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Kamasi Washington Quotes
Kamasi Washington Quotes
Kamasi Washington
American
Musician
Born:
Feb 18
,
1981
Jazz
Me
Music
People
World
You
Related authors:
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Dolly Parton
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YoungBoy Never Broke Again
There's this notion that music has to be confined to some small, simple place to be popular, something I never believed.
Kamasi Washington
Music
Simple
Some
Something
Small
Never
Confined
Place
Notion
Popular
Believed
When you're making music, you're creeping up on your heart and pouring it out into something.
Kamasi Washington
Music
You
Heart
Out
Something
Pouring
Making
Up
Your
Creeping
We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.
Kamasi Washington
Life
Music
Musicians
Generation
Jazz
Fluent
Our
Dre
Rappers
Brought
Coltrane
Alongside
Got
Hip-Hop
Been
Heard
Up
Jazz Musicians
Who
Whole
Grown
Now
Grown-Up
Dr
I never had a problem moving between jazz and hip-hop.
Kamasi Washington
Problem
Jazz
Never
Had
Between
Hip-Hop
Moving
My dad was a professional musician; my mom played, too, but just for fun. All my siblings played. The house was full of music books, videos, albums. I guess it's not surprising that I ended up becoming a musician.
Kamasi Washington
Music
Mom
Videos
Too
Guess
Books
Musician
House
Becoming
Surprising
Up
Ended
Just
Full
Fun
Professional
Dad
Played
Albums
Sibling
I went to a music academy in Los Angeles, and some friends started playing me Ravel and Prokofiev, who I liked, but what really blew me away was 'The Rite of Spring.' That's what made me get interested in classical music for real and want to study it.
Kamasi Washington
Music
Me
Made
Spring
Some
Angeles
Classical
Classical Music
Rite
Ravel
Study
Liked
Academy
Blew
Real
Los
Los Angeles
Friends
Get
Want
Interested
Really
Who
Away
Started
Playing
The idea of the beauty of diversity came from just growing up where I grew up. Los Angeles is a very big city - there's Little Ethiopia, Little Armenia, Little Tokyo, Chinatown, there's African-Americans, Latinos, Europeans.
Kamasi Washington
Diversity
Beauty
Big
Latinos
City
Angeles
Idea
Armenia
Big City
Los
Came
Los Angeles
Up
Very
Just
Where
Grew
Chinatown
Little
Ethiopia
Tokyo
Europeans
Growing
Growing Up
Jazz is an interesting music. It's one of the few forms of music where everyone that's performing the music has a creative stake in the music. In jazz, everyone's improvising, and everyone's creating at the same time.
Kamasi Washington
Music
Time
Creative
Few
Jazz
Everyone
Performing
Same
Improvising
Same Time
Where
Forms
Interesting
Stake
Creating
People need to realize that even the greatest jazz musicians, when they listen to jazz, they're not like, analyzing it and deconstructing it - they're enjoying it. It's like listening to any other style of music. It's saying something to you, and you kind of just absorb it.
Kamasi Washington
Music
Saying
You
Musicians
People
Listening
Style
Jazz
Other
Analyzing
Kind
Something
Absorb
Like
Greatest
Any
Listen
Just
Realize
Jazz Musicians
Even
Enjoying
Need
My dad was really into avant garde jazz: Archie Shepp, John Coltrane and Pharoah Sanders.
Kamasi Washington
Jazz
John
John Coltrane
Archie
Coltrane
Avant-Garde
Really
Dad
I started playing with this band, the Polyester Players. It was my introduction into funk. So I went and got a James Brown record. 'Black Caesar' is a film score, but it's so dope.
Kamasi Washington
Black
Band
Dope
Introduction
Record
Brown
Caesar
Got
Score
James
James Brown
Polyester
Film
Players
Started
Playing
Funk
My dad's also a musician, so jazz was always around the house. When I was 11, I developed an interest in it, and he took me to Leimert Park. At that time, it was the artistic hub of L.A., and it was right in South Central. The first concert I went to, I saw Pharoah Sanders at the World Stage club there, which only holds, like, 30 people.
Kamasi Washington
Time
Me
People
World
First
Stage
Club
Jazz
Took
Saw
Musician
Only
Park
Developed
He
Like
House
Also
Concert
Around
Always
Hub
South
Artistic
Holds
Which
Central
Interest
Dad
Right
World Stage
At the time of 'The Epic,' as a core band, we were all spending so much time apart making music for other people that by the time we got together - even though we grew up together and there's a special connection we have - it was like a rare privilege to come together.
Kamasi Washington
Music
Time
Together
People
Rare
Band
Other
Spending
Though
Rare Privilege
Come
Like
Got
Making
Were
Up
Privilege
So Much Time
Grew
Apart
Epic
Much
Special
Connection
Even
By The Time
Core
We started 'Heaven And Earth' in 2016. That was probably the heaviest touring year of my whole life. We probably did almost 200 shows in 2016. We went into the studio, and I honestly didn't know what the album was going to be. So I just kind of started picking songs that I liked.
Kamasi Washington
Life
Year
Honestly
Earth
Kind
Songs
Touring
Studio
Picking
Almost
Know
Liked
Did
Going
Heaven
Just
Heaviest
Just Kind
Whole
Shows
Started
Album
We learned at a young age, with our dad, that even if you weren't doing something, you had to look like you were, or some hard labor was coming your way. That's the reason I started practicing music - when I was practicing, Pops left me alone.
Kamasi Washington
Music
Alone
Me
You
Age
Young
Our
Way
Some
Something
Had
Like
Look
Learned
Practicing
Coming
Doing
Were
Left
Labor
Young Age
Your
Hard
Reason
Pops
Even
Dad
Started
When I was about seventeen, I had a group called the Young Jazz Giants. We played all originals. When we would finish playing, people would be like, 'Oh my God, that was so nice, that was so great.' But Pops would never tell us we were the best. He would give it to us straight, like, 'You're out of tune. You're dropping beats.'
Kamasi Washington
God
Best
Great
You
People
Young
Jazz
Nice
Group
Seventeen
Giants
Out
Tell
Would
Would-Be
About
Give
Finish
Never
Had
Beats
He
Dropping
Like
Were
Oh
Oh My God
Tune
Straight
Us
Pops
Originals
Played
Playing
I think the reason why I see life as this never-ending struggle is because I imagine it having endless potential.
Kamasi Washington
Life
Struggle
Think
See
Having
Potential
Never-Ending
Because
Endless
Reason
Why
Imagine
A legacy is a lot of times determined by how people accept your music. And sometimes people's legacy starts late or starts early, or they last a long time or a short amount of time. As a musician, I've never taken an approach of wanting to try to control that because I don't think that I can.
Kamasi Washington
Music
Time
People
Sometimes
Try
Long
Long Time
Control
Think
Starts
Late
Approach
Musician
Determined
Never
Taken
Accept
Because
How
Lot
Legacy
Times
Short
Wanting
Your
Amount
Early
Last
I used to tell my friends, 'Art Blakey is way more gangster than Eazy-E!' I ended up getting my friends into jazz, and all of a sudden there was this little group of kids in the middle of South Central that were all into hard-bop.
Kamasi Washington
Art
Jazz
Group
Way
Kids
Tell
More
Were
South
Up
Friends
Than
Ended
Getting
Middle
Central
Little
Used
Gangster
Sudden
Music is this medium to express who I am and what I've been through and my thoughts and what my feelings on the world are. We're all on the planet together; I'm just using this medium to express how I see it.
Kamasi Washington
Music
Thoughts
Together
World
Feelings
Medium
See
Through
How
Am
Been
Just
Planet
Who
Using
Express
As a musician, your instrument is almost predetermined. I had played drums, piano, clarinet, but when I heard Wayne Shorter play the saxophone, I knew that sound is what I wanted.
Kamasi Washington
Saxophone
Wayne
Musician
Clarinet
Piano
Had
Knew
Almost
Drums
Instrument
Sound
Heard
Wanted
Predetermined
Your
Play
Played
Music doesn't come out of you, it comes through you. You are almost like a messenger.
Kamasi Washington
Music
You
Out
Through
Almost
Come
Like
Messenger
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