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Quotes by Composers
Quotes by Composers
I know what my taste is, and I do like my touch on the piano.
Thomas Newman
Touch
Piano
Like
Know
Taste
I flew to England to see the rough cut of 'Revolutionary Road.' I was quite moved. As a married man, it's kind of disturbing to see a couple try so hard to work things out and fail so miserably.
Thomas Newman
Work
Man
Try
Out
Kind
Married
Married Man
See
Disturbing
Road
Fail
Couple
Revolutionary
Quite
Moved
Cut
Flew
Hard
England
Rough
Things
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
Thomas Newman
Work
Me
You
Together
Creative
Creative Process
Approach
Musically
Pretend
Never
Put
Know
Well
Discover
Quite
Just
Process
Fun
Works
Why
Why Not
Served
Things
The thing I don't want to do as a film composer is reiterate. I prefer to subtextualize or to underline rather than to say, 'This is what you should be feeling.'
Thomas Newman
You
Feeling
Say
Composer
Rather
Than
Want
Prefer
Should
Film
Thing
Movie music allows me to work with players as creatively as I can.
Thomas Newman
Work
Music
Me
Movie
Creatively
Players
What satisfies me most are those nonverbal moments with players, when I sense them thinking and responding. And I think, 'Wow, this is amazing.' Hollywood gives us the money to do this. I want to be grateful for that, and I also don't want to waste it.
Thomas Newman
Me
Grateful
Money
Amazing
Be Grateful
Sense
Think
Thinking
Those
Responding
Wow
Gives
Most
Also
Nonverbal
Want
Them
Hollywood
Us
Moments
Satisfies
Waste
Players
There was no way I could not do 'Finding Dory.'
Thomas Newman
Way
Finding
Could
When you go into something like a space movie, you think there's going to be no music or little music.
Thomas Newman
Music
You
Space
Think
Something
Like
Go
Going
Movie
Little
In 'Saving Mr. Banks,' the challenge was just transitions. Time transitions from 1961 to 1906; how do you follow a character in one environment to another? And sometimes these transitions were quick, so how do you do that?
Thomas Newman
Time
Character
You
Sometimes
Challenge
Saving
Follow
Environment
Another
How
Were
Quick
Just
Banks
Transitions
The thing about the creative process is it's so chaotic.
Thomas Newman
Creative
Creative Process
Chaotic
About
Process
Thing
Music is one of the last elements in the creative process. It can and hopefully should tie a bow around an artistic concept, how a story moves forward, the pace of that storytelling.
Thomas Newman
Music
Creative
Creative Process
Hopefully
Concept
Bow
Tie
Around
How
Artistic
Moves
Pace
Process
Story
Storytelling
Should
Forward
Elements
Last
Post-production is kind of the death of hope. The money has been spent. The grand ideas are either there or they're not there. So music oftentimes has to compensate if there are issues, or it has to stay out of the way if the movie is working really well.
Thomas Newman
Death
Hope
Music
Money
Way
Spent
Out
Has-Been
Kind
Post-Production
Stay
Ideas
Well
Issues
Been
Oftentimes
Movie
Either
Grand
Really
Working
Compensate
Whatever you say to yourself about it being just another movie, and you're going to do the job you always do, it ends up being a 'Bond' movie and a sense of what it is to put music to James Bond and to honor the music that exists.
Thomas Newman
Music
You
Yourself
Honor
Job
Whatever
Sense
Say
About
Put
Another
Always
Exists
Up
Going
Just
Being
Ends
James
Movie
James Bond
Bond
Bond Movie
I first came to Abbey Road Studios in 1994. I scored 'Little Women' there. What I remember most about it was how hard it was to come to London from Los Angeles and conduct when you're jetlagged.
Thomas Newman
You
Women
Remember
First
Abbey
London
Angeles
About
Road
Studios
Come
Most
How
Los
Came
Los Angeles
Conduct
Little
Hard
There were moments in 'Malala,' I felt very moved by the storytelling, and 'pleased' would be the wrong word, but the music could be part of what moved me: that I was trying to contribute to something that was meaningful outside the realm of creative work but just more in terms of the world.
Thomas Newman
Work
Music
Me
Creative
World
Word
Pleased
Would
Would-Be
Something
More
Could
Outside
Part
Wrong
Wrong Word
Terms
Felt
Were
Very
Contribute
Trying
Just
Moved
Storytelling
Meaningful
Realm
Moments
Creative Work
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
Thomas Newman
Work
Saying
You
Director
Sometimes
First
Think
Wrong
Like
Know
Most
Piece
Well
Always
How
Go
Hear
Anticipate
Get
Any
Going
Just
Really
Therefore
Right
Things
Reject
Rejected
Number
It's always nice to remember that there was a time when I loved something that I didn't know much about; it just reached my ears and moved me.
Thomas Newman
Time
Me
Remember
Nice
Ears
About
Something
Know
Reached
Always
Just
Moved
Loved
Much
I'm a huge fan of not overemphasising with music.
Thomas Newman
Music
Huge
Huge Fan
Fan
Sometimes the best experiences are when I know nothing about this movie: I've never met the director, and I come and see something and I'm blank, because then it's coming at you in a way it would never come at you if you'd read the script, with an expectation.
Thomas Newman
Best
You
Director
Sometimes
Met
Expectation
Nothing
Way
Would
See
About
Something
Blank
Never
Come
Know
Read
Because
Coming
Experiences
Movie
Script
Then
I guess there are certain conventions that come with film and with scoring film. So maybe one of those is menace in a lower register. It's trying to evoke some sense of chaos and adventure.
Thomas Newman
Sense
Guess
Chaos
Those
Evoke
Some
Menace
Adventure
Come
Scoring
Trying
Maybe
Conventions
Register
Lower
Certain
Film
I think as storytelling has changed, you know, it's kind of turned into kind of hyper-reality movies.
Thomas Newman
You
Think
Changed
Kind
Know
Movies
Storytelling
Turned
My father's Alfred Newman - born in 1900, child prodigy at the piano, ended up in pit orchestras in the teens. I think he's one of the youngest conductors to conduct Broadway and worked with George Gershwin and Jerome Kern and Cole Porter - went out with Irvin Berlin in 1930 to Hollywood and never left.
Thomas Newman
Father
Think
Cole Porter
Teens
Broadway
Berlin
Out
Born
Piano
Never
He
George
Left
Up
Conduct
Conductors
Gershwin
Child
Ended
Pit
Orchestra
Newman
Hollywood
Prodigy
Worked
Youngest
Porter
My uncle Lionel ended up being a bug guy at 20th Century Fox, which my father had been - and, of course, my cousin Randy - you know, one of the great American songwriters. It was a storied family and, in many ways, very tough to emerge from.
Thomas Newman
Great
Family
You
Father
Tough
Uncle
Great American
Randy
Ways
Emerge
Guy
Had
Songwriters
Know
Bug
Course
Cousin
Been
Up
Very
Lionel
American
Ended
Being
Which
Century
Many
Fox
Music can affect for good or ill the body as well as the mind.
Tomas Luis de Victoria
Music
Good
Mind
Well
Affect
Body
Ill
Although I am basically self taught, I consider Debussy my teacher - the most important elements are colour, light and shadow.
Toru Takemitsu
Teacher
Music
Light
Important
Consider
Shadow
Colour
Self
Most
Although
Am
Self-Taught
Debussy
Taught
The Most Important
Elements
Basically
The art music of the West has developed through out its history by means of individual geniuses, and out of the soil supporting them; non-Western musicians were born, and grew like the grasses of the field.
Toru Takemitsu
Music
Art
History
Musicians
Soil
Field
Out
Born
Individual
Through
Developed
Supporting
Like
Geniuses
Were
West
Grew
Them
Means
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