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Bruno Maag Quotes
Bruno Maag Quotes
Bruno Maag
Swiss
Designer
Born:
1962
Always
Another
Different
History
You
Your
Related authors:
Alexander McQueen
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Vivienne Westwood
William Morris
Yves Saint Laurent
Each script has its own calligraphic and cultural history. It is more a question of matching different calligraphic styles to one another, without the features of one script dominating another.
Bruno Maag
History
Own
More
Features
Another
Without
Styles
Matching
Cultural
Question
Dominating
Different
Script
Each
There isn't really a stylistic recipe for fonts to make them particularly suitable to be translated into different scripts.
Bruno Maag
Suitable
Recipe
Particularly
Make
Stylistic
Different
Scripts
Them
Translated
Really
When we design for non-Latin, we always aim to create a rhythm and texture that is sympathetic so when you have the two scripts running side by side, they create, ideally, the same tonal value on the page.
Bruno Maag
You
Value
Design
Aim
Side
Running
Ideally
Always
Texture
Same
Rhythm
Scripts
Create
Page
Tonal
Two
Sympathetic
The Cyrillic and Greek scripts in particular have an alien beauty in their unfamiliar letterforms. Five weights of stroke thickness create subtle variations in light and dark that reflect the emerging and fading of the stars.
Bruno Maag
Dark
Light
Alien
Beauty
Reflect
Stars
Stroke
Emerging
Variations
Fading
Weights
Particular
Five
Greek
Unfamiliar
Subtle
Scripts
Create
A good typeface is like a well-crafted English or Italian suit: it always looks perfect.
Bruno Maag
Good
Perfect
Like
Looks
Always
Italian
English
Suit
Type is your brand.
Bruno Maag
Type
Brand
Your
If you imagine b, d, p, and q, those are letter forms that all the children always mess up. They are mirror forms of one another. That feature is emphasized in a font like Arial, where the shapes are literally mirror forms.
Bruno Maag
You
Mirror
Those
Feature
Shapes
Emphasized
Like
Mess
Another
Always
Up
Where
Children
Literally
Forms
Letter
Imagine
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