before
Collaborate
About
Clear
Make
Very
Anything
Innovating something that is familiar. That's the general approach, and that's what I want to do with the melody as well. It should ring true - you should like every melody sequence without knowing what's happening next.
Kelela
You
Every
Approach
Melody
Ring
Something
General
True
Like
Knowing
Well
Without
Familiar
Want
Happening
Next
Should
Sequence
It is very rare that I am just coming up with melodies off the top of my head. I usually am responding to something - it could be chains dragging on the floor - but I am usually responding to something.
Kelela
Rare
Top
Melodies
Responding
Something
Could
Head
Am
Coming
Off
Up
Very
Just
Chains
Floor
Dragging
For those of us who make music together, I think it's important to realize that generosity on both sides is actually going to produce the biggest possibility.
Kelela
Music
Together
Important
Think
Sides
Those
Possibility
Both
Both Sides
Generosity
Make
Going
Biggest
Realize
Produce
Us
Who
Actually
Music in the U.K. is not racialised in the same way as it is in the U.S. In the U.S.. it's more rigid and conservative. And white people in the U.K. have more close proximity with black people and people of colour in general.
Kelela
Music
People
Conservative
Black
White
Way
Rigid
General
More
Colour
Close
Close Proximity
Proximity
Same
It means so much to be able to share myself with the world.
Kelela
Myself
World
Able
Share
Much
Means
My queer black women peers are the ones who make me not feel crazy. The way we act is so instinctive.
Kelela
Me
Crazy
Women
Black
Peers
Way
Feel
Instinctive
Make
Queer
Act
Who
In Maryland, I didn't grow up around poor white people. Where I grew up, the white people were middle class or upper-middle class. It's interesting how screwed up it is in reality, because most people who receive assistance from the government are white, but not in my head or in my experience.
Kelela
Government
Class
Experience
Reality
People
White
Maryland
Head
Most
Because
Around
How
Were
Up
Middle
Where
Middle Class
Grew
Screwed
Screwed-Up
Interesting
Poor
Who
Grow
Grow Up
Receive
Assistance
I'm coming from the zone of Faith Evans, but with weird production.
Kelela
Faith
Weird
Coming
Production
Zone
I don't care about the underground, even if that's where I'm currently residing sonically.
Kelela
Care
About
Underground
Currently
Where
Even
Residing
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