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Eating at home is fine, as I can easily work around the foods that don't agree with me and still eat heartily with the rest of my family. I don't force them to follow my diet.
Andrea McLean
Work
Home
Family
Me
Rest
Easily
Fine
Follow
Eat
Eating
Foods
Force
Around
Still
Heartily
Diet
Them
Agree
One of the reasons we survive as a band is that we are seen as a band of today. We don't want to be seen as a band that tours and plays old songs. We feel that we are making the best music of our careers.
Andrew Fletcher
Today
Music
Best
Old
Seen
Band
Old Songs
Our
Songs
Tours
Feel
Making
Survive
Want
Reasons
Careers
Plays
All of our affairs, since the union of crowns, have been managed by the advice of English ministers, and the principal offices of the kingdom filled with such men, as the court of England knew would be subservient to their designs.
Andrew Fletcher
Men
Advice
Our
Ministers
Would
Would-Be
Kingdom
Crowns
Knew
Since
Principal
Court
Affairs
Been
Offices
Subservient
England
English
Union
Filled
Designs
He uses statistics as a drunken man uses lamp posts - for support rather than for illumination.
Andrew Lang
Man
Lamp
Statistics
Posts
Rather
He
Support
Drunken
Than
Uses
Illumination
Life's more amusing than we thought.
Andrew Lang
Life
Thought
More
Than
Amusing
In Britain, the great hidden secret of talking animals and children's literature is how political it was in its bones, beneath the obvious cuteness.
Andrew O'Hagan
Great
Political
Animals
Beneath
Secret
Hidden
Obvious
Talking
How
Children
Literature
Britain
Bones
Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there before.
Andrew O'Hagan
You
Writing
World
Before
Plumbing
About
Something
Put
Self-Discovery
Also
Get
Quite
While
Them
Depths
Much
Act
Whole
Novel
Serious
Flood
Appetites
A living museum must surely see itself as a locus of argument. A breathing art institution is not a lockup but a moveable feast.
Andrew O'Hagan
Art
Argument
Living
Must
See
Feast
Institution
Surely
Itself
Breathing
Museum
Long before the arrival of reality TV - before speed cameras, before recording angels on buses and lampposts - I felt I was living in a country that already knew how to watch itself. It was journalism that held the responsibility for seeing who we were and noticing what we did.
Andrew O'Hagan
Reality
Responsibility
Long
Recording
Country
Before
Living
Speed
TV
Seeing
Angels
Knew
Journalism
Felt
How
Arrival
Were
Cameras
Itself
Did
Buses
Reality TV
Held
Noticing
Who
Watch
When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.
Andrew O'Hagan
Walls
Men
Danish
About
Someone
Thrillers
Mysterious
Writer
Wire
Idea
Over
Like
Wrote
Tangled
Up
Author
Getting
Barbed
Barbed Wire
Who
Growing
Growing Up
A theatre is not a blank page for editorial, it is not a soapbox or a Tannoy system: it is a conscience that wakes with what is happening in the space, and wakes further still in response to what people are making of it.
Andrew O'Hagan
Theatre
People
Space
Further
System
Response
Blank
Blank Page
Making
Editorial
Still
Wakes
Happening
Soapbox
Page
Conscience
There's a horrible fallacy that exists in the popular discussion of fiction these days: the idea that a successful central character need be 'likeable' or 'sympathetic'. It is surely more important that they be human, no? More crucial that they breathe?
Andrew O'Hagan
Character
Important
Horrible
More
Crucial
Idea
Days
Likeable
Surely
Fallacy
Exists
Discussion
Human
Fiction
Central
Breathe
Successful
Popular
Need
Sympathetic
As a writer I care about America, and care about its carelessness.
Andrew O'Hagan
Care
Carelessness
I Care
About
Writer
America
A good nationalism has to depend on a principle of the common people, on myths of a struggling commonality.
Andrew O'Hagan
Good
People
Depend
Nationalism
Struggling
Myths
Principle
Common
Common People
Commonality
We now live in the era of fake consensus, or phoney populism, a condition in which galleries and homes are seen to succeed best where they manage feelings of non-difference.
Andrew O'Hagan
Best
Seen
Feelings
Live
Phoney
Fake
Era
Condition
Manage
Where
Which
Succeed
Galleries
Now
Homes
Consensus
The working class of England take their deracination completely for granted. Disenchantment is the happy code that informs every byway of the underclass: service jobs, celebrity dreams, Lotto wins, leisured poverty on pre-crunch credit cards, it's all there, part of the story of an English people whose grandparents never had it so good.
Andrew O'Hagan
Service
Dreams
Good
Class
Happy
People
Poverty
Every
Jobs
Wins
Take
Never
Had
Part
Celebrity
Disenchantment
Story
Informs
Working
Grandparents
Granted
Working-Class
England
English
English People
Code
Whose
Credit
Credit Cards
Cards
Interviewing is not a democratic art.
Andrew O'Hagan
Art
Interviewing
Democratic
When I was growing up, there was a feeling in one's living room as much as in one's local gallery that a little elitism was good for the soul.
Andrew O'Hagan
Good
Soul
Feeling
Living
Local
Up
Little
Room
Gallery
Much
Growing
Growing Up
Living Room
Elitism
You'll find that no pride is greater than the pride that comes with being thick. Britain is filled with people who are really proud of their stupidity.
Andrew O'Hagan
You
People
Pride
Stupidity
Find
Greater
Proud
Than
Being
Really
Who
Filled
Thick
Britain
I was 10 when I realised I couldn't stand football. I'd tried, obviously, before this - no one wants to give in to social pariah-hood without a fight. I had stood frozen on pitches, done some running about and shouted a lot, as though I cared.
Andrew O'Hagan
Fight
Before
Though
Running
Tried
Some
About
Give
Had
No-One
Football
Obviously
Without
Lot
Done
Stood
Pitches
Frozen
Wants
Realised
Social
Stand
Cared
The characters in 'Be Near Me' come from a genuine place, a Britain that is more than one country and more than one ideal.
Andrew O'Hagan
Me
Country
One Country
Characters
More
Ideal
Come
Genuine
Than
Place
Near
Britain
The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible.
Andrew O'Hagan
Today
Best
Class
Waiting
People
Vision
Become
Society
Other
Aim
Way
Out
Possible
Habits
Beyond
Version
Up
Than
Middle
Middle Class
Anything
Room
Transitional
Themselves
Working
Working-Class
England
Who
As an old creative industry full of cruelty and moral sense, British journalism once flourished on the imperative that people required the truth in order to survive. But people don't require that now. They want sensation and they want it for nothing.
Andrew O'Hagan
Truth
Creative
People
Old
Cruelty
Sense
Nothing
Once
Moral
Moral Sense
Imperative
Journalism
Industry
Survive
Sensation
Order
Want
To Survive
Require
Required
Full
Now
British
The idea that people in novels should be more sympathetic than people in life simply baffles me.
Andrew O'Hagan
Life
Me
People
More
Simply
Idea
Than
Should
Novels
Sympathetic
I always believed in my ability. I just had to work hard and be patient and, yeah, at times it didn't look likely. You need a wee stroke of luck but every chance I've been given, I've taken.
Andrew Robertson
Work
You
Work Hard
Be Patient
Patient
Luck
Every
Stroke
Ability
Given
Wee
Had
Taken
Look
Likely
Always
Yeah
Been
Times
Just
Hard
Believed
Every Chance
Chance
Need
Everyone knows what toothache's like: it's one of those dull pains that just won't go away.
Andrew Robertson
Go Away
Everyone
Toothache
Those
Like
Knows
Go
Dull
Just
Pains
Away
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