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Jessica Stockholder Quotes
Jessica Stockholder Quotes
Jessica Stockholder
American
Artist
Born:
1959
Bit
Color
Edges
How
Love
Work
Related authors:
Andy Warhol
Jackson Pollock
Jean-Michel Basquiat
Jeff Koons
Kehinde Wiley
Keith Haring
Yoko Ono
I make things complicated for myself and chaotic, so I feel unsettled, and then the challenge is to make something structured and complete emerge from that.
Jessica Stockholder
Myself
Complicated
Challenge
Complete
Chaotic
Emerge
Something
Structured
Unsettled
Feel
Make
Then
Things
Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while also acknowledging the way in which the making of things with hands has such a complex, alienated place in our culture.
Jessica Stockholder
Work
Generation
Culture
Value
Looking
Our
Alienated
Way
Evidence
Complex
See
My Generation
Something
New
Like
Also
Making
Hand
Effort
Handmade
Hands
Artists
Common
Place
Which
Acknowledging
While
Younger
Thing
Things
It doesn't matter what I use. It can be anything. What's interesting is how what I'm doing meets with the stuff I use.
Jessica Stockholder
Matter
Meets
Stuff
How
Doing
Anything
Interesting
Use
I suppose I consider my work a kind of picture making.
Jessica Stockholder
Work
Picture
Consider
Kind
Suppose
Making
I love the way painting is so full of illusionistic possibilities.
Jessica Stockholder
Love
Painting
Way
Possibilities
Full
I don't have assistants and things in the studio.
Jessica Stockholder
Studio
Things
Assistants
I work in response to the limitations of any situation and in relationship to what's possible.
Jessica Stockholder
Work
Relationship
Situation
Possible
Response
Limitations
Any
Focused attention necessarily has an edge, but as focus changes, the edge shifts.
Jessica Stockholder
Focus
Edge
Changes
Focused
Attention
Shifts
Necessarily
I think what kids do is play.
Jessica Stockholder
Think
Kids
Play
My work participates in that really quick and easy and inexpensive material that's part of our culture. In that way, my work engages the means of production that we live with, even while it's classical and embodies some things from a very long time ago.
Jessica Stockholder
Work
Time
Culture
Long
Long Time
Live
Our
Way
Embodies
Easy
Some
Classical
Some Things
Part
Long Time Ago
Material
Inexpensive
Quick
Very
Very Long Time
While
Really
Means
Production
Even
Things
I don't fetishize objects.
Jessica Stockholder
Objects
Paint is the skin of a painting: it is fiction. In houses, it disguises the plumbing and wiring and studs and nails.
Jessica Stockholder
Skin
Painting
Plumbing
Wiring
Nails
Houses
Fiction
Paint
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