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I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term.
Margo Jefferson
You
Conversation
People
Debate
Will
Black
Three
Think
Back
Reclaim
Kind
About
Could
Term
Terms
Advocate
Context
Versus
American
Depending
African
African-American
Whether
While
Then
Noticed
Use
Now
Bring
There are still Negro elites. Many of them are obviously much richer, and perhaps a little more integrated into what remains a white power structure. But those old rituals from the social clubs, to the broadly segregated white and black schools, to an obsessive interest in ancestry, all of that does still exist. Look: we are a class-bound society.
Margo Jefferson
Old
Black
Power
White
Society
Those
Ancestry
Structure
More
Segregated
Remains
Rituals
Power Structure
Obsessive
Perhaps
Look
Schools
Obviously
Does
Still
Integrated
Exist
Interest
Clubs
Little
Social
Them
Much
Richer
Many
Elites
When people start reconfiguring marriage, there's no going back.
Margo Jefferson
Marriage
People
Back
Going
Start
Negroland is my name for a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty. Children in Negroland were warned that few Negroes enjoyed privilege or plenty and that most whites would be glad to see them returned to indigence, deference and subservience.
Margo Jefferson
Few
Negroes
Plenty
Would
Would-Be
See
Small
Glad
Name
Most
Returned
Sheltered
Were
Privilege
America
Where
Children
Region
Them
Warned
Certain
Whites
Residents
Amount
Enjoyed
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
Margo Jefferson
Space
Black
White
Locate
Dared
Writers
Between
Forbidden
Vulnerability
Idols
Literary
Sanctioned
Found
Kennedy
Yes, for blacks, racism functions without the actual presence of whites, just as for whites it functions without the actual presence of blacks! Beliefs, conventions, history do the work.
Margo Jefferson
Work
History
Racism
Blacks
Without
Yes
Just
Conventions
Whites
Beliefs
Functions
Actual
Presence
So much of what blacks and women contend with is centered in how we view, and how the world views, our bodies. Gestures, voices, affect.
Margo Jefferson
Women
World
Our
Blacks
Voices
Contend
How
Affect
Gestures
Centered
Much
Bodies
View
Views
Depression is so treacherous - it can be so alluring as well as punishing. After all, it's yours and yours alone - no one else can interfere with it.
Margo Jefferson
Depression
Alone
Else
Punishing
No-One
Alluring
Well
After
Interfere
Yours
Treacherous
Criticism does demand a certain kind of authority, but what about the authority of not really being sure what you think? What about the authority, the authenticity that comes from bringing all your intellectual, emotional and spiritual equipment to a piece of art or entertainment whilst still being uncertain and confused?
Margo Jefferson
Art
Spiritual
You
Entertainment
Confused
Criticism
Think
Kind
About
Uncertain
Emotional
Demand
Piece
Sure
Does
Equipment
Still
Intellectual
Authenticity
Authority
Being
Whilst
Really
Certain
Your
Bringing
There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.
Margo Jefferson
Art
Entertainment
People
Black
Important
Style
Nothing
Every
Think
Way
Claiming
Kinds
One-Way
Only
Only One Way
Most
Forbidden
Most Important Thing
Because
Important Thing
The Most Important
Forms
Thing
Necessary
Since pre-Emancipation, black 'females' have had to fight for the whites-only privilege of being deemed 'ladies': cultured, educated, sexually desirable in a socially respected way. Michelle Obama has managed to get all this without yielding her right to be smart and strong-willed.
Margo Jefferson
Fight
Smart
Black
Respected
Way
Obama
Sexually
Strong-Willed
Had
Since
Without
Females
Educated
Cultured
Privilege
Yielding
Michelle
Michelle Obama
Get
Ladies
Being
Deemed
Her
Right
Socially
Desirable
My parents always told my sister and me that if we wanted to, we could be doctors and lawyers, like my father and his brothers, like some of their women friends. Denise and I had art in our sights, though.
Margo Jefferson
Art
Me
Women
Father
Parents
Doctors
Sister
Our
Sights
Though
Some
Brothers
Lawyers
Could
Had
Like
Always
His
Friends
Wanted
Several elementary school teachers had described me as a 'future authoress or poetess.' Mother took me to meet Chicago's leading black librarian, who published a poem of mine in the magazine she edited for Negro children.
Margo Jefferson
Future
Me
School
Mother
Black
Took
Meet
Mine
Several
Librarian
Magazine
Poem
Had
Leading
School Teachers
She
Edited
Chicago
Children
Teachers
Who
Elementary
Elementary School
Published
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
Margo Jefferson
Words
Language
Timing
Jazz
Dancers
Risk
Could
Take
Conceal
Like
Singers
Known
Revealed
Material
Least
Were
Revising
Loved
Scripts
Themselves
Then
Much
Even
Choreography
Actor
Tonality
Interpreting
Michael Jackson was one of popular culture's greatest artists. Nobody danced better. Few sang more compellingly. No one understood more about stage spectacles or music videos. He was an innovator. His reach was global.
Margo Jefferson
Music
Culture
Better
Videos
Few
Stage
Danced
Innovator
Music Videos
About
More
No-One
He
Nobody
Global
Reach
Greatest
Understood
His
Michael
Michael Jackson
Jackson
Artists
Sang
Popular
Spectacles
I think, probably, socially, in some ways New York may be the least American city. It represents too many things that Americans really don't entirely want in their lives.
Margo Jefferson
Think
Too
Ways
City
Some
Entirely
New
Least
American
York
May
New York
Represents
Want
Really
Many
Lives
Socially
Things
New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.
Margo Jefferson
Needs
You
Wildly
Those
Musician
Borrow
He
New
Know
Armstrong
How
Arrived
New Orleans
Chicago
Louis
Louis Armstrong
York
Taught
New York
New Yorkers
Infusion
Orleans
Here
I resist lists. It must be all those 'Most Important' and 'Best of the Year' ones I compiled in my years as a beat critic. I often felt guilty about what I left out.
Margo Jefferson
Best
Important
Year
Those
Guilty
Critic
Out
Must
About
Beat
Most
Felt
Years
Left
Often
Lists
Resist
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
Margo Jefferson
Me
Respect
College
Back
Once
Find
Emily
Emily Dickinson
Poetry
Writers
Him
Pass
Am
Still
Revered
Go
Were
Years
Lines
Yeats
Anymore
Central
Again
Certain
Who
Now
At the very least, noir offers an alternate reality - moments of real passion, a bleak code of honor, and a need for freedom amid corruption. At its best, noir offers a map of subversion.
Margo Jefferson
Best
Freedom
Corruption
Reality
Passion
Honor
Bleak
Noir
Alternate
Least
Real
Very
Real Passion
Offers
Subversion
Moments
Map
Code
Need
Noir was a brainchild of the United States. And most of the creators of classic noir - novelists and screenwriters, directors and cameramen - were men. Women were their mysterious, sometimes villainous, always seductive objects of desire.
Margo Jefferson
Women
Sometimes
Men
States
Seductive
Classic
Objects
Directors
Mysterious
Noir
Most
Always
Were
Novelists
Creators
United
United States
Desire
Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
Margo Jefferson
Nature
Cause
Psychic
More
Adult
He
Primal
Clearly
Identity
His
Truly
Michael
Close
Michael Jackson
Than
Child
Trying
Jackson
Suspect
Sustained
Flee
Racial
Who
Damage
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
Margo Jefferson
Work
Needs
Sometimes
Otherwise
Thriller
Feel
Feels
Noir
Attitudes
Looks
Genuine
Does
Material
Real
Off
Artist
Done
Suspense
Just
Literal
Form
Real Work
Dose
Engaging
Film
Play
Film Noir
I'm always aware of various audiences, as a part of my training as a journalist and as part of my training as a citizen of Negroland.
Margo Jefferson
Training
Citizen
Journalist
Various
Part
Always
Audiences
Aware
For me, depression is very much tied to my feeling that so much is being asked of me. I have to 'perform' rather than necessarily be myself. I have to perform a perfect Margo Jefferson, at an impossibly high level.
Margo Jefferson
Depression
Myself
Me
Feeling
High
High Level
Rather
Perfect
Perform
Tied
Very
Than
Being
Asked
Much
Jefferson
Level
Necessarily
I do not regret the years I spent reading the traditional canon of white male writers in school. I do regret reading so little else there: Austen, George Eliot and occasionally Woolf, likewise Wright, Ellison, Hughes and Gwendolyn Brooks.
Margo Jefferson
Regret
School
Reading
White
Else
Spent
Brooks
Wright
Writers
Likewise
Occasionally
Traditional
George
Male
Years
Austen
Hughes
Canon
Woolf
Little
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