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Script Quotes
Script Quotes
It feels very, very good to make a film freely, to work without having to wait years for script approval, without looking over your shoulder.
Bahman Ghobadi
Work
Good
Wait
Looking
Approval
Having
Over
Feels
Freely
Make
Without
Years
Very
Script
Shoulder
Your
Film
Instead of letting anxiety run you, try voicing it. Voice it in your comedy. Voice it in a script. Just voice it, and it'll help you release it.
Baron Vaughn
You
Anxiety
Comedy
Try
Release
Run
Voice
Instead
Just
Script
Your
Help
Letting
You need to be open and explore while heading where you want to go. You can never be too in love with your own ideas. If you can remember every idea that is yours in a script, as opposed to someone else's, then something is wrong.
Barry Levinson
Love
You
Remember
Own
Every
Too
Else
Someone
Something
Never
Open
Wrong
Idea
Heading
Ideas
Opposed
Go
Where
Want
While
Script
Then
Explore
Your
Yours
Need
Almost every script that I've gotten has been for sort of the generic Hollywood type. I haven't chosen them. All the ones I have chosen are because I've been fascinated with the source material or because of the script.
Ben Barnes
Every
Type
Has-Been
Almost
Generic
Sort
Because
Material
Gotten
Been
Source
Source Material
Script
Them
Hollywood
Fascinated
Chosen
Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn't going to work.
Ben Kingsley
Work
Business
First
Older
Meeting
Hopefully
More
Perhaps
Know
Make
Get
Accurately
Going
Either
Script
Choices
I honestly have no strategy whatsoever. I'm waiting for that script to pop through the letterbox and completely surprise me.
Ben Kingsley
Me
Waiting
Strategy
Honestly
Through
Surprise
Whatsoever
Script
Pop
You can reveal yourself on stage in a way that you can't on TV. If you drop a character on TV, it's death. Each character has to be ruthlessly, faultlessly played. But live, you can hint at what's going on behind. You can let the audience in a bit and go off the script.
Ben Miller
Death
Character
You
Yourself
Drop
Stage
Live
Way
Bit
TV
Reveal
Audience
Hint
Go
Off
Going
Behind
Script
Each
Played
I'm not saying I'm a writer, but I've been in movies for a long time, and I think I could write a script for a movie.
Benicio Del Toro
Saying
Time
Long
Long Time
Think
Could
Write
Writer
Been
Movie
Script
Movies
I like going into a scene knowing that the script isn't quite finished, that there's something that isn't really going to reveal itself until something spontaneously occurs.
Bennett Miller
Finished
Something
Scene
Like
Spontaneously
Until
Knowing
Reveal
Occurs
Itself
Going
Quite
Script
Really
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
Bernardo Bertolucci
Life
Character
Try
Face
Hiding
Characters
About
Only
Weight
Feel
Until
Because
Always
Very
Curious
Shoot
Often
Script
Body
Pages
Moment
Actor
Lives
Pull
When I read both pilots for 'Breaking Bad' and the 'Michael J. Fox Show,' I turned to my husband in real life, and I'm like, 'That is an amazing script.'
Betsy Brandt
Life
Amazing
Husband
Real Life
Bad
Both
Like
Read
Real
Pilots
Michael
Breaking
Breaking Bad
Script
Turned
Show
Fox
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
Betty White
You
Long
Local
Angeles
Small
Hours
Know
Talk
Talk Show
Comfortable
Audience
Overly
Los
Los Angeles
Years
Very
Get
Did
Maybe
Script
Show
Many
Four
Early
The story behind 'Check Point' is what drew me in. The script had a couple of twists that I really did not see coming... To get out there and raise people's awareness, I think there's a big responsibility in that.
Bill Goldberg
Me
People
Responsibility
Big
Awareness
Think
Out
See
Drew
Point
Had
Check
Couple
Coming
Get
Did
Big Responsibility
Behind
Story
Script
Really
Twists
Raise
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
Bill Skarsgard
Character
Me
First
Before
Something
Feel
Like
Learn
Read
Done
Interaction
Script
Gonna
Then
Incentive
Here
I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time.
Bille August
Life
Time
Wonderful
To Be Honest
Every
Other
Months
Spent
Bergman
About
Through
Almost
Hours
Most
Talked
Wonderful Time
Different
Afternoon
Script
Really
Sat
Whole
Different Things
Things
Four
Honest
I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don't think the script is any good and I don't have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I'm going.
Billy Campbell
Good
Fashion
Trust
People
Somewhere
Every
Think
Once
Some
Almost
Like
Always
Shooting
Any
Going
Form
Script
Means
Lanka
Film
Things
Awhile
There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.
Billy Campbell
Myself
Great
Me
Thought
Believe
Think
Pretend
Would
Cast
Great Script
Part
Feel
Making
Audition
Go
Been
Times
Role
Movie
Script
Then
Asked
Producer
Even
Right
Things
When I approach any script, I always try to find what I would relate to most in it.
Birgitte Hjort Sorensen
Try
Relate
Approach
Would
Find
Most
Always
Any
Script
Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.
Blair Underwood
You
Holding
Our
Rules
Some
Fact
Gotta
Hand
Hold
Script
Scripts
Them
Realized
Us
Production
Use
Used
Union
Fully
Now
I'd rather say no and have said no and do say no often. I walk away from projects if it doesn't feel right; if it's not the right team of people pulling in together or if the script isn't right. It could be a great idea but the script doesn't work.
Blair Underwood
Work
Great
Together
People
Walk
Projects
Say
Great Idea
Rather
Could
Idea
Feel
Said
Often
Script
Team
Away
Right
Pulling
People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
Blake Lively
Character
You
People
Somebody
Type
Say
Tell
Would
Follow
See
People Say
Gut
Feel
Know
Well
Read
Go
Going
Where
Want
Movie
Script
Next
Your
Whose
Play
Career
I always write the script by myself.
Bong Joon-ho
Myself
Write
Always
Script
I'm extremely excited about working with Troika on 'The Hive.' This script has two elements I always look for in a thriller - strong, believable female characters and a smart, very dark and very creepy story that will definitely resonate with large audiences.
Brad Anderson
Strong
Dark
Smart
Resonate
Will
Extremely
Definitely
Characters
About
Thriller
Excited
Look
Female
Always
Female Characters
Audiences
Very
Hive
Story
Script
Working
Large
Believable
Elements
Two
Creepy
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
Brady Corbet
Me
Care
Tell
Telling
About
Only
Almost
Between
Huge
Wants
Story
Script
Really
Who
Gap
Second
Filmmaker
It's just I hate reading the description 'offbeat' about a character in a script, because I, along with Seth Green, Jamie Kennedy and a few others, have cornered the market on 'offbeat.'
Breckin Meyer
Character
Hate
Reading
Few
Cornered
Others
Market
About
Along
Because
Offbeat
Green
Just
Jamie
Script
Description
Kennedy
Sin and forgiveness and falling and getting back up and losing the pearl of great price in the couch cushions but then finding it again, and again, and again? Those are the stumbling steps to becoming Real, the only script that's really worth following in this world or the one that's coming.
Brennan Manning
Forgiveness
Great
World
Worth
Losing
Back
Back Up
Those
Finding
Following
Only
Couch
Price
Steps
Sin
Stumbling
Becoming
Real
Coming
Falling
Up
Getting
Again
Script
Then
Really
Pearl
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