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Andrew Coyle Bradley Quotes
Andrew Coyle Bradley Quotes
Andrew Coyle Bradley
American
Judge
Born:
Feb 12
,
1844
Died:
May 15
,
1902
Alone
Death
Even
Hero
People
Will
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In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect.
Andrew Coyle Bradley
Construction
Will
First
Thinking
Dramatic
Our
Must
Examining
Point
Point Of View
Remembered
First Place
Occupy
Always
Effect
Place
Which
View
Whole
Play
Coincide
Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic.
Andrew Coyle Bradley
Death
Job
East
Would
Wearing
More
Bear
Could
He
Make
Him
Greatest
Were
His
Tragic
Than
Afflictions
Children
Story
Them
Even
Imagined
King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure.
Andrew Coyle Bradley
Alone
Construction
Impossible
Hero
King
Action
Think
Distinct
Besides
King Lear
Point
Point Of View
Leading
Lear
Regard
Double
View
Figure
Among
Plays
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.
Andrew Coyle Bradley
People
Mind
One Aspect
Those
Exaggerate
Some
Shakespeare
Fact
Contact
Come
Know
Most
Well
Isolate
Real
His
Tragic
Aspect
Who
Inclined
Even
Among
We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense.
Andrew Coyle Bradley
Language
Tyranny
Healthy
Sense
Statement
Moral
Object
Moral Sense
Folly
He
Merely
Lear
His
Selfishness
Did
Any
Might
Assert
Suffer
Deserved
Violence
But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections.
Andrew Coyle Bradley
Work
Addition
Sections
Constant
Rises
More
Through
Emotional
Exciting
Tension
Falls
Tragedy
Pitch
Regular
Less
Sequence
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