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Jerry Saltz Quotes
Jerry Saltz Quotes
Jerry Saltz
American
Critic
Born:
Feb 19
,
1951
Art
Artists
People
Work
World
You
Related authors:
George Steiner
Henry Louis Gates
James Wolcott
Kimberly Guilfoyle
Margaret Fuller
Pauline Kael
Roger Ebert
bell hooks
The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.
Jerry Saltz
Incredibly
Find
Scene
New
Contradictions
York
New York
Being
Conflicts
Gallery
Hard
Deep
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
Art
Me
World
Every
Hung
Unanimously
Him
His
Art World
America
Estimated
Ignores
Paintings
Included
Twenty
Homes
Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
Jerry Saltz
Work
Art
Game
People
Will
Pay
Run
Exactly
Only
Know
Bidding
Houses
Auction
How
How Many People
Person
Wants
Them
Gallery
Who
Many
Works
Rigged
Need
Only an artist as preternaturally acute and copacetic, as oddly visionary and just odd as Richard Artschwager, would be able to lay out the whole course of human evolution and have it make some kind of sense while also seeming like a dazzling insight.
Jerry Saltz
Sense
Visionary
Evolution
Out
Kind
Would
Would-Be
Able
Insight
Some
Seeming
Only
Lay
Like
Dazzling
Also
Make
Course
Odd
Oddly
Artist
Human
Just
While
Human Evolution
Richard
Whole
Acute
Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
Jerry Saltz
Art
Good
Changed
Everything
Relativity
Everywhere
Abstraction
Idea
Version
Quickly
Einstein
Theory
The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than I've ever seen them before.
Jerry Saltz
Work
Art
Better
Seen
Before
Constantly
Seeing
More
Over
Go
Metropolitan
Than
Them
Centuries
Ever
Things
Presenting
Museum
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
Jerry Saltz
Culture
Water
Space
Problems
Ocean
Our
Indefinitely
East
Bronx
Visual
Would
Would-Be
Cross
Only
Throws
River
Over
New
Loop
Rent
Queens
Huge
Going
New Yorkers
Us
Many
Started
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
Jerry Saltz
Art
Great
Change
Culture
Great Things
Will
First
Own
Too
Waters
Our
Everything
Once
Finally
Visual
Would
Cross
More
New
Fair
Town
Annoying
Least
Importantly
Go
Huge
May
New Yorkers
Happening
Again
Show
Things
Two
Imagine
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
Jerry Saltz
Learning
Other
Temporary
About
Long-Term
Knowing
Making
Shelter
Getting
Artistic
Artists
Storm
Creating
Working
Connections
Among living artists, George Condo may be the most embraced by the powers that be.
Jerry Saltz
Living
Embraced
Most
Powers
George
Condo
May
Artists
Among
Think of an abstract painting as very, very low relief - a thing, not a picture.
Jerry Saltz
Picture
Painting
Think
Relief
Abstract
Very
Low
Thing
The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.
Jerry Saltz
Art
World
No-One
He
He Or She
She
Force
Art World
Want
Anyone
Should
Here
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
Jerry Saltz
Strategy
Visit
Out
Visits
About
New
Alternative
Go
Lot
York
Closest
List
Closest Thing
Artists
New York
Spaces
Places
Plan
Galleries
Forth
Regularly
Many
Thing
Museums
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
Jerry Saltz
Our
Clarity
Unavoidable
Horizontal
Architectural
New
Stumbling
Blocks
Vertical
York
New York
Being
Means
Certainly
Museums
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more high-minded than gallerists.
Jerry Saltz
Art
Business
World
Ethics
Important
Other
Purer
More
Institution
Academics
Course
Art World
Than
Any
Necessarily
Museums
Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this magical floating mall.
Jerry Saltz
Art
Other
Earth
City
Embraces
Magical
Perfect
Entropy
Like
Venice
Mall
Die
Quite
Place
Floating
Phase
'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.
Jerry Saltz
Soul
Heart
Cafe
Vision
Thought
Radical
Down
Distortion
Van
Van Gogh
Spine
Structure
Color
New
Make
Him
Felt
Still
His
Intellect
Density
Itself
Send
Gogh
Intensity
Pathos
Dynamic
Whether
Bridge
Paintings
Starry
Night
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
Jerry Saltz
Myself
Me
Sometimes
Made
Thinking
Sets
Please
Seventies
Way
Sun
About
Someone
Through
Never
Empire
Over
Dogmatic
Exhibition
Line
Wake
Austere
Decade
Found
Summer is a great time to visit art museums, which offer the refreshing rinse of swimming pools - only instead of cool water, you immerse yourself in art.
Jerry Saltz
Art
Time
Great
You
Yourself
Water
Swimming
Summer
Visit
Immerse
Only
Instead
Great Time
Offer
Refreshing
Which
Pools
Cool
Museums
After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades - even if it's now close to aesthetic kudzu.
Jerry Saltz
Life
Art
New Life
Important
Appropriation
Seventies
Over
New
Aesthetic
Close
Decades
After
Breathed
Even
Now
When the purse strings tighten up at museums, the institutions usually cut back and cancel shows. That's exactly the wrong reaction. In fact, now is a good time for them to loosen up - a chance to breathe and experiment a little - and go for the juicy solution lurking in their own basements.
Jerry Saltz
Time
Good
Good Time
Own
Experiment
Back
Strings
Solution
Exactly
Fact
Purse
Wrong
Institutions
Reaction
Tighten
Loosen
Go
Juicy
Up
Cancel
In Fact
Little
Them
Breathe
Cut
Shows
Now
Lurking
Chance
Museums
The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
Jerry Saltz
Food
Memory
Thinking
Secret
Lies
Steak
Knowing
Taste
The Secret Of
Then
Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing.
Jerry Saltz
Alone
Me
Together
People
Simple
Language
Dance
Our
See
Silly
Something
Only
Could
Unspoken
Like
Repeat
Anytime
Little
Mean
Meaning
Us
Stance
Deeper
Deeper Meaning
Assign
Thing
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
Jerry Saltz
Art
Me
Painting
Virus
Tell
Between
New
Days
Like
Look
Around
Go
Artist
Artists
Should
Where Cezanne captured and intensified shards of the eternal (every pear far more sharply defined than it could be in life), Monet portrayed the changeability and flux of every moment. 'The Water Lilies' give you a jittery, amorphous sense of a world seen at the speed of light.
Jerry Saltz
Life
You
World
Water
Light
Seen
Sense
Every
Speed
Flux
Defined
Give
More
Could
Sharply
Lilies
Than
Intensified
Where
Eternal
Far
Moment
Captured
Portrayed
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