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Quotes by Artists
I think this lack of a center has something to do with the loss of certainties that Christianity had to offer.
Bridget Riley
Think
Christianity
Something
Had
Loss
Offer
Lack
Center
Certainties
The terrible thing about sunlight is it shows the dirt.
Brigid Berlin
Sunlight
About
Dirt
Terrible
Terrible Thing
Shows
Thing
I love the New York that was. The end for me was Studio 54. I don't go out at night anymore.
Brigid Berlin
Love
Me
Out
Studio
New
Go
End
York
New York
Anymore
Night
My father was the president of the Hearst Corporation, and my parents were close friends of the Duke and Duchess of Windsor, and they all had pugs.
Brigid Berlin
Father
Parents
President
Corporation
Windsor
Had
Were
Duke
Friends
Close
Close Friends
For my art, there is a common theme most of the time: it is using the things we can see to search for the world we cannot see.
Cai Guo-Qiang
Art
Time
World
We Cannot
See
Most
Common
Cannot
Theme
Using
Search
Things
Only individual creativity can bring about real social development.
Cai Guo-Qiang
Creativity
About
Only
Individual
Development
Real
Social
Social Development
Bring
Using gunpowder as a medium became a way to liberate myself.
Cai Guo-Qiang
Myself
Liberate
Medium
Way
Gunpowder
Became
Using
Art should not be a tool of politics, but sometimes art can help make the political climate more open and help society become more free.
Cai Guo-Qiang
Politics
Art
Sometimes
Political
Free
Become
Society
Tool
More
Open
Make
Climate
Political Climate
Should
Help
One reason I chose gunpowder is that I had the good luck in my environment to be exposed to gunpowder. The other reason is I was always looking for a visual language that goes beyond the boundary of nations, and so I found gunpowder.
Cai Guo-Qiang
Good
Language
Looking
Luck
Other
Good Luck
Visual
Gunpowder
Had
Environment
Boundary
Beyond
Always
Goes
Nations
Reason
Exposed
Chose
Found
Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.
Cai Guo-Qiang
Me
World
Mother
Father
Closed
Society
Side
Books
Those
Though
Classic
Brought
Window
Windows
Unseen
Invisible
Another
Were
Western
Chinese
Grandmother
Really
Explore
Even
Two
When I was young, I didn't want to do traditional painting and calligraphy. I deliberately wanted to separate from my father so I could feel I existed myself.
Cai Guo-Qiang
Myself
Father
Young
Painting
Deliberately
Could
Feel
Traditional
Existed
Want
Wanted
Separate
I do believe every artwork has its own charisma. Sometimes it's different from what I expect. When a work is finished, it exudes its own charisma and lives its life independently.
Cai Guo-Qiang
Life
Work
Sometimes
Finished
Own
Believe
Every
Independently
Charisma
Expect
Artwork
Different
Lives
I tend to be cautious and rational, prone to keep everything under control.
Cai Guo-Qiang
Control
Everything
Prone
Rational
Tend
Cautious
Keep
In my own art, I try to use my personal voice and effort to enable some Chinese people to see the possibilities of another kind of China. A more open China.
Cai Guo-Qiang
Art
People
Try
Own
Possibilities
Kind
See
Some
My Own
More
Voice
Open
Another
Enable
Effort
Personal
China
Chinese
Chinese People
Use
Any work that is born out of natural serendipity or reverts to simpler times is poignant for people - in any era.
Cai Guo-Qiang
Work
Natural
People
Out
Born
Poignant
Simpler
Era
Times
Any
Serendipity
Even though China was a very closed country, they thought of themselves as the center of the world. It is an ethnic characteristic. After I went to Japan, I had a totally different view. The Japanese are always talking about what the Western world is doing. There is the anxious feeling of an outsider.
Cai Guo-Qiang
World
Thought
Feeling
Country
Closed
Though
Characteristic
Totally
About
Had
Outsider
Talking
Always
Doing
Western
Very
Western World
Anxious
Different
After
Center
China
Japan
Japanese
Themselves
Ethnic
View
Even
Different View
I'm always oscillating between if I should sprinkle more gunpowder or less. But if I put too much gunpowder, there may be holes throughout the silk. If not enough, the power and energy would not be shown.
Cai Guo-Qiang
Too Much
Power
Energy
Too
Enough
Would
Gunpowder
Silk
More
Throughout
Put
Between
Always
May
Holes
Much
Should
Less
Shown
It's not until the very last phase that you know how good the works are going to be.
Caio Fonseca
Good
You
Know
Until
How
Very
Going
Works
Phase
Last
My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic.
Caio Fonseca
You
Together
Intelligence
World
Job
Invent
Way
Say
Would
Logic
Give
Put
Abstraction
Also
Identity
Real
Quirky
The Real World
Real World
Interest
Forms
Them
Realize
Engage
Your
Keeps
Things
Inner
Symbols
So many paintings have hidden meanings or need wall texts, but my work is not in that category.
Caio Fonseca
Work
Hidden
Category
Texts
Wall
Meanings
Many
Paintings
Need
I think I was very lucky to have grown up with an artist's studio in the house. It was a kind of life that was possible. Yeah, it made it kind of harder because the standards were higher, but there was no pressure.
Caio Fonseca
Life
Pressure
Made
Think
Possible
Kind
No Pressure
Higher
Studio
House
Because
Yeah
Were
Up
Very
Artist
Standards
Lucky
Grown
Grown-Up
Harder
I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
Caio Fonseca
Life
Painting
Physical
Magic
Per
Mysterious
Partake
Particularly
Dead
Halfway
Returns
Just
Anything
Interested
Canvas
Paint
Elements
The world of painting has nothing to do with the art world.
Caio Fonseca
Art
World
Nothing
Painting
Art World
My uniform is sweatpants, so crusted over with dried paint that they're as hard as a table. I wear T-shirts that are also covered in paint, and Crocs.
Caio Fonseca
Wear
Table
Dried
Over
Also
Covered
Uniform
Hard
Paint
Most days, I practice piano in the mornings and I spend the rest of the day painting.
Caio Fonseca
Day
Rest
Practice
Painting
Spend
Piano
Mornings
Days
Most
Everything is beautiful, all that matters is to be able to interpret.
Camille Pissarro
Beautiful
Matters
Everything
Able
Interpret
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